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The Budgerigar is arguably Australia's best-known bird. At the same time, it is so ubiquitous that not everyone knows that it is Australian. Nor do many realise that the multicoloured bird that comes to mind--not to mention today's super-sized, extravagantly coiffed show budgie--is as different from the free-living original as a chihuahua from a wolf. Far from the cosy domestic lives our pet budgies live today, the native budgerigar has lived millennia of boom-bust cycles in the arid inland of Australia. Life was often short; if they were not fodder for predators, they starved or had to struggle their way to districts closer to the coast. For the Warlpiri and their Arrernte neighbours around...
For well over a century, the Night Parrot lured its seekers into Australia's vast, arid outback. From the beginning it was a mysterious bird. Fewer than 30 specimens were collected before it all but disappeared, offering only fleeting glimpses and the occasional mummified body as proof of its continued existence. Protected by spinifex and darkness, the parrot attained almost mythical status: a challenge to birdwatchers and an inspiration to poets, novelists and artists. Night Parrot documents the competitiveness and secrecy, the triumphs and adventures of the history of the bird and its followers, culminating in the recent discovery of live birds at a few widely scattered locations. It describes what we are now unravelling about the mysteries of its biology and ecology and what is still left to learn. Complemented by guest essays, illustrations and photographs from a wide variety of sources, this book sheds light on Australia's most elusive bird.
This volume traces the 300-year history of bird art in Australia, from the crudely illustrated records of the earliest European voyages of discovery to the diversity of artwork available at the start of the 21st century. It is a history inseparable from the development of Australian ornithology. Against a background of establishment of the country itself, naval draftsmen, convicts, officers, settlers, naturalists, artists and scientists alike contributed both to the art and to science.
Would Blaxland, Wentworth and Lawson have ever crossed the Blue Mountains without the help of the local Aboriginal people? The invaluable role of local guides in this event is rarely recognised. As silent partners, Aboriginal Australians gave Europeans their first views of iconic animals, such as the Koala and Superb Lyrebird, and helped to unravel the mystery of the egg-laying mammals: the Echidna and Platypus. Well into the twentieth century, Indigenous people were routinely engaged by collectors, illustrators and others with an interest in Australia's animals. Yet this participation, if admitted at all, was generally barely acknowledged. However, when documented, it was clearly significan...
Australia’s Wedge-tailed Eagle belongs to the family of eagles, which together span the world. Eagles are powerful predators, with exceptional powers of flight and sight. They may kill to survive, but they also sleep, play, enjoy a bath, make tender parents, and form lasting relationships. This book gives a comprehensive overview of Australia’s largest true eagle and one of the country’s few large predators and scavengers. First appearing in Aboriginal rock-paintings more than 5000 years ago, the Wedge-tailed Eagle was little more than a curiosity to the early European settlers. The book traces the subsequent changes in perception—from its branding as a vicious sheep killer to an iconic species worthy of conservation—and covers distribution, habitat, hunting, relationships, reproduction and chick development. A final section deals with threats to the existence of this magnificent bird. Winner of the 2006 Whitley Award for Best Natural History of an Iconic Species.
Around 1870, Ferdinand von Mueller, the greatest Australian botanist of the nineteenth century, began to advertise in several newspapers across Australia for 'lady' plant collectors. This was at a time when women typically had little recourse to science, or contact with men outside their circle of friends, making Mueller's network of ladies quite extraordinary. Collecting Ladies profiles 14 of Mueller's coterie of women collectors. Included are Fanny Charsley, Louisa Atkinson, Annie Walker and Ellis Rowan for whom Mueller made time to assist in pursuit of their own passions. He identified the plants they painted and provided letters of introduction to publishers and scientists. Together, these ladies produced some of the most beautiful books and botanical art to come out of Australia in the nineteenth century, covering all the Australian colonies.
Stray Feathers showcases some of the remarkable adaptations of Australian birds. A brief introduction describes how evolution shapes form and function, followed by a series of vignettes illustrating the wondrous variety of forms and functions shaped by evolution. For example, did you know that Barn Owls can hunt in absolute darkness and that cuckoos commence incubation before their egg is laid? Sections include anatomy and physiology; the senses; giving voice; tongues talking; plumage; getting around; finding and handling food; optimising foraging and feeding; reducing competition; using ‘tools’; communicating; quality vs quantity; courtship; nests; parental care; chicks; and living together. The book is superbly illustrated with black and white drawings of a range of birds, making it a worthy addition to the bookshelves of bird lovers everywhere.
In describing Australia's twenty-four species of birds of prey, Olsen relates their complex biology to the continent's unique geography and ecology. She explains why species such as the Nankeen Kestrel and Brown Falcon can range widely from coastal cliffs and river valleys to arid grasslands and wooded hillsides. She describes why others, such as the Red Goshawk, Pacific Baza, and Brahminy Kite, have ranges dramatically limited by their dependence on particular habitats and types of prey.
A Flutter of Butterflies is a stunning showcase of butterfly and moth illustrations held by the National Library of Australia. The works span the years from the 1770s, through the early colonial period to the turn of the twenty-first century.As well as containing a plethora of gorgeous colour images, the publication features a fascinating introductory essay about the history of Australian Lepidoptera illustration. In addition to the essay, the book offers biographical essays about the artists represented, among whom are some of Australias most-loved artists, including Louisa Anne Meredith, Marian Ellis Rowan and Charles McCubbin.
Late eighteenth- and early nineteenth-century Eurocentric perceptions of natural history led to the flora and fauna of the new colony of New South Wales being viewed as deficient and inferior. The swans of the colony were black and eagles white, birds built shell-strewn avenues of sticks to cavort in and parrots walked on the ground. The mammals carried their young in a pouch and there were furred animals that laid eggs. This 'miscellany of the curious' fuelled the rage for Australian natural history amongst the upper classes of Europe, bringing income and, occasionally, fame to its collectors and documenters. On the ground, in the colony, it contributed to great change for the animals and, in some cases, extinction. In Upside Down World author Penny Olsen documents how our scientific knowledge evolved, using collectors' and naturalists' journals to enhance her stories.