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Elderescence
Thirty-five million Americans are living beyond the age of sixty-five, a twenty-five year increase in life expectancy since 1900. This longevity, once the gift of a few, has become the destiny of many. This time of life is not just about retiring; in fact many who retire return happily to some type of employment. It is a new stage of life filled with its own unique challenges and opportunities. Co-authors Jane Thayer and Peggy Thayer, a mother-daughter team of psychologists, have named this stage of life, 'elderescence.'
Bubble in the Sun
Christopher Knowlton, author of Cattle Kingdom and former Fortune writer, takes an in-depth look at the spectacular Florida land boom of the 1920s and shows how it led directly to the Great Depression. The 1920s in Florida was a time of incredible excess, immense wealth, and precipitous collapse. The decade there produced the largest human migration in American history, far exceeding the settlement of the West, as millions flocked to the grand hotels and the new cities that rose rapidly from the teeming wetlands. The boom spawned a new subdivision civilization—and the most egregious large-scale assault on the environment in the name of “progress.” Nowhere was the glitz and froth of the...
The Complete Book of 1920s Broadway Musicals
During the Twenties, the Great White Way roared with nearly 300 book musicals. Luminaries who wrote for Broadway during this decade included Irving Berlin, George M. Cohan, Rudolf Friml, George Gershwin, Oscar Hammerstein II, Lorenz Hart, Jerome Kern, Cole Porter, Richard Rodgers, Sigmund Romberg, and Vincent Youmans, and the era’s stars included Eddie Cantor, Al Jolson, Ruby Keeler, and Marilyn Miller. Light-hearted Cinderella musicals dominated these years with such hits as Kern’s long-running Sally, along with romantic operettas that dealt with princes and princesses in disguise. Plots about bootleggers and Prohibition abounded, but there were also serious musicals, including Kern and...
A Student At Princeton
Letters written by William Kincaid Newman and his parents while he was an undergraduate at Princeton University, 1927 to 1931.
Boca Rococo
Addison Mizner’s Mediterranean-style mansions are much-admired Florida icons, where even today you can find many homes modeled with stucco walls and tiled roofs. In the paperback release of Boca Rococo, Caroline Seebohm’s successful biography on the flamboyant architect is more accessible now than ever as it reaches more readers interested in the man himself. Mizner had global experience from San Francisco to China during his early days, before landing in New York and eventually, South Florida. He had no formal training but did possess natural talent, establishing him as architect of the rich and famous. His designs made the city of Palm Beach one of America’s most elegant resort spots—and fed his dream of developing a “Venice-on-the-Ocean” in nearby Boca Raton. Mizner’s plans ended with the collapse of Florida’s real estate boom. He died in 1933, broken and bankrupt. With inspiration from and inclusion of never-before-seen material like floor plans and autobiographical works, and a new foreword written by the author, Seebohm gives readers a complete view of Mizner as one of the greatest architects and more flamboyant Americans.
The World of Swope
Herbert Bayard Swope (1882-1958) was a reporter, foreign correspondent and newspaper editor: he spent most of his career at the New York World and was the first and three-time recipient of the Pulitzer Prize for Reporting. He knew virtually everyone, gangsters, socialites, ward politicians and American Presidents. Wherever he went he dominated the gathering by virtue of his height, his flaming red hair, his seemingly inexhaustible fund of information on all subjects and his unabashed enthusiasm for taking center stage. After leaving journalism in the late 1920s, Swope was at various times, and often simultaneously, a force in the Democratic party, adviser to politicians, financiers and indus...
The Experience of Being Creative as a Spiritual Practice
What is the spiritual nature of being creative? This study is unique in bringing together personal descriptions from practicing artists, writings from the growing literature on creativity as spiritual practice, as well as the author's own understanding as a visual artist. Through descriptions from ten practicing painters who consider their work a spiritual practice, the spiritual essence of creativity begins to emerge. This understanding finds roots as the writings of contemporary artists, creativity theorists, and philosophers from several spiritual traditions are explored. This work elucidates not only the experience of being creative as a spiritual practice, but the felt-sense of creative experience and spiritual experience as well.
