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Just Breathe Normally
Just Breathe Normally opens with a traumatic accident. Shattered perceptions and shards of narrative recount the events, from wreck through recovery and beyond. In lyric prose, the stories spiral back through generations to touch on questions of mortality and family, immigration and migration, legacies intended or inflicted. ø In the wake of her near-fatal cycling collision, Peggy Shumaker searches for meaning within extremity. Through a long convalescence, she reevaluates her family?s past, treating us to a meditation on the meaning of justice and the role of love in the grueling process of healing. Her book, a moving memoir of childhood and family, testifies to the power of collective empathy in the transformations that make and remake us throughout our lives. ø We all live with injury and loss. This book transforms injury, transforms loss. Shumaker crafts language unlike anyone else, language at once poetic and profound. Her memoir enacts our human desire to understand the fragmented self. We see in practice the power of words to restore what medical science cannot: the fragile human psyche and its immense capacity for forgiveness.
Gnawed Bones
Peggy Shumaker's sixth full-length collection, "Gnawed Bones," is perhaps her finest. Shumaker covers a wide range--but she casts a far more personal eye, worrying at the puzzle of human relationships as well as human connection to the land itself.
Gnawed Bones
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Toucan Nest
In Toucan Nest, the eighth book by Alaska State Writer Laureate Peggy Shumaker, her encounter with the unfamiliar realm of Costa Rica has produced a work of startlingly beautiful mindfulness and imagination.
Cabin 135
As a young adult, Katie Eberhart moved to Cabin 135, a house on a knoll in remote Alaska. Over the next decade, growing up and growing into her home, she found herself thinking through her ever-changing ideas about aging and place, a lot of which were wrapped up closely in her experience of living in the house itself. Cabin 135 provided shelter and security, and it also offered lessons on economic disruptions and how ideas of normalcy change. In these pages, we share Eberhart’s experience of digging into the past—figuratively and, in her garden, at an archaeology site, and in a national park, literally. Every layer peeled back, we find, reveals another story, another way of thinking abou...
Cairn
Set in Alaska and Arizona, Peggy Shumaker's new and selected writing explores the wildness of land, heart, and family.
Greatest Hits #253
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Blaze
Savoring Alaskan landscapes by way of birch trees has become Kes Woodward s trademark. This collection brings together thirty years of his birch portraits and forest close-ups. Over those same thirty years, poet Peggy Shumaker has traveled inner landscapes via images drawn from two deserts the Sonoran and the Subarctic. Her poems embody the harsh beauty of heat and cold, the force of true extremes. Wounded trees, marked paths, slashes of color. Bursts of passions, licks of flame. The sensual spirits of two imaginations at work fuel this this volume.
Short Takes
Invigorating creative nonfiction—short, but never slight—gathered by the co-editor of In Short and In Brief. In the years since the perennially popular In Short and In Brief were published, readers have come to delight in the deft focus of the succinct piece we now call The Short. Extending this trend, Short Takes presents over seventy-five writers whose range and style demonstrate the myriad ways we humans have of telling our truths. Themes develop and speak to or collide with one another: musings about parents, childhood, sports, weather, war, solitude, nature, loss—and, of course, love. The stellar roster of contributors includes well-known writers—Verlyn Klinkenborg, Jo Ann Beard, David Sedaris, Dorothy Allison, Salman Rushdie, and Terry Tempest Williams—along with Michael Perry, Mark Spragg, Jane Brox, and others whose literary stars are clearly rising. Each short—whether a few paragraphs or reaching 2,000 words, and reflecting almost every way nonfiction can be written—invites us to experience the power of the small to move, persuade, and change us.
