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Inferences with Ignorance focuses on two formal logic systems that employ the type of inferences in which questions are used in addition to statements. Not merely capturing questions as part of a logical apparatus, Michal Peliš also emphasizes the role of question-asking in communication. The book presents options for formalizing questions using sets of “direct answers,” demonstrates where questions are used in inferences, and explores asking questions and seeking answers as important components of everyday communication, proposing ways of using questions within a formal system that can capture a change in knowledge during this simple communication.
"Focuses on two formal logic systems that employ the type of inferences in which questions are used in addition to statements. Not merely capturing questions as part of a logical apparatus, Michal Peliš also emphasizes the role of question-asking in communication. The book presents options for formalizing questions using sets of "direct answers," demonstrates where questions are used in inferences, and explores asking questions and seeking answers as important components of everyday communication, proposing ways of using questions within a formal system that can capture a change in knowledge during this simple communication."
Edited in collaboration with FoLLI, the Association of Logic, Language and Information, this book constitutes the refereed proceedings of the 8th International Tbilisi Symposium on Logic, Language, and Computation, TbiLLC 2009, held in Bakuriani, Georgia, in September 2009. The 20 revised full papers included in the book were carefully reviewed and selected from numerous presentations given at the symposium. The focus of the papers is on the following topics: natural language syntax, semantics, and pragmatics; constructive, modal and algebraic logic; linguistic typology and semantic universals; logics for artificial intelligence; information retrieval, query answer systems; logic, games, and formal pragmatics; language evolution and learnability; computational social choice; historical linguistics, history of logic.
This volume of the Logica Yearbook series brings together articles presented at the annual international symposium Logica 2011, Hejnice, the Czech Republic. The articles range over mathematical and philosophical logic, history and philosophy of logic, and the analysis of natural language.
"One of theatre's subtlest, most sophisticated minds" (The Times) One spring morning a quiet, shy man in his sixties sets out from Land's End to walk the length of his native land. He has never walked more than a dozen miles in his life before, his health is uncertain, his boots are new, and he is too diffident to talk to anyone he meets along the way. His slow, solitary progress up the spine of Britain is watched by an unseen audience - his family and friends at home. How far will he get before he is forced to give up? Is he being heroic or merely selfish? As the days of his absence go by the old alliances and quarrels inside the family shift and alter. What emerges is a story about the arbitrariness of human endeavour and about the tenacious complexity of human relationships; about one man's glimpse of the country he lives in; about courage and about love. First and Last was directed by Alan Dossor in a production for BBC television, with Joss Ackland as the walker.
"One of theatre's subtlest, most sophisticated minds" (The Times) One spring morning a quiet, shy man in his sixties sets out from Land's End to walk the length of his native land. He has never walked more than a dozen miles in his life before, his health is uncertain, his boots are new, and he is too diffident to talk to anyone he meets along the way. His slow, solitary progress up the spine of Britain is watched by an unseen audience - his family and friends at home. How far will he get before he is forced to give up? Is he being heroic or merely selfish? As the days of his absence go by the old alliances and quarrels inside the family shift and alter. What emerges is a story about the arbitrariness of human endeavour and about the tenacious complexity of human relationships; about one man's glimpse of the country he lives in; about courage and about love. First and Last was directed by Alan Dossor in a production for BBC television, with Joss Ackland as the walker.
An expanded and updated study of the thematic concerns and the underlying humanism and morality in Scorsese's films. Contains individual chapters on fifteen Scorsese films, the most complete Scorsese filmography available, and a host of illustrations.
This volume contains all nine scripts from the BBC television series Ripping Yarns, written by ex-Monty Python members Michael Palin and Terry Jones. It includes such tales as Tomkinson's Schooldays, The Curse of the Claw and Whinfrey's Last Case.
You might think that after ten seasons on the Peabody Award-winning TV series Mystery Science Theater 3000, Mike Nelson has seen enough bad movies for one lifetime. As the guys at Cahiers du Cinema say, au contraire! Hollywood's spigot of stupidity shows no sign of slowing, and cheesy films continue to flood our multiplexes and gunk up our home entertainment centers at an alarming rate. This dire situation calls for a specialist. A professional. An expert in wading through motion pictures so vile that they aren't released; they escape. We need Mike Nelson! Hey, settle down there, pal--you got him! In more than sixty laugh-out-loud reviews and essays featuring his unique combination of erudit...
Film is considered by some to be the most dominant art form of the twentieth century. It is many things, but it has become above all a means of telling stories through images and sounds. The stories are often offered to us as quite false, frankly and beautifully fantastic, and they are sometimes insistently said to be true. But they are stories in both cases, and there are very few films, even in avant-garde art, that don't imply or quietly slip into narrative. This story element is important, and is closely connected with the simplest fact about moving pictures: they do move. Even the older meanings of the word 'film' - a membrane, a covering, a veil, an emanation - now seem to have somethi...