You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
"In the days when Columbus sailed the ocean and Da Vinci painted the Mona Lisa, a German banker named Jacob Fugger became the richest man in history. Fugger lived in Germany at the turn of the sixteenth century, the grandson of a peasant. By the time he died, his fortune amounted to nearly two percent of European GDP. In an era when kings had unlimited power, Fugger dared to stare down heads of state and ask them to pay back their loans--with interest. It was this coolness and self-assurance, along with his inexhaustible ambition, that made him not only the richest man ever, but a force of history as well. Before Fugger came along it was illegal under church law to charge interest on loans, but he got the Pope to change that. He also helped trigger the Reformation and likely funded Magellan’s circumnavigation of the globe. His creation of a news service gave him an information edge over his rivals and customers and earned Fugger a footnote in the history of journalism. And he took Austria’s Habsburg family from being second-tier sovereigns to rulers of the first empire where the sun never set."--Provided by publisher.
The Nuremberg Miscellany [Germanisches Nationalmuseum Nürnberg, Bibliothek, 8° Hs. 7058 (Rl. 203)] is a unique work of scribal art and illumination. Its costly parchment leaves are richly adorned and illustrated with multicolour paint and powdered gold. It was penned and illustrated in southern Germany – probably Swabia – in 1589 and is signed by a certain Eliezer b. Mordechai the Martyr. The Miscellany is a relatively thin manuscript. In its present state, it holds a total of 46 folios, 44 of which are part of the original codex and an additional bifolio that was attached to it immediately or soon after its production. The book is a compilation of various Hebrew texts, most of which p...
This volume provides fascinating new insights into the agency of the laboring poor in early modern Europe. Based on more than 5,000 biographical accounts of orphans in the city of Augsburg, it explores their responses to changing social and economic circumstances and their utilization of social institutions and mores.
The Iron Curtain did not exist. Instead, it comprised multiple regional segments, many in the grip of divergent historical and cultural forces for decades, if not centuries. The first cultural studies account of the border's landscape, 'The Icon Curtain' straddles the Bohemian Forest to uncover a far-reaching genealogy of one such section and debunk the stereotype of the unprecedented mid-twentieth-century partition. There, between the 1950s and 1980s, West German locals and Sudeten German expellee newcomers shaped a civilian rampart, the 'prayer wall'.
This book aims to reconceive the field of knowledge of the “Gallic past” in French discourse of the eighteenth and early nineteenth centuries by focusing on the monument as an object capable of underpinning insights into that past, the evolution of the concept, and the epistemic practices used to produce it. Through monuments, the book redirects our gaze toward the French provinces, where material and immaterial evidence of the Gallic past was “discovered” and transformed into epistemic objects. This perspective results in a “provincialization” of Paris as a site of knowledge production and sheds light on the crucial role of provincial scholarship, not only in the “invention” of the Gallic past but also in methodological and epistemological renewal. The result is a revision of recent historiography, which interpreted the narrative of an “autochthonous” pre-Roman, Gallic past as nation-building. This volume offers a pioneering contribution toward new directions in historical epistemology focused on the historicity of the “species” of evidence of each epoch.
An investigation of modes of receiving and responding to Greek culture in diverse contexts throughout early modern Europe, in order to encourage a more over-arching understanding of the multifaceted phenomenon of early modern Hellenism and its multiple receptions.
In Contested Rituals, Robin Judd shows that circumcision and kosher butchering became focal points of political struggle among the German state, its municipal governments, Jews, and Gentiles. In 1843, some German-Jewish fathers refused to circumcise their sons, prompting their Jewish communities to reconsider their standards for membership. Nearly a century later, in 1933, another blood ritual, kosher butchering, served as a political and cultural touchstone when the Nazis built upon a decades-old controversy concerning the practice and prohibited it. In describing these events and related controversies that raged during the intervening years, Judd explores the nature and escalation of the r...
In thirteen essays by leading art historians, and a critical introduction by the editor, Beyond the Yellow Badge seeks to reframe the relationship between European visual culture and the changing aspect of the Christian majority’s negative conceptions of Jews and Judaism during the Middle Ages and early modern periods. By situating their subjects within a broad continuum of historical and critical issues, the authors inquire into such questions as the shifting politics of toleration and intoleration; the role played by anti-Judaic legends in the formation of Christian cults; the role of positive evaluations of Hebrew, Jewish learning and Christian hopes for Jewish conversion; and the transformation of religious anti-Judaism into its modern racial and nationalistic counterparts. The book will be of special interest to art historians, cultural historians, students of Christian theology and Jewish history, and to educated general readers.
Languages of Trauma explores how, and for what purposes, trauma is expressed in historical sources and visual media.