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This is the first English-language study of internationally acclaimed Portuguese filmmaker Pedro Costa, examining the cultural, production and exhibition contexts of his feature films, shorts and video installations. It situates Costa's filmmaking within the contexts of Portuguese, European and global art film, looking into his working practices alongside the impact of digital video, forms of collaborative authorship, and the intricate dialogue between modes of production and aesthetics. Considering the exhibition, circulation and reception of Costa's creative output in settings such as film festivals, the art gallery circuit and the home video market, ReFocus: The Films of Pedro Costa provides an essential critical analysis of this major filmmaker - as well as of the multifaceted production and consumption practices that surround contemporary art cinema.
"This book offers a new reading of the work of Portuguese filmmaker Pedro Costa. It provides a formal and detailed analysis of his films to suggest that Costa's formal procedures generate a contingency of meaning. The book proposes that Costa's films suggest a critical thinking posited through the materiality of the cinematic medium that is capable of exposing the limits of filmic representation itself. In addition, the author argues that Costa's political gesture derives from the articulation of the intrinsic elements of the filmic medium rather than the depiction of a social reality"--
This is the first English-language study of internationally acclaimed Portuguese filmmaker Pedro Costa, examining the cultural, production and exhibition contexts of his feature films, shorts and video installations. It situates Costa's filmmaking within the contexts of Portuguese, European and global art film, looking into his working practices alongside the impact of digital video, forms of collaborative authorship, and the intricate dialogue between modes of production and aesthetics. Considering the exhibition, circulation and reception of Costa's creative output in settings such as film festivals, the art gallery circuit and the home video market, ReFocus: The Films of Pedro Costa provides an essential critical analysis of this major filmmaker - as well as of the multifaceted production and consumption practices that surround contemporary art cinema. Nuno Barradas Jorge teaches in the Department of Cultural, Media and Visual Studies at the University of Nottingham. He is the co-editor, with Tiago de Luca, of Slow Cinema (Edinburgh University Press, 2016).
Though Portuguese director Pedro Costa is less commonly known to ordinary moviegoers, among cinephiles he is widely admired and for his unusual body of work. His films have captivated audiences for over three decades, earning accolades and wide acclaim. The Haunted Cinema of Pedro Costa is an exploration of Costa's oeuvre, covering his work from its beginnings with O sangue to the recent Vitalina Varela and his short film "The Daughters of Fire." Authors James Naremore and Darlene J. Sadlier offer lucid analysis that situates Costa's films within the history and culture of Portugal, explores the complexities of his artistry, illuminates his unique contribution to the cinematic canon, and provides insightful, close readings of his most seminal works. An accessible portrait of an important figure in international film, The Haunted Cinema of Pedro Costa is an indispensable companion for scholars, cinephiles, and anyone seeking to unravel the mysteries of Costa's cinematic universe.
This book gathers examples of the author's criticism from the span of his writing career, each of which demonstrates his passion for the way we view movies, as well as how we write about them.
This book is open access under a CC BY-NC 2.5 license. The Gulf of Mexico is an open and dynamic marine ecosystem rich in natural resources but heavily impacted by human activities, including agricultural, industrial, commercial and coastal development. The Gulf of Mexico has been continuously exposed to petroleum hydrocarbons for millions of years from natural oil and gas seeps on the sea floor, and more recently from oil drilling and production activities located in the water near and far from shore. Major accidental oil spills in the Gulf are infrequent; two of the most significant include the Ixtoc I blowout in the Bay of Campeche in 1979 and the Deepwater Horizon Oil Spill in 2010. Unfo...
Approx.508 pages
In 1502, Christopher Columbus named Costa Rica, and while gold and silver never materialized to justify the moniker of rich coast in purely economic terms, scientists and ecotravelers alike have long appreciated its incredible wealth. Wealth in Costa Rica is best measured by its biodiversityhome to a dizzying number of plants and animals, many endemic, it s a country that has long encouraged and welcomed researchers from the world over, and is exemplary in the creation and commitment to indigenous conservation and management programs. Costa Rica is considered to have the best preserved natural resources in Latin America. Approximately nine percent (about 1,000,000 acres) of Costa Rica has be...
This book addresses the puzzle of why the World Bank was unable to effect sweeping neoliberal health reforms in Latin America from the 1980s onward. Through the use of quantitative regional data together with interview and archival data collected during fieldwork in Argentina, Costa Rica, Peru, and Washington DC, this book argues that the answer to this puzzle is twofold. First, the World Bank has not promoted a uniformly neoliberal, monolithic agenda in health. Second, countries’ autonomy and capacity in this sector shape how the World Bank is involved in reforms. Finally, the book distinguishes neoliberal ends from means in health sector reform and traces changes in “banking on health” over time.