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Who Keeps the Score on the London Stages?
How does one become a theater critic in London? What do the theater critics think of their profession? How are they judged by those they critique? What do both critics and theatre-makers think of their mutual object of desire - the British Theatre? Who Keeps the Score on the London Stages? sets out to find the answers to these questions and many more in this long overdue publication on Britain's current theatre scene. Included are comprehensive interviews with more than fifty major London theatre critics and theater-makers, including Sir Alan Ayckbourn, Stephen Berkoff, Michael Billington, Martin Coveney, Nicholas de Jongh, Sir Richard Eyre, Sir Peter Hall, Sir Cameron Mackintosh, Adrian Noble, Sir Trevor Nunn and Irving Wardle. The author has gathered together a lively discussion about the contrmporary state of the British theatre, drawing a picture of its strengths, weaknesses and the problems it faces today. This volume serves as a long overdue guide to the Theatre critics' profession in Britain.
New Theatre Quarterly 77: Volume 20, Part 1
Provides an international forum where theatrical scholarship and practice can meet.
New Theatre Quarterly 51: Volume 13, Part 3
Provides an international forum where theatrical scholarship and practice can meet to question dramatic assumptions.
National Library of Medicine Current Catalog
First multi-year cumulation covers six years: 1965-70.
New Theatre Quarterly 29: Volume 8, Part 1
One of a series discussing topics of interest in theatre studies from theoretical, methodological, philosophical and historical perspectives.
New Theatre Quarterly 38: Volume 10, Part 2
One of a series discussing topics of interest in theatre studies from theoretical, methodological, philosophical and historical perspectives.
Christina Reid's Theatre of Memory and Identity
This book is a study of the plays, performances and writings of Christina Reid. It explores Reid’s work through her own words, both in interviews and writings; through theoretical engagements in other disciplines, such as psychology and geography; and through responses to her plays in production. It is a compilation of sorts, gathering together interviews, critical material, unpublished works and theatrical reviews to reflect the breadth and depth of Reid’s contribution to the theatrical culture of Northern Ireland, during the Troubles and beyond.
Acting Presidents
This book seeks to fill a major gap in the literature about fictional representations of presidents by studying more than 40 plays, written since 1900, which have had prominent productions on or off-Broadway or in another major city.
