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The Messianic Reduction is the first study of Benjamin's early philosophy that takes into consideration the full range of his work, with particular emphasis on its complex relation to phenomenology, Kant and neo-Kantianism, and certain developments in mathematics.
Marking the centenary of Walter Benjamin's immensely influential essay, "Toward the Critique of Violence," this critical edition presents readers with an altogether new, fully annotated translation of a work that is widely recognized as a classic of modern political theory. The volume includes twenty-one notes and fragments by Benjamin along with passages from all of the contemporaneous texts to which his essay refers. Readers thus encounter for the first time in English provocative arguments about law and violence advanced by Hermann Cohen, Kurt Hiller, Erich Unger, and Emil Lederer. A new translation of selections from Georges Sorel's Reflections on Violence further illuminates Benjamin's ...
Concentrating on both widely known and seldom-read texts from a variety of philosophers, writers, and critics—from Leibniz and Mendelssohn, through Kleist and Hebel, to Benjamin and Irigaray—the book analyzes the genesis and structure of interruption, a topic of growing interest to contemporary literary studies, continental philosophy, legal studies, and theological reflection.
This book shows that in "chatter" Kierkegaard uncovered a specifically linguistic mode of negativity, which became the medium in which a non-speculative and non-historicism presentation of history could be carried out. The author examines in detail those writings of Kierkegaard in which he undertook complex negotiations with the threat—and also the promise—of "chatter."
In 'Late Kant' Peter Fenves thoroughly explores Kant's later writings and gives them the detailed scholarly attention they deserve.
Peter Fenves here investigates Kant's ongoing effort to bring metaphysical and strictly historical concepts of the world together in his presentation of world-history. Fenves argues that, far from being a mere illustration of his metaphysical principles, Kant's attempt to present history in its entirety played a vital role in the transformation of his concept of philosophy. A Peculiar Fate demonstrates for the first time how Kant's concern with history motivates and gives shape to his "discovery" that a systematic philosophical inquiry must rest on human freedom.
"Poetry does not impose, it exposes itself," wrote Paul Celan. Werner Hamacher's investigations into crucial texts of philosophical and literary modernity show that Celan's apothegm is also valid for the structure of understanding and for language in general. In Premises Hamacher demonstrates that the promise of a subject position is not only unavoidable--and thus operates as a structural imperative--but is also unattainable and therefore by necessity open to possibilities other than that defined as "position," to redefinitions and unexpected transformations of the merely thetical act. Proceeding along the lines of both philosophical argument and critical reading, Hamacher presents the fulle...
An innovative, substantial intervention in critical race theory, this book brings together an impressive roster of thinkers to trace the question of race in modern philosophical inquiry and explore its influence on contemporary philosophy.
With the collapse of the bipolar system of global rivalry that dominated world politics after the Second World War, and in an age that is seeing the return of “ethnic cleansing” and “identity politics,” the question of violence, in all of its multiple ramifications, imposes itself with renewed urgency. Rather than concentrating on the socioeconomic or political backgrounds of these historical changes, the contributors to this volume rethink the concept of violence, both in itself and in relation to the formation and transformation of identities, whether individual or collective, political or cultural, religious or secular. In particular, they subject the notion of self-determination ...
Proposes "the extraordinary" as a defining characteristic of modernity.