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Mirrorforms
Mirrorforms is a collection of poems in a tiny, eight-lined, intricately rhyming “mirrorform” I invented that begins and ends with the same line. Like John Berryman’s “Dream Songs,” Charles Wright’s “Sestets,” and Terrence Hayes’ “American Sonnets for My Past and Future Assassin,” this collection strives to develop the full range of expressive and sonic possibility in a single poetic form. The mirrorform’s two sets of mirrored envelope rhymes make it reminiscent of the octave of a Petrarchan sonnet – and, indeed, the great English-language tradition of the sonnet sequence is another major influence—but its slender trimeter lines and prominent identical repetition ...
Poet Lore
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My Black Angel
Kim Addonizio's latest collection of poetry, My Black Angel" Blues Poems and Portraits, is an amazing work; featuring woodcuts by book artisan Charles D. Jones, My Black Angel is both an auditory pleasure and visual feast. First, Addonizio's poetry celebrates the blues tradition in poetry much the way Langston Hughes, James Weldon Johnson, and Paul Laurence Dunbar did; she understands, feels, knows blues rhythms and the result is an incomparable and important poetry. Furthermore, Jones' accompanying art encompasses the blues medium and personalities Addonizio so aptly employs in her poetry: edgy and surprising, multifaceted with concurrent streams of meaning, his woodcuts feature such blues personalities as Blind Willie Johnson, Robert Johnson, Billie Holliday, Muddy Waters, Lightnin' Hopkins, John Lee Hooker, Big Mama Thornton, and more. The concert resultant from this collaboration is a dynamic performance bound to turn readers' attentions to the music and tradition of the blues, to seek out the sources, to immerse in the blues.
The Keys to the Jail
The Keys to the Jail asks the question of who is to blame for all we’ve lost, calling us to reexamine the harsh words of failed love, the aging of a once-beautiful body, even our own voracious desires. Keetje Kuipers is a poet of daring leaps and unflinching observations, whose richly textured lyrics travel from Montana’s great wildernesses to the ocean-fogged streets of San Francisco as they search out the heart that’s lost its way. Dolores Park In the flattening California dusk, women gather under palms with their bags of bottles and cans. The grass is feathered with the trash of the day, paper napkins blowing across the legs of those who still drown on a patchwork of blankets. Shirt...
The Promise That Changes Everything
'The lessons and practices here will shift a sense of chaos to one of clarity and a mindset of fear to one of hope' Margaret Heffernan, bestselling author of Wilful Blindness ___________________________________________________________________________________ How often do you interrupt? How often do people interrupt you? Can you remember the last time someone listened to you all the way through your thinking? In a time when communication is more challenging than ever and relationships need to be nurtured, listening to one another could not be more important. In her new book, Nancy Kline, bestselling author of Time To Think, suggests that for us to radically improve our communication we should...
The Illusion of Intimacy: On Poetry
The Illusion of Intimacy: On Poetry brings Randall Mann’s characteristic wit, fearlessness, and attention to language, to twenty years of critical works, including reviews of early books by Laura Kasischke and Vijay Seshadri; essays on Shame, Money, and Forgetting; appreciations of Thom Gunn and John Ashbery; and two interviews. This incisive collection—a combination of criticism, close reading, autobiography, exuberance, and occasional irritation—offers a look into the mind of one of America’s finest formalists, revealing how the compression and vulnerability of the lyric draws us closer to, while asking us to resist, the limitations, freedoms, and intimacies of poetry.
Dancing in Odessa
Described as 'a rich, reverberative dance with memories of a haunted city' ( LA Times), the poems of the prize-winning debut Dancing in Odessa by Ilya Kaminsky, author of Deaf Republic, draw on archetype, myth and Russian literary figures. Tightly realised domestic settings are invigorated with a contemporary relevance, humour and torment, and a distinctive, transcendent music. 'With his magical style in English, Kaminsky's poems in Dancing in Odessa seem like a literary counterpart to Chagall in which laws of gravity have been suspended and colors reassigned, but only to make everyday reality that much more indelible. His imagination is so transformative that we respond with equal measures of grief and exhilaration.' The American Academy of Arts and Letters ' Dancing in Odessa by Ilya Kaminsky tops the list because he is one of those rarest of finds in this or any century, a writer who establishes what poetry can be.' The New York Times
Sir Gawain and the Green Knight
Chrysanthemum loves her name, until she starts going to school and the other children make fun of it.
POEMS ON THE GATE POST
In the first months of 2020, the world came to terms with a virus that threatened life and society. Extraordinary measures were taken, the like of which we had not seen before. Airlines ground to a halt as international travel was stopped. Most countries were forced to institute draconian steps that had all but essential workers confined to home in what became known as ‘lockdown’. For those who already carried the burden of health issues, extra care had to be taken to avoid coming into contact with anyone who might carry the virus. Those that could, worked from home. Many of those who could not work, were furloughed. The internet, and particularly video conferencing, took on a new dimens...
The Hous of Fame
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