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O e-book intitulado Práticas em Pesquisa Artística: performance, criação e cultura contemporânea apresenta 11 artigos que fizeram parte do I ENCONTRO BRASILEIRO DE PESQUISA ARTÍSTICA. Este evento foi idealizado pelo grupo de pesquisa Observatório e Laboratório de Pesquisa Artística e realizado na Universidade Federal de Mato Grosso em parceria com o Programa de Pós-Graduação em Estudos de Cultura Contemporânea, com apoio da Universidade Federal de Pernambuco.
Ministerio da fazenda
O livro fala da música brasileira, sim. Mas é aquela impopular, a "outra", a clássica. Se o nome de Villa-Lobos constitui antes exceção do que regra do cenário musical brasileiro, que dirá os compositores que vivem eternamente sendo regatados por musicólogos e interpretes. Traçando uma linha do tempo da época colonial até os nossos tempos, o autor conta a história dessa música de maneira acessível ao leitor "leigo", não-familiarizado com o jargão musical específico. Ao reconhecer que as partituras não são folhas soltas no tempo e no espaço, Irineu procura também relacionar a música "clássica" com os fatos históricos e culturais de sua época, inclusive a música popular, e situar seus criadores no ambiente intelectual e social brasileiro.
Calatonia is a body-based, psychophysical approach created during WWII by Pethö Sándor, a Hungarian physician. He developed Calatonia whilst working as a doctor for the Red Cross, in various refugee camps. Calatonia arose out of necessity, and was probably the first somatic therapy developed from, and initially for, those suffering from war trauma.A pioneering spirit, he recognised the importance of fostering the organism's self-regulation within the therapeutic context, in order to achieve psychological balance and to facilitate the integration of traumatic experiences. His work is life affirming and encourages resilience building, structured around the global reorganisation and mutual re...
by ROBERT ROSS and GERARD J. TELKAMP I In a sense, cities were superfluous to the purposes of colonists. The Europeans who founded empires outside their own continent were primarily concerned with extracting those products which they could not acquire within Europe. These goods were largely agricultural, and grown most often in a climate not found within Europe. Even when, as in India before 1800, the major exports were manufactures, in general they were still made in the countryside rather than in the great cities. It was only on rare occasion when great mineral wealth was discovered that giant metropolises grew up around the site of extraction. Since their location was deter mined by geolo...
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This book, originally published in 1987, is a socio-cultural analysis of a tropical belle epoque: Rio de Janeiro between 1898 and 1914. It relates how the city's elite evolved from the semi-rural, slave-owning patriarchy of the coffee-port seat of a monarchy into an urbane, professional, rentier upper crust dominating the centre of a 'modernising' oligarchical republic. It explores such varied topics as architecture, literature, prostitution, urban reform, the family, secondary schools, and the salon. It evokes a milieu increasingly marked by Europe, demonstrating how French and English culture permeated the lives of elite members who adapted it to their needs and perspectives as a dominant stratum of relatively recent and varied origin. This exploration of cultural 'dependency' in a unique, cosmopolitan, fin-de-siecle urban culture will also interest those concerned with the broader questions of culture and colonialism during the high tide of European imperialism.