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"This book is an introduction to some of the hallucinogenic drugs in their cultural and historical context, stressing their important role in religion, ritual, magic and curing".--BOOKJACKET.
AcknowledgmentsI: Collective Memories, Images, and the Atrocity of War II: Before the Liberation: Journalism, Photography, and the Early Coverage of Atrocity III: Covering Atrocity in Word IV: Covering Atrocity in Image V: Forgetting to Remember: Photography as Ground of Early Atrocity MemoriesVI: Remembering to Remember: Photography as Figure of Contemporary Atrocity Memories VII: Remembering to Forget: Contemporary Scrapbooks of Atrocity Notes Selected Bibliography Index Copyright © Libri GmbH. All rights reserved.
First published in 1971, this book examines the literary style of Naturalism. After introducing the reader to the term itself, including its history and its relationship to Realism, it goes on to trace the origins of the Naturalist movement as well as particular groups which adhered to Naturalism and the theories they espoused. It also provides a summary of the key Naturalist literary works and concludes which a brief reflection on the movement as a whole. This book will be of interest to those studying nineteenth and early twentieth-century literature.
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“Mesmerizing.… Conant’s book has brought [Maggie Higgins] back to life.” —Andrew Nagorski, Wall Street Journal A spirited portrait of twentieth-century war correspondent Maggie Higgins and her tenacious fight to the top in a male-dominated profession. Marguerite Higgins was both the scourge and envy of the journalistic world. A longtime reporter for the New York Herald Tribune, she first catapulted to fame with her dramatic account of the liberation of Dachau at the end of World War II. Brash, beautiful, ruthlessly competitive, and sexually adventurous, she forced her way to the front despite being told the combat zone was no place for a woman. Her headline-making exploits earned h...
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The brilliant visionary yarn paintings of the shaman-artist Jose Benitez Sanchez emerge transformed into two-dimensional form from fleeting, sublime visionary experiences triggered by the complex chemistry of the divine peyote cactus. Benitez's visions are of the Huichol universe in Mexico's rugged Sierra Madre Occidental, as that world came into being in the First Times of creation and transformation and in the ongoing magic of a natural environment that is alive and without firm boundaries between the here and now and the ancestral past. Modern yarn paintings—more than 30 in the University of Pennsylvania Museum's collection are illustrated here—have their roots in the sacred art of communication with numberless male and female ancestors and native deities, related in the two remarkable Huichol origin myths also presented here to shed some light on Native American culture and provide some understanding of the religious experience that informs it.
The first substantial study of a Mexican Indian society that more than any other has preserved much of its ancient way of life and religion.
Ripinsky-Naxon explores the core and essence of shamanism by looking at its ritual, mythology, symbolism, and the dynamics of its cultural process. In dealing with the basic elements of shamanism, the author discusses the shamanistic experience and enlightenment, the inner personal crisis, and the many aspects entailed in the role of the shaman.