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From the contents: Laurie KAPLAN: How funny I must look with my breeches pulled down to my knees: nurses' memoirs and autobiographies from the Great war. - Peter BUITENHUIS: The perversion of motherhood: the trope of the son at the front. - Renate PETERS: The metamorphoses of Judith in literature and art: war by other means. - Lorrie GOLDENSOHN: Towards a non-combatant war poetry: Jarrell, Moore, Bishop.
One hundred years ago saw the declaration of a war that would forever change our understanding of war. With a staggering loss of life, World War One was, by all accounts, a brutal and devastating tragedy. And yet, on the eve of the hundredth anniversary, countries around the world are preparing to commemorate the Great War not with regret but with nationalist pride. Conservative forces, already well into a program to elevate the place of the military in society, are embracing the opportunity to replace today’s apparent cynicism with an unquestioning patriotism similar to that which existed a century ago. Politicians on both sides of the Atlantic are imploring their citizens — especially ...
Whereas the cultural and political influence of the U.S. on Europe and Germany has been researched extensively, the impact of more than 6 million German immigrants on U.S.-American history and culture has received far less scholarly attention. Therefore this volume addresses a wide range of areas in which a German presence has been manifesting itself in the U.S. for more than three centuries. Among the disciplines involved in this broad analysis are linguistics, literary studies, history, economics, musicology as well as media studies and cultural studies.
Androgynous Democracy examines how the notions of gender equality propounded by transcendentalists and other nineteenth-century writers were further developed and complicated by the rise of literary modernism. Aaron Shaheen specifically investigates the ways in which intellectual discussions of androgyny, once detached from earlier gonadal-based models, were used by various American authors to formulate their own paradigms of democratic national cohesion. Indeed, Henry James, Frank Norris, Charlotte Perkins Gilman, John Crowe Ransom, Grace Lumpkin, W. E. B. Du Bois, and Marita Bonner all expressed a deep fascination with androgyny—an interest that bore directly on their thoughts about some...
This book aims to develop a sophisticated understanding of propaganda. It begins with a brief history of early Western propaganda, including Ancient Greek classical theories of rhetoric and the art of persuasion, and traces its development through the Christian era, the rise of the nation-state, World War I, Nazism, and Communism. The core of the book examines the ethical implications of various forms of persuasion, not only hate propaganda but also insidious elements of more generally acceptable communication such as advertising, public relations, and government information, setting these in the context of freedom of expression. Propaganda and the Ethics of Persuasion examines the art of pe...
During World War II, the United States was the target of what Gore Vidal has called "the largest, most intricate and finally most successful conspiracy directed at it in the twentieth century"--Great Britain's "vast conspiracy to manoeuvre an essentially isolationist country into the war." In Beware the British Serpent Robert Calder examines British writers' involvement in this propaganda campaign, including lecturing and touring in the United States, broadcasting on American radio, writing screenplays for films such as Mrs. Miniver and This Above All, and writing articles and books for publication in America.
Proposing a new approach to Jamesian aesthetics, Daniel Hannah examines the complicated relationship between Henry James's impressionism and his handling of 'the public.' Hannah challenges solely phenomenological or pictorial accounts of literary impressionism, instead foregrounding James's treatment of the word 'impression' as a mediatory unit that both resists and accommodates invasive publicity. Thus even as he envisages a breakdown between public and private at the end of the nineteenth century, James registers that breakdown not only as a threat but also as an opportunity for aesthetic gain. Beginning with a reading of 'The Art of Fiction' as both a public-forming essay and an aesthetic...
World War I, Mass Death, and the Birth of the Modern US Soldier: A Rhetorical History examines the United States government’s postwar ideological and rhetorical project in establishing permanent national military cemeteries abroad. Constructed throughout Europe where citizen-soldiers had fought and perished, and sacralized as American sites, these burial grounds simultaneously linked the nation’s war dead back to American soil and the national purpose rooted there, expressed the nation’s emerging prominent role on the world’s stage, and advanced the burgeoning icon of the “sacrificial, universal” US soldier. It draws upon untapped archival and historical materials from the WWI and interwar periods, as well as original on-site research, to show how the cemeteries came to display and advance the vision of the modern US soldier as “a global force for good.” Ultimately, within the visual display of overseas cemeteries we can detect the birth of “the modern US soldier”—a potent icon in which divergent emotions, memories, beliefs, and arguments of Americans and non-Americans have been expressed for a century.
In the first book-length treatment of Elizabeth von Arnim's fiction, Isobel Maddison examines her work in its historical and intellectual contexts, demonstrating that von Arnim's fine comic writing and complex and compelling narrative style reward close analysis. Organised chronologically and thematically, Maddison's book is informed by unpublished material from the British and Huntington Libraries, including correspondence between von Arnim, her publishers and prominent contemporaries such as H.G. Wells, Bertrand Russell and her cousin Katherine Mansfield -- whose early modernist prose is seen as indebted to von Arnim's earlier literary influence. Maddison's exploration of the novelist's cr...
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