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Gifted
When school-leaver Jessica’s reclusive great-grandfather bequeaths her a haunted castle in the Welsh borderlands, she’s thrust into a world of hostile strangers, troublesome Romany tenants, and a strange gift that shows her disjointed visions of the past. And that’s only the start of it. She thinks she’s going mad, until old family stories and the superstitious fears of locals convince her that something sinister really is going on at Kidd Castle, and all the while the gift keeps drawing her deeper into the secrets of her ancestors. The only person who seems to understand what’s happening is the young Romany street artist, Joe. In the face of deadly danger to them and their loved ones, Jessica and Joe must master the gift before the past imposes its terrible will on the present.
The McCarthy Collection
This substantial catalogue is the second of a two-volume set exploring a remarkable collection of leaves and miniatures from medieval manuscripts. Richly detailed with plentiful illustrations, this notable contribution to medieval scholarship covers a period from c. 1100 to the late 15th century.
The Whole Song
With a voice emerging from class tensions, labor struggles, the Great Depression, and World War II, Vincent Ferrini lived as a people's poet crying out for an end to exploitation and organized greed. Radical Christian gnosis and the conviction that poetry should be more than a display of word-craft distinguished him from poets like T. S. Eliot, infusing his work with dynamic images of Christ as a fighter, a revolutionary, and a martyr in opposing the mighty for the sake of the poor.
The Social Life of Coffee
What induced the British to adopt foreign coffee-drinking customs in the seventeenth century? Why did an entirely new social institution, the coffeehouse, emerge as the primary place for consumption of this new drink? In this lively book, Brian Cowan locates the answers to these questions in the particularly British combination of curiosity, commerce, and civil society. Cowan provides the definitive account of the origins of coffee drinking and coffeehouse society, and in so doing he reshapes our understanding of the commercial and consumer revolutions in Britain during the long Stuart century. Britain’s virtuosi, gentlemanly patrons of the arts and sciences, were profoundly interested in things strange and exotic. Cowan explores how such virtuosi spurred initial consumer interest in coffee and invented the social template for the first coffeehouses. As the coffeehouse evolved, rising to take a central role in British commercial and civil society, the virtuosi were also transformed by their own invention.
A Masterpiece Reconstructed
"Janet Backhouse, who originally assembled the evidence that revealed this long-forgotten masterpiece, introduces the Hours of Louis XII and its cycle of miniatures. Thomas Kren discusses the book's provocative miniature of Bathsheba bathing within the context of the king's own taste and predilections and within the then-emerging genre of the female nude in French painting. Nancy Turner considers the importance of Bourdichon's painting and illuminating technique in the Hours of Louis XII in relation to his other work. Mark Evans examines the individual histories of each of the surviving portions of the book. Lastly, an appendix reconstructs the book's devotional contents and program of illumination."--BOOK JACKET.
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Illuminating Sanctity
Maria R. Grasso’s monograph on the twelfth-century illustrated vita of Saint Amand, Valenciennes, Bibliothèque municipale MS 500, presents new information regarding its contents. The author’s discovery and analysis of a second almost complete set of preliminary drawings beneath another set of the same drawings demonstrates that important alterations were made prior to the execution of the cycle. Grasso’s discussion includes the probable reason for the change: the isolation of the terminating folio depicting the soul of Amand. This important devotional image is the focus of detailed analysis since the soul of Amand rests in the lap of a male figure she convincingly identifies as Christ, an extremely unusual placement for the soul of a saint, demonstrating the creativity of the artists.
