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Uplifting and engaging, this story recounts the life and career of a rebellious 20th-century British artist Born into a large, musical, and bohemian family in London, the British artist John Craxton (1922–2009) has been described as a Neo-Romantic, but he called himself a “kind of Arcadian”. His early art was influenced by Blake, Palmer, Miró, and Picasso. After achieving a dream of moving to Greece, his work evolved as a personal response to Byzantine mosaics, El Greco, and the art of Greek life. This book tells his adventurous story for the first time. At turns exciting, funny, and poignant, the saga is enlivened by Craxton’s ebullient pictures. Ian Collins expands our understanding of the artist greatly—including an in-depth exploration of the storied, complicated friendship between Craxton and Lucian Freud, drawing on letters and memories that Craxton wanted to remain private until after his death.
This unique collection fills a ten-year gap in studies on the nature of Australian English, and it is the first to deal exclusively with varieties of English on the Australian continent. The book contains chapters on the phonology, morphology, syntax and the lexicon of the dialect, and chapters on variation within the dialect that include Aboriginal and ethnic varieties as well as regional and generational differences with a focus on questions of Australian identity and intercultural relations. With selected contributions by Australia's leading linguists this volume records the most recent developments in the study of English within Australia.
The definitive history of Peter Jackson’s Middle-earth saga, Anything You Can Imagine takes us on a cinematic journey across all six films, featuring brand-new interviews with Peter, his cast & crew. From the early days of daring to dream it could be done, through the highs and lows of making the films, to fan adoration and, finally, Oscar glory.
In the latest addition to the New Naturalist series, Ian Newton explores bird populations and what causes their fluctuation – food supplies, competitors, predators, parasites, pathogens and human activity.
The young Lucian Freud was described by his friend Stephen Spender as totally alive, like something not entirely human, a leprechaun, a changeling child, or, if there is a male opposite, a witch. All that magnetism and brilliance is displayed in the letters assembled here, many published for the first time. From schoolboy messages to his parents, though letters to friends, lovers, and confidants, to correspondence with patrons and associates as he became established as a professional painter, they are peppered with wit, affection and irreverence. Collectively, they provide a powerful insight into his early life and art. Co-authored by David Dawson, Freuds longstanding personal assistant and now Director of the Lucian Freud Archive, and Martin Gayford, author, critic, and friend of the artist, this is the first published collection of Freuds correspondence. Reproduced in facsimile alongside reproductions of Freuds artwork, the letters are linked by a narrative that weaves them into the story of his life and relationships through his formative first three decades.
When Douglas Adams died in 2001, he left behind 60 boxes full of notebooks, letters, scripts, jokes, speeches and even poems. In 42, compiled by Douglas’s long-time collaborator Kevin Jon Davies, hundreds of these personal artefacts appear in print for the very first time. Douglas was as much a thinker as he was a writer, and his artefacts reveal how his deep fascination with technology led to ideas which were far ahead of their time: a convention speech envisioning the modern smartphone, with all the information in the world living at our fingertips; sheets of notes predicting the advent of electronic books; journal entries from his forays into home computing – it is a matter of legend ...