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Who was who in American Art
Compiled from the original thirty-four volumes of: American art annual: who's who in art, biographies of American artists active from 1898-1947.
An American Art Colony
An American Art Colony demonstrates the social dimension of American art in the twentieth century, paying special attention to the role of fellow artists, nonartists and the historical context of art production. This book treats the art colony not as a static addendum to an artist’s profile but rather as an essential ingredient in artistic life. The art colony here becomes a historical entity that changes over time and influences the kind of art that ensues. It is a special methodology of the study that collective features of three generation of artists help clarify how artists engage their audiences. Since many of these artists worked within the cultural confines of metropolitan New York ...
Beyond Columbo
We knew him as Lieutenant Columbo, showing up at a crime scene behind the wheel of an iconic Peugeot 403 convertible and wearing a rumpled trench coat, tie often at half mast from an open collar, and smoking a cigar. He was meticulous, though, in his search for clues, focusing on things that didn't add up and homing in on a person whom he suspected as he tightened the web around his prey until, in a final reveal, he got the suspect to cough up a confession.This was Peter Falk, who inhabited the role of Lieutenant Columbo after a successful career playing gangsters in feature films opposite the likes of Frank Sinatra, Bing Crosby, and Glen Ford. And the new biography of Peter Falk, *Beyond Co...
Beyond Madness
This book, featuring the life and works of Ralph Blakelock, situates him in the context of American art. Representing over twenty years of study and the examination of several thousand works attributed to him, Beyond Madness reveals the unusual nature of Blakelock’s life story as it offers clear parallels to his painting. Largely self-taught and supported by few patrons, Blakelock regularly struggled with the financial pressures of supporting his nine children and pursuing his art. Called both brilliant and doomed, and institutionalized on and off for the last decade of his life, he nonetheless created some of the most beloved—and some of the most frequently forged—paintings in the Ame...
Art Market Research
This book is for art market researchers at all levels. A brief overview of the global art market and its major stakeholders precedes an analysis of the various sales venues (auction, commercial gallery, etc.). Library research skills are reviewed, and advanced methods are explored in a chapter devoted to basic market research. Because the monetary value of artwork cannot be established without reference to the aesthetic qualities and art historical significance of our subject works, two substantial chapters detail the processes involved in researching and documenting the fine and decorative arts, respectively, and provide annotated bibliographies. Methods for assigning values for art objects are explored, and sources of price data, both in print and online, are identified and described in detail. In recent years, art historical scholarship increasingly has addressed issues related to the history of art and its markets: a chapter on resources for the historian of the art market offers a wide range of sources. Finally, provenance and art law are discussed, with particular reference to their relevance to dealers, collectors, artists and other art market stakeholders.
The Crucifixion in American Art
The crucifixion of Christ has been richly portrayed by countless artists for hundreds of years, but it was European Renaissance styles and painters such as Kurz, Benjamin West and John Valentine Haidt that first informed American artists of the possibilities for depicting the crucifixion. This work features artists living and working in America from the mid-18th to the 21st century who depicted the crucifixion of Christ in their artwork. The 19th century saw painters like Julian Russell Story, John Singer Sargent, Vassili Verestchagin and Fred Holland break from the Renaissance tradition of the 18th century to begin a religious art revolution. The 20th century saw painters like Thomas Eakins and George Bellows continuing the traditions of the 19th until the Realist style became dominant, which lasted until the latter part of the century and the rise of Abstract Expressionism and a number of experimental styles such as Op, Pop, and Super-realism.
Minnesota Prints and Printmakers, 1900-1945
A definitive survey of Minnesota's vibrant printmaking scene in the first half of the twentieth century that features almost two hundred artists.
Dictionary of North Carolina Biography
The most comprehensive state project of its kind, the Dictionary provides information on some 4,000 notable North Carolinians whose accomplishments and occasional misdeeds span four centuries. Much of the bibliographic information found in the six volumes has been compiled for the first time. All of the persons included are deceased. They are native North Carolinians, no matter where they made the contributions for which they are noted, or non-natives whose contributions were made in North Carolina.
