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Shakespeare's Knowledge of Astronomy and the Birth of Modern Cosmology
Hamlet and other plays by Shakespeare are allegories for the major theories of cosmology extant during the poet's lifetime. Shakespeare writes of the competition between Earth-centered and Sun-centered cosmologies, and between planetary systems in bounded and infinite space.
Timeline and Personification in the Merchant of Venice
"This book presents an innovative, scientifically grounded interpretation of Shakespeare's The Merchant of Venice. It offers solutions to problems inherent in the text which have hitherto been ignored or inadequately addressed: problems relating to the flow of time, the phases of the moon, and the significance of April Fool's Day. The author, astrophysicist Peter Usher, pays careful attention to astronomical and chronological clues in the play, shedding new light on scenes that have long been a cause of confusion: Lancelot's riddling acceptance speech to Shylock, Antonio's melancholia, Portia's foreknowledge of the contents of a letter, and the ring subplot. The book builds on the author's long-running research on Shakespeare's knowledge of astronomy. It should appeal to students, teachers, actors, and all readers who have puzzled over this enigmatic play"--
Shakespeare and Saturn
In the mid-sixteenth century, Copernicus asserted that the Earth was not the center of the universe as was generally believed, but that the sun lay there instead. The relegation of the Earth to the rank of an orbiting planet meant that humankind lost its privileged position as well, thus prompting re-evaluation of all facets of human existence. This transformation in worldview gathered momentum throughout Shakespeare's writing career, yet his canon appears to lack reference to it. Peter D. Usher has studied Hamlet and other Shakespearean plays and has uncovered a consistent pattern of reference to phenomena that prove the correctness of the new worldview, including reference to the infinite ...
Shakespeare and the Dawn of Modern Science
In Shakespeare and the Dawn of Modern Science, renowned astronomy expert Peter Usher expands upon his allegorical interpretation of Hamlet and analyzes four more plays, Love's Labour's Lost, Cymbeline, The Merchant of Venice, and The Winter's Tale. With painstaking thoroughness, he dissects the plays and reveals that, contrary to current belief, Shakespeare was well aware of the scientific revolutions of his time. Moreover, Shakespeare imbeds in the allegorical subtext information on the appearances of the Sun, Moon, planets, and stars that he could not have known without telescopic aid, yet these plays appeared coeval with or prior to the commonly accepted date of 1610 for the invention and first use of the astronomical telescope.Dr. Usher argues that an early telescope, the so-called perspective glass, was the likely means for the acquisition of these data. This device was invented by the mathematician Leonard Digges, whose grandson of the same name contributed poems to the First and Second Folio editions of Shakespeare's plays.Shakespeare and the Dawn of Modern Science is an important addition to literature, history, and science collections as well as to personal libraries.
Shakespeare and the Dawn of Modern Science
In Shakespeare and the Dawn of Modern Science, renowned astronomy expert Peter Usher expands upon his allegorical interpretation of Hamlet and analyzes four more plays, Love's Labour's Lost, Cymbeline, The Merchant of Venice, and The Winter's Tale. With painstaking thoroughness, he dissects the plays and reveals that, contrary to current belief, Shakespeare was well aware of the scientific revolutions of his time. Moreover, Shakespeare imbeds in the allegorical subtext information on the appearances of the Sun, Moon, planets, and stars that he could not have known without telescopic aid, yet these plays appeared coeval with or prior to the commonly accepted date of 1610 for the invention and first use of the astronomical telescope. Dr. Usher argues that an early telescope, the so-called perspective glass, was the likely means for the acquisition of these data. This device was invented by the mathematician Leonard Digges, whose grandson of the same name contributed poems to the First and Second Folio editions of Shakespeare's plays. Shakespeare and the Dawn of Modern Science is an important addition to literature, history, and science collections as well as to personal libraries.
This Dark Star
This book is unique. It is the first and only biographical study of the life of Thomas Digges who was a 16th century astronomer and the first to stipulate an infinite universe with countless number of stars. Previously all astronomers believed that the stars were attached to a dome or shell surrounding the planets. Digges shattered that illusion by observing the stars through a telescope some thirty years before Galileo. As a Parliamentarian and man of affairs, he was responsible for the reconstruction of Dover Harbor, the largest public works project during the Elizabethan era, and he served as Muster-Master General for the British Expeditionary forces assisting the Dutch in their war of independence.
Imagining the Soul in Premodern Literature
This book is a study of ghostly matters - of the soul - in literature spanning the tenth century and the age of Shakespeare. All people, according to John Donne, ‘constantly beleeve’ that they have an immortal soul. But he also reflects that in fact there is nothing ‘so well established as constrains us to beleeve, both that the soul is immortall, and that every particular man hath such a soul’. In understanding the question of man's disembodied part as at once fundamental and fundamentally uncertain he was entirely of his time, and Imagining the Soul in Premodern Literature considers this fraught, shifting, yet uniquely compelling entity in the context of the literary forms and effe...
Anthropology, Public Policy, and Native Peoples in Canada
The essays in Anthropology, Public Policy, and Native Peoples in Canada provide a comprehensive evaluation of past, present, and future forms of anthropological involvement in public policy issues that affect Native peoples in Canada. The contributing authors, who include social scientists and politicians from both Native and non-Native backgrounds, use their experience to assess the theory and practice of anthropological participation in and observation of relations between aboriginal peoples and governments in Canada. They trace the strengths and weaknesses of traditional forms of anthropological fieldwork and writing, as well as offering innovative solutions to some of the challenges confronting anthropologists working in this domain. In addition to Noel Dyck and James Waldram, the contributing authors are Peggy Martin Brizinski, Julie Cruikshank, Peter Douglas Elias, Julia D. Harrison, Ron Ignace, Joseph M. Kaufert, Patricia Leyland Kaufert, William W. Koolage, John O'Neil, Joe Sawchuk, Colin H. Scott, Derek G. Smith, George Speck, Renee Taylor, Peter J. Usher, and Sally M. Weaver.
Dark Matter
Dark Matter maps the invisible dimension of theater whose effects are felt everywhere in performance. Examining phenomena such as hallucination, offstage character, offstage action, sexuality, masking, technology, and trauma, Andrew Sofer engagingly illuminates the invisible in different periods of postclassical western theater and drama. He reveals how the invisible continually structures and focuses an audience’s theatrical experience, whether it’s black magic in Doctor Faustus, offstage sex in A Midsummer Night’s Dream, masked women in The Rover, self-consuming bodies in Suddenly Last Summer, or surveillance technology in The Archbishop’s Ceiling. Each discussion pinpoints new and striking facets of drama and performance that escape sight. Taken together, Sofer’s lively case studies illuminate how dark matter is woven into the very fabric of theatrical representation. Written in an accessible style and grounded in theater studies but interdisciplinary by design, Dark Matter will appeal to theater and performance scholars, literary critics, students, and theater practitioners, particularly playwrights and directors.
