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Moving Sounds: A Cultural History of the Car Radio' explores the unique animating symbiosis that develops whenever previously unrelated technologies become intertwined and form a mutually invigorating relationship. When?car? and?radio? became permanently inculcated, it changed how both cars and radio were designed and experienced. 'Moving Sounds' is the first book-length study exploring the relationship between the car and the radio. While much scholarship has been devoted to the general history of radio, radio?s unique relationship with the open road has been largely overlooked. The nascent interconnectivity between the early car and radio developers, and what they did to help each other, is another aspect of cultural history that is explored in Moving Sounds.
This book, commissioned to mark the fiftieth anniversary of the introduction of free post-primary education in Ireland, examines the origins, legacy and impact of this crucial development. The contributors are internationally recognised for their expertise in history of education, sociology of education, education policy and curriculum.
Robert Sarkissian offers biographical information about the Russian composer Pyotr Ilich Tchaikovsky (1840-1893), as part of the Island of Freedom resource. Tchaikovsky composed many types of compositions and is well known for his ballet works that include "The Nutcracker" and "Sleeping Beauty." Sarkissian features an image of the composer and a list of variant spellings of Tchaikovsky's name.
What do we remember from our national past and why? What are the dangers of history being (mis-)appropriated by politicians? Past in the Present provides a critical analysis of recent disputes over Polish historiography. The author uses theories of collective memory as a guideline, and the Polish-German borderlands as his leitmotif. Western academic currents and long-standing (and often forgotten) Polish intellectual traditions serve as backdrop. Throughout his work - with topics ranging from Golo Mann and Stefan Czarnowski to the «other side of memory» and the «political cult of the fallen» - Traba advocates modernization and «polyphony» in the construction of a new Polish history.
The work of «editing» is by and large something that happens behind the scenes, noticed only when it is done badly, or not done at all. There is not much information about what editors do. The result is that editing is not often talked about in its own right - not even by the people who do it. This collection of interviews attempts to fill some of the gaps. The author, a former editor herself, interviews practitioners at the top of their game - from newspapers, magazines, broadcast news, book publishing, scholarly editing, academic publishing and digital curation. The interviewees think out loud about creativity and human judgment; what they have in common and what makes them different; how editing skills and culture can be shared; why editing continues to fascinate; and why any of this might matter.
This book provides a nexus between research and practice through teachers' narratives of their experiences with telecollaboration. The projects described in the volume serve as excellent examples for any teacher or education stakeholder interested in setting up their own telecollaborative exchange.
Within the growing field of TV series studies, little work has yet been done on Ireland. This volume fills the gap by offering new and compelling studies of contemporary Irish TV series. It argues that there is a distinctly Irish culture of TV fiction series and examines some of its finest examples, from Father Ted to Love/Hate and Sin Scéal Eile.
Media methods research : finding audiences and giving a voice to mothers -- Maternal preferences : from ordinary celebrity to the sitcom star -- Emulation, not identification : sartorial styles, domestic skills and maternal discipline -- Bad mothers and poor role models : maternal inadequacy and the problem of perfection -- Conclusion: A call for maternal diversity
The present volume comprises a collection of wonderful and insightful essays exploring the theme of sanctuaries in Washington Irving's The Sketch Book. These are sanctuaries of natural beauty, peacefulness, architectural splendor, and mythical vitality. In addition, the book presents a short history of sanctuaries in nineteenth-century American and European literature.
This book consists of essays on the Vienna School's impact on Central European art history, Walter Benjamin's move from transhistoricism to historical relativism, Jacob Burckhardt's legacy and its metamorphoses, two competing conceptions of the social history of art, and Ernst Gombrich's life long struggle against metaphysics. All share a common denominator: concern with the trajectories of art historical ideas and their ideological instrumentality. However, the author's aim in analysing the premises and intentions of art historical discourse is not to undermine the credibility of art history by reducing it to total epistemological relativism. The historiography of art historical theories and critical reflection on their ideological background is understood by the author as an auxiliary art historical subdiscipline.