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The Religious Life of Nabataea
Flourishing in the centuries around the birth of Christ, the Nabataean kingdom covered a large swathe of the north-western Arabian Peninsula and was shaped by cultural influences from the Mediterranean, Arabian and wider Semitic worlds. The Religious Life of Nabataea examines the inscriptions, sculptures and architectural remains left by worshippers in every corner of the kingdom, from the spectacular remains of the desert city of Petra to the fertile plains of southern Syria. While previous scholarly approaches have minimised the diversity of cultic practices and traditions found in Nabataea, this study reveals a vibrant religious landscape dominated by a variety of local traditions.
Animal Sacrifice and the Origins of Islam
Islam is the only biblical religion that still practices animal sacrifice. Indeed, every year more than a million animals are shipped to Mecca from all over the world to be slaughtered during the Muslim Hajj. This multi-disciplinary volume is the first to examine the physical foundations of this practice and the significance of the ritual. Brannon Wheeler uses both textual analysis and various types of material evidence to gain insight into the role of animal sacrifice in Islam. He provides a 'thick description' of the elaborate camel sacrifice performed by Muhammad, which serves as the model for future Hajj sacrifices. Wheeler integrates biblical and classical Arabic sources with evidence from zooarchaeology and the rock art of ancient Arabia to gain insight into an event that reportedly occurred 1400 years ago. His book encourages a more nuanced and expansive conception of “sacrifice” in the history of religion.
The World between Empires
The World between Empires presents a new perspective on the art and culture of the Middle East in the years 100 B.C.–A.D. 250, a time marked by the struggle for control by the Roman and Parthian Empires. For the first time, this book weaves together the cultural histories of the cities along the great incense and silk routes that connected southwestern Arabia, Nabataea, Judaea, Syria, and Mesopotamia. It captures the intricate web of influence and religious diversity that emerged in the Middle East through the exchange of goods and ideas. And for our current age, when several of the archaeological sites featured here—including Palmyra, Dura- Europos, and Hatra—have been subject to deli...
Babatha's Orchard
This work considers the story behind papyri discovered in 1960 in the Cave of Letters by the Dead Sea. The archive contains various contracts and deeds entered into by a Jewish woman named Babatha, daughter of a land owner named Shim'on, at the end of the first century.
A Companion to the Hellenistic and Roman Near East
Discover a comprehensive and cross-disciplinary handbook exploring several sub-regions and key themes perfect for a new generation of students A Companion to the Hellenistic and Roman Near East delivers the first complete handbook in the area of Hellenistic and Roman Near Eastern history. The book is divided into sections dealing with interdisciplinary source material, each with a great deal of regional variety and engaging with several key themes. It integrates discussions of the classical Near East with the typical undergraduate teaching syllabus in the Anglo-Saxon world. All contributors in this edited volume are leading scholars in their field, with a combination of established researche...
Religion, Society and Culture at Dura-Europos
This book advances our understanding of the religion, society and culture of Dura-Europos, known as the 'Pompeii of the Syrian desert'.
Pre-Islamic Arabia
This book delves into the political and cultural developments of pre-Islamic Arabia, focusing on the religious attitudes of the inhabitants of the Arabian Peninsula and its northern extension into the Syrian desert. Between the third and the seventh century, Arabia was on the edge of three great empires (Iran, Rome and Aksūm) and at the centre of a lucrative network of trade routes. Valentina Grasso offers an interpretative framework which contextualizes the choice of Arabian elites to become Jewish sympathisers and/or convert to Christianity and Islam by probing the mobilization of faith in the shaping of Arabian identities. For the first time the Arabians of the period are granted autonomy from marginalizing (mostly Western) narratives framing them as 'barbarians' inhabiting the fringes of Rome and Iran and/or deterministic analyses in which they are depicted retrospectively as exemplified by the Muslims' definition of the period as Jāhilīyah, 'ignorance'.
The Poetics of Arabian Sūqs
This book investigates the history of Arabian sūqs from their pre-Islamic beginnings to the present. Collecting evidence from archaeological ruins, Islamic towns, modern cities, Arabic poetry, philosophical debates, political conflicts, puppet shows and the insights of modern-day market-goers, the book presents new and unforeseen interpretations of the Arabian sūq’s meaning and its transformation through time and place. The finding that such meaning is tied to ancient trade rituals, where temple and market presented a holistic socio-urban unit, re-questions some instrumental assumptions regarding the value of sūq-ness in Arabia’s everyday practices. Such a finding, which locates the fadaā/tareeq duality as a central theme in Arabia’s socio-urban discourse, emphasizes the importance of lived experiences and poetics as key sources for understanding socio-urban phenomena.
A Homeric Catalogue of Shapes
In the popular imagination, Homer as author of the Iliad and the Odyssey, epitomises poetic genius. So, when scholars proposed that the Homeric epics were not the unique creation of an individual author, but instead reflected a traditional compositional system developed by generations of singer-poets, swathes of assumptions about the poems and their 'author' were swept aside and called into question. Much had to be re-evaluated through a new lens. The creative process described by scholars for the Homeric epics shares many key attributes with the modern visual art-forms of collage and its less familiar variant: sculptural assemblage. A Homeric Catalogue of Shapes describes a series of twelve...
