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This book is a unique collection of 42 essays with a broad purview of modern and contemporary art profusely illustrated with black and white photos and color plates. Book consists of five sections: Reconsidering the New York School; Art in Public Places; Art Outside the Center; Canadian Art; and Late Modernism. Kangas takes a special interest in epicenters cities with art communities outside the New York area. His writing incorporates literary and art-critical theory as applied methods for better understanding and appreciating modern and contemporary art. Epicenter is a must for everyone interested in the relation between New York and the rest of the world, as well as for artists, collectors and other visual arts professionals who seek a broader perspective onto the art of the past half-century.
Catalog of an exhibition held at Spanierman Modern, New York, Nov. 10-Dec. 10, 2011.
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This publication contains a survey of female abstract expressionist artists, revealing the richness and lasting influence of their work and the movement as a whole as well as highlighting the lack of critical attention they have received to date.
Clement Greenberg (1909–1994), champion of abstract expressionism and modernism—of Pollock, Miró, and Matisse—has been esteemed by many as the greatest art critic of the second half of the twentieth century, and possibly the greatest art critic of all time. On radio and in print, Greenberg was the voice of "the new American painting," and a central figure in the postwar cultural history of the United States. Greenberg first established his reputation writing for the Partisan Review, which he joined as an editor in 1940. He became art critic for the Nation in 1942, and was associate editor of Commentary from 1945 until 1957. His seminal essay, "Avant-Garde and Kitsch" set the terms for the ongoing debate about the relationship of modern high art to popular culture. Though many of his ideas have been challenged, Greenberg has influenced generations of critics, historians, and artists, and he remains influential to this day.
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A beautifully illustrated history of the many inventive, poetic, and alluring ways in which color swatches have been selected and staged The need to categorize and communicate color has mobilized practitioners and scholars for centuries. Color Charts describes the many different methods and ingenious devices developed since the fifteenth century by doctors, naturalists, dyers, and painters to catalog fragments of colors. With the advent of industrial society, manufacturers and merchants developed some of the most beautiful and varied tools ever designed to present all the available colors. Thanks to them, society has discovered the abundance of color embodied in a plethora of materials: cuts...
This timely reexamination of the experimental New York print studio Atelier 17 focuses on the women whose work defied gender norms through novel aesthetic forms and techniques.
Collects nine essays that discusses the creativity of influential artists, as well as the legacy of their work following their deaths, and covers Wolfgang Amadeus Mozart, Piet Mondrian, Frank Gehry, and others.