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Imagine a classroom where books and ideas from the world’s greatest minds are freely examined in lively discussions. Fill that classroom with a wide range of students spanning a 25-year period. Sit in on a candid conversation between these bright, young thinkers, and see where their insights take you. In Standing on Shoulders, Peter Bachmann embarks on just such an invigorating liberal arts journey, and invites us to join the exploration. Using material gleaned from over 400 student papers from the Great Books class he teaches at Flintridge Preparatory School, Bachman weaves together a virtual dialogue between himself and his students that transcends time and place. Together they examine the pertinence of past wisdom to the complex digital age of today, questioning and affirming the relevance of Aristotle, Shakespeare, Thoreau, and others as they attempt to define “the good life.” Thinkers from all walks of life and educational backgrounds will find relevance and resonance in these dialogues, and may well begin to reexamine the world’s oldest questions from a fresh, individual perspective.
In his earlier book Standing on Shoulders, Peter Bachmann demonstrated the intellectual benefits of a liberal arts education, by weaving together the actual words of high school students in dialogues about classical texts. In Advancing Confidently, he demonstrates the liberal arts character benefits in a series of profiles of his former teachers and students who have demonstrated the courage and conviction to, in Thoreau's words, "advance confidently in the direction of their dreams." Each story is a celebration of independent thought and action, traits essential to twenty-first century success.
These two fragments of novels, Ingeborg Bachmann's only untranslated works of fiction, were intended to follow the widely acclaimed Malina in a cycle to be entitled Todesarten, or Ways of Dying. Although Bachmann died before completing them, The Book of Franza and Requiem for Fanny Goldmann stand on their own, continuing Bachmann's tradition of using language to confront the disease plaguing human relationships. Through the tales of two women in postwar Austria, Bachmann explores the ways of dying inflicted upon the living from outside and from within, through history, politics, religion, family, gender relations, and the self.Bachmann's allegiance to the twin muses of memory and history, as...
Veterinary Virology deals with basic biomedical virology and the clinical discipline of infectious diseases. The book discusses the principles of virology as effecting future developments in the search for preventive and management of infectious diseases in animals, whether singly or as a whole herd or flock. Part I explains the principles of animal virology including the structure, composition, classification, nomenclature, cultivation, and assay of viruses. This part also discusses viral genetics, replication, and evolution (including mutation and genetic engineering). The book also reviews the pathogenesis of viruses, host resistance and susceptibility, as well as the mechanisms of persis...
Poet, short story write, novelist, essayist, Ingeborg Bachmann is regarded as one of the half-dozen most important German-language writers of the second half of the twentieth century. English language readers still don't have enough Bachmann to read, but htis volume of eloquent translations is the best of all possible beginnings. --Susan Sontag. This collection brings to an English-speaking audience virtually the entire poetic output of one of the most important post-war European poets, offering the original German and sensitive translations by poet Filkins. --Publishers Weekly.
In Islam the fascination for “the word” is as vigorous as in Judaism and in Christianity, but an extra dimension is, that the revealed text, the Koran, is considered to be verbatim the word of the Almighty Himself, thereby providing the Arabic language with just an extra quality. No wonder that throughout Islamic history the study of the word, the Koran, the prophet’s utterances and the interpretation of both, has become the main axis of knowledge and education. As a consequence the intellectuals – and also the poets in Islamic culture - were thoroughly familiar with religious terms and the phraseology of a language which was highly estimated because of the divine origin with which it was associated. No wonder therefore, that allusions to religious texts can be found throughout Arabic literature, both classical and modern. The subject of this volume is the representation of the divine in Arabic poetry, be it the experience of the divine as expressed by poets or the use of imagery coined by religion.
Greatly expanded bilingual edition of the 1994 Marsilio edition, Songs in Flight.
Issues for 1860, 1866-67, 1869, 1872 include directories of Covington and Newport, Kentucky.
'It was a very momentous day, the day on which I was to be slaughtered' Bringing together tales of melancholy and madness, nightmare and fantasy, this is a new collection of the most haunting German stories from the past 200 years. Ranging from the Romantics of the early nineteenth century to works of contemporary fiction, it includes Hoffmann's hallucinatory portrait of terror and insanity 'The Sandman'; Chamisso's influential black masterpiece 'Peter Schlemiel', where a man barters his own shadow; Kafka's chilling, disturbing satire 'In the Penal Colony'; the Dadaist surrealism of Kurt Schwitters' 'The Onion'; and Bachmann's modern fairy tale 'The Secrets of the Princess of Kagran'. Macabre, dreamlike and expressing deep unconscious fears, these stories are also spiked with unsettling humour, showing stylistic daring as well as giving insight into the darkest recesses of the human condition. Peter Wortsman's powerful translations are accompanied by brief overviews of the lives of each author, and an introduction discussing the notion of 'angst' and the stories' place in the context of German history. Translated, selected and edited with an introduction by Peter Wortsman