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A priest, Jewish convert, and practicing psychiatrist, Peter Albright is called to make Final Vows in the Jesuit Order. What happens when he learns his grandfather, murdered at Auschwitz, has left him a fortune in an anonymous, unnumbered Swiss account is the heart of this timely novel. Should Peter pursue his fortune and how? His major clues are the odors of scented stationery. His major complication is the perfume expert, a beautiful woman offering help, then falling in love. Religious commitment and the lure of millions, romantic love and the call to priesthood all play out against the terrible odds of dead ancestors and the Holocaust remembered. The reader is drawn to these conflicts as though to fireworks where explosions displace one another, each more dazzling than the last. How Peter decides makes THE ODOR OF SANCTITY not only a suspenseful page-turner but a study in heroism.
A sociohistory of German bourgeois literature from 1770-1914 based on detailed readings of six cononical literary texts.
In this collection, Hungarian literature is read together with canonical works of the Western literary tradition. The book studies the distinction between “major” and “minor” literatures, showing that such parallel readings may highlight previously unknown components of the literary tradition. The book does not hold traditional comparative methods, based on verifiable mediations or transactions between national philologies and national literary narratives, to be the exclusive standard of interpretation; readings can concentrate on common surfaces and textual events instead. This is what is meant by ‘post-comparative’ perspectives, a term to indicate that the conditions of a comparative reading never precede the reading itself. On this basis, the present volume points at several possibilities of how a common ground between texts can be created, especially because the chapters within it perform parallel readings in highly different ways.
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