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Ancient Sculptural Copies in Miniature
In-depth case studies of individual statuary types form the core of this analysis of sculptural copying in antiquity. By examining the popular genre of the copy, the book illuminates broad questions of Roman sculptural production and the methodological limitations of traditional approaches to the subject.
Art of the Hellenistic Kingdoms
This handsome newly designed addition to The Metropolitan Museum of Art’s symposia series furthers the study of one of the most influential but less known periods of Greek art and culture. It is based on papers given at a two-day scholarly symposium held in conjunction with the award-winning exhibition “Pergamon and the Hellenistic Kingdoms of the Ancient World,” on view at the Metropolitan in 2016. The twenty diverse essays exemplify the international scope of the Hellenistic arts, which cover the three centuries between the death of Alexander the Great in 323 B.C. and the suicide of Cleopatra in 30 B.C. Subjects range from twenty-first century approaches to museum displays of archaeo...
Egypt and the Classical World
Presenting dynamic research, this publication explores two millennia of cultural interactions between Egypt, Greece, and Rome. From Mycenaean weaponry found among the cargo of a Bronze Age shipwreck off the Turkish coast to the Egyptian-inspired domestic interiors of a luxury villa built in Greece during the Roman Empire, Egypt and the Classical World documents two millennia of cultural and artistic interconnectedness in the ancient Mediterranean. This volume gathers pioneering research from the Getty scholars' symposium that helped shape the major international loan exhibition Beyond the Nile: Egypt and the Classical World (J. Paul Getty Museum, 2018). Generously illustrated essays consider...
The Architectural Model
An investigation of different uses for the architectural model through history—as sign, souvenir, funerary object, didactic tool, medium for design, and architect's muse. For more than five hundred years, architects have employed three-dimensional models as tools to test, refine, and illustrate their ideas. But, as Matthew Mindrup shows, the uses of physical architectural models extend beyond mere representation. An architectural model can also simulate, instruct, inspire, and generate architectural designs. It can be, among other things, sign, souvenir, toy, funerary object, didactic tool, medium, or muse. In this book, Mindrup surveys the history of architectural models by investigating ...
Flood Response Teams
This book's easy-to-read text explains the tasks and training involved in rescuing people from floods, as well as the dangers this job involves. Short paragraphs and plenty of colorful photos make reading engaging and accessible.
Portraits of the Ptolemies
As archaeologists recover the lost treasures of Alexandria, the modern world is marveling at the latter-day glory of ancient Egypt and the Greeks who ruled it from the ascension of Ptolemy I in 306 B.C. to the death of Cleopatra the Great in 30 B.C. The abundance and magnificence of royal sculptures from this period testify to the power of the Ptolemaic dynasty and its influence on Egyptian artistic traditions that even then were more than two thousand years old. In this book, Paul Edmund Stanwick undertakes the first complete study of Egyptian-style portraits of the Ptolemies. Examining one hundred and fifty sculptures from the vantage points of literary evidence, archaeology, history, reli...
Books Without Borders in Enlightenment Europe
Though the field of book history has long been divided into discrete national histories, books have seldom been as respectful of national borders as the historians who study them—least of all in the age of Enlightenment when French books reached readers throughout Europe. In this erudite and engagingly written study, Jeffrey Freedman examines one of the most important axes of the transnational book trade in Enlightenment Europe: the circulation of French books between France and the German-speaking lands. Focusing on the critical role of book dealers as cultural intermediaries, he follows French books through each stage of their journey—from the French-language printing shops where they ...
The Language of the Muses
Since the Renaissance, it has been generally accepted that almost all Roman sculptures depicting ideal figures were copies of Greek originals. This text traces the origin of this idea to the academic belief in the mythical perfection of now-lost Greek art.
Late Antique and Early Christian Gems
"Throughout the Middle Ages, Roman gems and cameos were highly valued as intrinsically precious objects or even as possessing magical properties. During the Renaissance, large collections of gems were formed by aristocratic collectors who sought inspiration from the classical images engraved on them, and gems have been collected for similar reasons ever since. With the exception of a few dedicated antiquaries, however, collectors and scholars over the last five hundred years or so have generally ignored late antique and early Christian gems. This study presents more than 1000 gems from different collections, more than 300 of them unpublished so far. They are presented according to different genres, themes, material and place or time of production. The catalogue is completed by about 1300 illustrations."--Publisher's description.
The Oxford Handbook of the Bronze Age Aegean
This Oxford handbook provides a comprehensive overview of our current understanding of the Bronze Age Aegean (ca. 3000-1000 BC) and describes the most important debates and discussions within the discipline. 66 articles in 4 sections cover topics ranging from chronological and geographical to thematic to site-specific.
