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Global Neorealism
  • Language: en
  • Pages: 283

Global Neorealism

Contributions by Nathaniel Brennan, Luca Caminati, Silvia Carlorosi, Caroline Eades, Saverio Giovacchini, Paula Halperin, Neepa Majumdar, Mariano Mestman, Hamid Naficy, Sada Niang, Masha Salazkina, Sarah Sarzynski, Robert Sklar, and Vito Zagarrio Intellectual, cultural, and film historians have long considered neorealism the founding block of post-World War II Italian cinema. Neorealism, the traditional story goes, was an Italian film style born in the second postwar period and aimed at recovering the reality of Italy after the sugarcoated moving images of fascism. Lasting from 1945 to the early 1950s, neorealism produced world-renowned masterpieces such as Roberto Rossellini's Roma, città ...

The Making of the Middle Class
  • Language: en
  • Pages: 461

The Making of the Middle Class

The contributors question the current academic understanding of what is known as the global middle class. They see middle-class formation as transnational and they examine this group through the lenses of economics, gender, race, and religion from the mid-nineteenth century to today.

Woman-Centered Brazilian Cinema
  • Language: en
  • Pages: 306

Woman-Centered Brazilian Cinema

Woman-Centered Brazilian Cinema highlights the bold, inspiring, and diverse work of female filmmakers—including directors, screenwriters, and producers—and female protagonists in the twenty-first-century Brazilian film industry. This volume examines the diverse production and distribution spaces these filmmakers are working in, including documentary, experimental, and short filmmaking, as well as commercial feature films. An intersectional approach runs throughout the chapters with complex considerations around gender, race, sexuality, and class. The book features a mix of research methods and genres, with macro-level political, economic, and industry-wide views of gender disparities appearing alongside in-depth conversations with contemporary filmmakers Maria Augusta Ramos, Petra Costa, Mari Corrêa, and Paula Sacchetta, focused on micro-level personal experiences. In bringing together original essays and interviews, the volume provides valuable information for students of Brazil in general and of Brazilian film in particular.

Seeing Things
  • Language: en
  • Pages: 300

Seeing Things

In 1980s India, the Ramsay Brothers and other filmmakers produced a wave of horror movies about soul-sucking witches, knife-wielding psychopaths, and dark-caped vampires. Seeing Things is about the sudden cuts, botched makeup effects, continuity errors, and celluloid damage found in these movies. Kartik Nair reads such "failures" as clues to the conditions in which the films were made, censored, and seen, offering a view from below of the world's largest film culture. By combining close analysis with extensive archival research and original interviews, Seeing Things reveals the spectral materialities informing the genre's haunted houses, grotesque bodies, and graphic violence.

The Housing Question
  • Language: en
  • Pages: 323

The Housing Question

  • Type: Book
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  • Published: 2016-03-09
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  • Publisher: Routledge

In the wake of the Great Recession, housing and its financing suddenly re-emerged as questions of significant public concern. Yet both public and academic debates about housing have remained constricted, tending not to explore how the evolution of housing simultaneously entails basic forms of socio-spatial reproduction and underlying tensions in the political order. Drawing on cutting edge perspectives from urban studies, this book grants renewed, interdisciplinary energy to the housing question. It explores how housing raises a series of vexing issues surrounding rights, identity, and justice in the modern city. Through finely detailed studies that illuminate national and regional particularities- ranging from analyses of urban planning in the Soviet Union, the post-Katrina reconstruction of New Orleans, to squatting in contemporary Lima - the volume underscores how housing questions matter in a wide range of contexts. It draws attention to ruptures and continuities between high modernist and neoliberal forms of urbanism, demonstrating how housing and the dilemmas surrounding it are central to governance and the production of space in a rapidly urbanizing world.

Yerba Mate
  • Language: en
  • Pages: 393

Yerba Mate

Like coffee or tea, yerba mate is one of the world's most beloved caffeinated beverages. Once dubbed a "devil's drink" by Spanish missionaries in South America only to be later hailed by capitalists and politicians as "green gold," it has a long and storied history. And no country consumes and celebrates yerba mate quite like Argentina. Yerba Mate is the first book to explore the extraordinary history of this iconic beverage in Argentina from the precolonial period to the present. From yerba mate's Indigenous origins to its ubiquity during the colonial era, from its association with rural people and the poor in the late nineteenth century to its resurgence in the last years of the twentieth century, Julia Sarreal meticulously documents yerba mate's consumption, production, and cultural importance over time. Yerba Mate is the definitive history of this popular beverage and social practice, and it tells a fascinating story about race, culture, and how a drink helped forge the national identity of one of the world's most dynamic countries.

A World More Concrete
  • Language: en
  • Pages: 405

A World More Concrete

Connolly argues that Americans, immigrants, and even indigenous people, between the 1890s and the 1960s, made tremendous investments in racial apartheid, largely in an effort to govern growing cities and to unleash the value of land as real estate. Through a focus on South Florida, the book illustrates how entrepreneurs used land and debates over property rights to negotiate the workings of Jim Crow segregation.

Refiguring Melodrama in Film and Television
  • Language: en
  • Pages: 172

Refiguring Melodrama in Film and Television

The notion of mode is critical in the reevaluation of melodrama. As a mode, melodrama appears not only as a dramatic genre pervaded by sensationalism, exaggerations, and moral polarities, but also as a cultural imaginary that shapes the emotional experience of modernity, characterized by anxiety, moral confusion, and the dissolution of hierarchy. Despite its usefulness, the notion of mode remains mystifying: What exactly are modes and how do they differ from genres? Refiguring Melodrama in Film and Television: Captive Affects, Elastic Sufferings, Vicarious Objects argues that, whereas genres divide a universe in terms of similarities and differences, modes express or modify an indivisible wh...

The Age of Youth in Argentina
  • Language: en
  • Pages: 355

The Age of Youth in Argentina

Age of Youth in Argentina: Culture, Politics, and Sexuality from Peron to Videla"

Cuerpos, géneros e identidades
  • Language: es
  • Pages: 316

Cuerpos, géneros e identidades

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