Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Flight of the Budgerigar
The Budgerigar is arguably Australia's best-known bird. At the same time, it is so ubiquitous that not everyone knows that it is Australian. Nor do many realise that the multicoloured bird that comes to mind--not to mention today's super-sized, extravagantly coiffed show budgie--is as different from the free-living original as a chihuahua from a wolf. Far from the cosy domestic lives our pet budgies live today, the native budgerigar has lived millennia of boom-bust cycles in the arid inland of Australia. Life was often short; if they were not fodder for predators, they starved or had to struggle their way to districts closer to the coast. For the Warlpiri and their Arrernte neighbours around...
Night Parrot
For well over a century, the Night Parrot lured its seekers into Australia's vast, arid outback. From the beginning it was a mysterious bird. Fewer than 30 specimens were collected before it all but disappeared, offering only fleeting glimpses and the occasional mummified body as proof of its continued existence. Protected by spinifex and darkness, the parrot attained almost mythical status: a challenge to birdwatchers and an inspiration to poets, novelists and artists. Night Parrot documents the competitiveness and secrecy, the triumphs and adventures of the history of the bird and its followers, culminating in the recent discovery of live birds at a few widely scattered locations. It describes what we are now unravelling about the mysteries of its biology and ecology and what is still left to learn. Complemented by guest essays, illustrations and photographs from a wide variety of sources, this book sheds light on Australia's most elusive bird.
Feather and Brush
This volume traces the 300-year history of bird art in Australia, from the crudely illustrated records of the earliest European voyages of discovery to the diversity of artwork available at the start of the 21st century. It is a history inseparable from the development of Australian ornithology. Against a background of establishment of the country itself, naval draftsmen, convicts, officers, settlers, naturalists, artists and scientists alike contributed both to the art and to science.
Wedge-tailed Eagle
Australia’s Wedge-tailed Eagle belongs to the family of eagles, which together span the world. Eagles are powerful predators, with exceptional powers of flight and sight. They may kill to survive, but they also sleep, play, enjoy a bath, make tender parents, and form lasting relationships. This book gives a comprehensive overview of Australia’s largest true eagle and one of the country’s few large predators and scavengers. First appearing in Aboriginal rock-paintings more than 5000 years ago, the Wedge-tailed Eagle was little more than a curiosity to the early European settlers. The book traces the subsequent changes in perception—from its branding as a vicious sheep killer to an iconic species worthy of conservation—and covers distribution, habitat, hunting, relationships, reproduction and chick development. A final section deals with threats to the existence of this magnificent bird. Winner of the 2006 Whitley Award for Best Natural History of an Iconic Species.
Australia's First Naturalists
Would Blaxland, Wentworth and Lawson have ever crossed the Blue Mountains without the help of the local Aboriginal people? The invaluable role of local guides in this event is rarely recognised. As silent partners, Aboriginal Australians gave Europeans their first views of iconic animals, such as the Koala and Superb Lyrebird, and helped to unravel the mystery of the egg-laying mammals: the Echidna and Platypus. Well into the twentieth century, Indigenous people were routinely engaged by collectors, illustrators and others with an interest in Australia's animals. Yet this participation, if admitted at all, was generally barely acknowledged. However, when documented, it was clearly significan...
A Brush with Birds
"How images of Australian birds have changed over time as illustrated by the following artists whose work is in the Library's collection: John Hunter, George Raper, Sarah Stone, John Lewin, John and Elizabeth Gould, Henry Richter, Neville Henry Cayley, Neville William Cayley, Ebezer Edward Gostelow, Lilian Medalnd, Betty Temple Watts, William Cooper. There is a short biography for each artist"--Provided by publisher.
A Flutter of Butterflies
A Flutter of Butterflies is a stunning showcase of butterfly and moth illustrations held by the National Library of Australia. The works span the years from the 1770s, through the early colonial period to the turn of the twenty-first century.As well as containing a plethora of gorgeous colour images, the publication features a fascinating introductory essay about the history of Australian Lepidoptera illustration. In addition to the essay, the book offers biographical essays about the artists represented, among whom are some of Australias most-loved artists, including Louisa Anne Meredith, Marian Ellis Rowan and Charles McCubbin.
Australian Birds of Prey
In describing Australia's twenty-four species of birds of prey, Olsen relates their complex biology to the continent's unique geography and ecology. She explains why species such as the Nankeen Kestrel and Brown Falcon can range widely from coastal cliffs and river valleys to arid grasslands and wooded hillsides. She describes why others, such as the Red Goshawk, Pacific Baza, and Brahminy Kite, have ranges dramatically limited by their dependence on particular habitats and types of prey.
Stray Feathers
Logos of: CSIRO and Australian Biological Resources Study (ABRS) at foot of title page.
Collecting Ladies
Around 1870, Ferdinand von Mueller, the greatest Australian botanist of the nineteenth century, began to advertise in several newspapers across Australia for 'lady' plant collectors. This was at a time when women typically had little recourse to science, or contact with men outside their circle of friends, making Mueller's network of ladies quite extraordinary. Collecting Ladies profiles 14 of Mueller's coterie of women collectors. Included are Fanny Charsley, Louisa Atkinson, Annie Walker and Ellis Rowan for whom Mueller made time to assist in pursuit of their own passions. He identified the plants they painted and provided letters of introduction to publishers and scientists. Together, these ladies produced some of the most beautiful books and botanical art to come out of Australia in the nineteenth century, covering all the Australian colonies.
