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They Must Be Represented
They Must Be Represented examines documentary in print, photography, television and film from the 1930s through the 1980s, using the lens of recent feminist film theory as well as scholarship on race, class and gender emerging from the new interdisciplinary approach of American cultural studies. Paula Rabinowitz discusses the ways in which these four media shaped truth-claims and political agency over the decades: in the 1930s, about poverty, labor and popular culture during the depression; in the 1960s, about the Vietnam War, racism, work and counterculture; and in the 1980s, about feminist and gay critiques of gender, history, narrative and cinema. A great deal of documentary expression ha...
Oxford Research Encyclopedias
Substantive, peer-reviewed, and regularly updated, the Oxford Research Encyclopedia of Literature combines the speed & flexibility of digital with the rigorous standards of academic publishing.
Labor and Desire
This critical, historical, and theoretical study looks at a little-known group of novels written during the 1930s by women who were literary radicals. Arguing that class consciousness was figured through metaphors of gender, Paula Rabinowitz challenges the conventional wisdom that feminism as a discourse disappeared during the decade. She focuses on the ways in which sexuality and maternity reconstruct the "classic" proletarian novel to speak about both the working-class woman and the radical female intellectual. Two well-known novels bracket this study: Agnes Smedley's Daughters of Earth (1929) and Mary McCarthy's The Company She Keeps (1942). In all, Rabinowitz surveys more than forty nove...
American Pulp
A richly illustrated cultural history of the midcentury pulp paperback "There is real hope for a culture that makes it as easy to buy a book as it does a pack of cigarettes."—a civic leader quoted in a New American Library ad (1951) American Pulp tells the story of the midcentury golden age of pulp paperbacks and how they brought modernism to Main Street, democratized literature and ideas, spurred social mobility, and helped readers fashion new identities. Drawing on extensive original research, Paula Rabinowitz unearths the far-reaching political, social, and aesthetic impact of the pulps between the late 1930s and early 1960s. Published in vast numbers of titles, available everywhere, an...
Black & White & Noir
The first book to treat issues of race and ethnicity as related to noir, offering a cultural history of twentieth-century America through episodic readings of films, photographs, and literature.
Writing Red
This comprehensive collection of fiction, poetry, and reportage by revolutionary women of the 1930s lays to rest the charge that feminism disappeared after 1920. Among the thirty-six writers are Muriel Rukeyser, Margaret Walker, Josephine Herbst, Tillie Olsen, Tess Slesinger, Agnes Smedley, and Meridel Le Sueur. Other voices may be new to readers, including many working-class Black and white women. Topics covered range from sexuality and family relationships, to race, class, and patriarchy, to party politics. Toni Morrison writes that the anthology is “peopled with questioning, caring, socially committed women writers.”
Accessorizing the Body
What the smallest detail of dress reveals about gender, sexuality, race, politics, and aesthetics.
Red Love Across the Pacific
This book examines the Red Love vogue that swept across the Asia-Pacific in the 1920s and 1930s as part of a worldwide interest in socialism and follows its trails throughout the twentieth century. Encouraging both political and sexual liberation, Red Love was a transnational movement demonstrating the revolutionary potential of love and desire.
Exchanging Clothes
How garments--signaling and altering identity--circulate through culture and the economy
Posthuman Bodies
"... will draw a wide readership from the ranks of literary critics, film scholars, science studies scholars and the growing legion of 'literature and science' researchers. It should be among the essentials in a posthumanist toolbox." -- Richard Doyle Automatic teller machines, castrati, lesbians, The Terminator: all participate in the profound technological, representation, sexual, and theoretical changes in which bodies are implicated. Posthuman Bodies addresses new interfaces between humans and technology that are radically altering the experience of our own and others' bodies.
