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'I know what an endsister is,' says Sibbi again. We are endsisters, Else thinks, Sibbi and I. Bookends, oldest and youngest, with the three boys sandwiched in between. Meet the Outhwaite children. There's teenage Else, the violinist who abandons her violin. There's nature-loving Clancy. There's the inseparable twins, Oscar-and-Finn, Finn-and-Oscar. And then there is Sibbi, the baby of the family. They all live contentedly squabbling in a cottage surrounded by trees and possums...until a letter arrives to say they have inherited the old family home in London. Outhwaite House is full of old shadows and new possibilities. The boys quickly find their feet in London, and Else is hoping to reinvent herself. But Sibbi is misbehaving, growing thinner and paler by the day, and she won't stop talking about the mysterious endsister. Meanwhile Almost Annie and Hardly Alice, the resident ghosts, are tied to the house for reasons they have long forgotten, watching the world around them change, but never leaving. The one thing they all agree on - the living and the dead - is never, ever to open the attic door...
Have you ever woken from a dream feeling it was more real than your world? Could there be someone exactly like you living another life? Claire lives in an ordinary world where everything is whole. But now she feels broken into pieces as her world is suddenly shattered with grief. The silvery notes of her music box help her escape from her pain into a dream world, into Clara's world. Clara's world has always been broken. Her fragmented life revolves around scavenging and swapping objects to survive. She is determined to face the sinister side of her cracked reality to save the only family she has ever known. But the cost may be more than she bargained for. Though Claire and Clara live in different worlds, their paths are set to collide when the people they love most are faced with death. But which world is the dream? Who is the dreamer? Penni Russon has written a spellbinding tale that stretches the imagination about what is possible.
A gorgeously spooky book about magic, family, power and love. Being sixteen is confusing and unpredictable enough for anyone. But if you're Undine, you also begin hearing voices calling you home in the middle of the night – and then you suddenly produce a storm out of thin air. Your best friend Trout insists on falling messily in love with you, while you end up with a crush on his older brother. Meanwhile, the ocean begins appearing in your inland bedroom, and your dead father turns out to be not so dead after all ...
The magical sequel to the highly acclaimed Undine. Trout walks the streets at night, obsessing over Undine and the events in the Bay, haunted by the image of his own death. In his search for answers he is drawn back to the chaosphere and to Max, who may hold the key to Undine's magic. But can he trust the mysterious Max? Undine promised her mother that she won't use her magic in her final year of school, but her father, Prospero, thinks her promise is dangerous. Against the idyllic background of Corfu, home of her father's ancestors, conflict rages inside her and Undine must answer the most important question of all: is she the magic, or is she the girl?
Be transported into dystopian cities and alternate universes. Hang out with unicorns, cyborgs and pixies. Learn how to waltz in outer space. Be amazed and beguiled by a fairy tale with an unexpected twist, a futuristic take on a TV cooking show, and a playscript with tentacles. In other words, get ready for a wild ride! This collection of sci-fi and fantasy writing, including six graphic stories, showcases twenty of the most exciting writers and artists from India and Australia, in an all-female, all-star line-up! Published by Zubaan.
Book 17 in the Girlfriend Fiction series is a joyous story about mothers, daughters, long lost friendship and romance, written by two of Australia's best YA authors. Another great read for girls. Fall in love with something real.
Sandy Jeffs was born in Ballarat in 1953. She was diagnosed with schizophrenia in 1976, a time when recovery was seen as unlikely. She was in and out of institutional care for 15 years, including at the infamous Larundel Psychiatric Hospital. Sandy was among the first to start speaking publicly about living with a mental illness, and much of her writing has been about her struggle to live a full life despite this, including in eight volumes of poetry. She is well-known as a community educator, speaking to doctors and psychiatrists, at community health centres, and educational institutions. She has been honoured in the Victorian Honour Roll of Women, Her Place Women' s Museum, and with an OAM in 2020.
Eloise doesn't speak, but can she see into the past? This exciting and atmospheric mystery from the author of the Chanters of Tremaris series explores themes of family, friendship, and grief. Something flickered at the top of the stairs. Eloise heard a voice call,I'm coming!, and a girl in a pale dress and a big sunhat came running, her fingertips slipping down the curve of the slim iron railing. Eloise went cold all over. She couldn't move, or breathe; her mouth was dry. At the bottom of the steps, the girl in the pale dress faltered, then stopped. For a fraction of a second she stood motionless, as if she were listening. Then all at once she turned and stared straight at Eloise. And sudden...
The stories in Taking Pictures are snapshots of the body in trouble: in denial, in extremis, in love. Mapping the messy connections between people - and their failures to connect - the characters are captured in the grainy texture of real life: freshly palpable, sensuous and deeply flawed. From Dublin to Venice, from an American college dorm to a holiday caravan in France, these are stories about women stirred, bothered, or fascinated by men they cannot understand, or understand too well. Enright's women are haunted by children, and by the ghosts of the lives they might have led - lit by new flames, old flames, and flames that are guttering out.A woman's one night stand is illuminated by dre...
Stories are not enough, even though they are essential. And books about history, books of psychology--the best of them take us closer, but still not close enough. Maria Tumarkin's Axiomatic is a boundary-shifting fusion of thinking, storytelling, reportage and meditation. It takes as its starting point five axioms: 'Time Heals All Wounds'; 'History Repeats Itself'; 'Those Who Forget the Past are Condemned to Repeat It'; 'Give Me a Child Before the Age of Seven and I Will Show You the Woman'; and 'You Can't Enter The Same River Twice.' These beliefs--or intuitions--about the role the past plays in our present are often evoked as if they are timeless and self-evident truths. It is precisely because they are neither, yet still we are persuaded by them, that they tell us a great deal about the forces that shape our culture and the way we live.