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Erasmus and Luther: The Battle over Free Will
This compilation of writings from Erasmus and Luther's great debate--over free will and grace, and their respective efficacy for salvation--offers a fuller representation of the disputants' main arguments than has ever been available in a single volume in English. Included are key, corresponding selections from not only Erasmus' conciliatory A Discussion or Discourse concerning Free Will and Luther's forceful and fully argued rebuttal, but--with the battle now joined--from Erasmus' own forceful and fully argued rebuttal of Luther. Students of Reformation theology, Christian humanism, and sixteenth-century rhetoric will find here the key to a wider appreciation of one of early modern Christianity’s most illuminating and disputed controversies.
Confabulations
This study, a companion to Peter Macardle's edition of the *Confabulationes*, examines the ways in which the colloquies relate to their Cologne background, to the major contemporary colloquy collections (particularly Erasmus's *Colloquia* and Mosellanus's *Paedologia*), and to the humanist renewal of Classical Latin. It also looks in detail at the documentary traces of Schotten's career, and of his networks of friendship and patronage, and tries to understand how he fitted into the structures of a university which has often been (wrongly) understood as hostile to humanism. Based on primary archival material, this is the only full-length study of this underrated German humanist's life and work.
The St Gall Passion Play
The early-fourteenth-century St Gall Passion Play comes from the Central Rhineland. Unfortunately its music (over one hundred Latin and German chants) is given in the manuscript only as brief incipits, without any musical notation. This interdisciplinary study reconstructs the musical stratum of the play. It is the first full-scale musical reconstruction of a large German Passion play in recent times, using the latest available scholarly data in drama, liturgy and music. It draws conclusions about performance practice and forces, and offers a sound basis for an authentic performance of the play. The study applies musical and liturgical data to the problem of localizing the play (the first ti...
Confabulationes tironum litterariorum
The humanist Hermann Schotten, or Hermannus Schottennius Hessus (c. 1503-1546), student, schoolmaster, and university lecturer in Cologne, was the author of a number of works on humanist pedagogy. His *Confabulationes tironum litterariorum* of 1525, a collection of Latin dialogues designed to help schoolboys master Classical Latin conversation, was written in admiring imitation of the colloquies of Erasmus. But Schotten had his own distinctive style: a natural ear for dialogue, and a sympathetic understanding of the schoolboy world. As a result, he produced one of the liveliest pedagogical works of the century and a vivid and valuable cultural document of life in the early modern metropolis of Cologne. This critical edition of the *Confabulationes*, the first since the sixteenth century, makes this one-time best-seller available and comprehensible to modern readers. It presents the Latin text, a full English translation, and extensive notes on the language and on Schotten's many literary and cultural allusions, accompanied by a detailed investigation of the early printing history of the collection.
Strange and Gaudy Fruit
The history of Christianity includes many doctrines adopted (and actions taken) to meet immediate problems but which had unintended consequences; they are bad fruit (Matt 7:15-20). The oldest is antisemitism, which arose from the competition of the early church with early Judaism. It was built into the New Testament and was developed by the church fathers. Having learned to dehumanize, it was easy to apply the same techniques to other groups; the church became complicit with enslavement, misogyny, and other forms of oppression. One response to the bad fruit is to reject religion, in the manner of Christopher Hitchens. However, the dogmas are part of our culture even if in secular form. If th...
Confabulations: Cologne life and humanism in Hermann Schotten's Confabulationes Tironum Litterariorum (Cologne, 1525)
This study, a companion to Peter Macardle’s edition of the Confabulationes, examines the ways in which the colloquies relate to their Cologne background, to the major contemporary colloquy collections (particularly Erasmus’s Colloquia and Mosellanus’s Paedologia), and to the humanist renewal of Classical Latin. It also looks in detail at the documentary traces of Schotten’s career, and of his networks of friendship and patronage, and tries to understand how he fitted into the structures of a university which has often been (wrongly) understood as hostile to humanism. Based on primary archival material, this is the only full-length study of this underrated German humanist’s life and work.
Macbeth (Second International Student Edition) (Norton Critical Editions)
A tragedy that evokes both pity and terror—now in a thoroughly revised and updated Norton Critical Edition. The Norton Critical Edition is again based on the First Folio (1623), the only authoritative text of the play. The volume includes a revised introduction and new annotations and textual notes. The Second Edition also includes the innovative feature “The Actors’ Gallery,” which presents famous actors and actresses—among them David Garrick, Sarah Siddons, Ian McKellen, Hira Mikijirô, Patrick Stewart, and Kate Fleetwood—reflecting on their roles in major productions of Macbeth for stage and screen. “Sources and Contexts” provides readers with an understanding of Macbeth...
Staging Doubt
This volume considers the influential revival of ancient philosophical skepticism in the 16th and early 17th centuries and investigates, from a comparative perspective, its reception in early modern English, Spanish and French drama, dedicating detailed readings to plays by Shakespeare, Calderón, Lope de Vega, Rotrou, Desfontaines, and Cervantes. While all the plays employ similar dramatic devices for "putting skepticism on stage", the study explores how these dramas, however, give different "answers" to the challenges posed by skepticism in relation to their respective historico-cultural and "ideological" contexts.
Moria de Erasmo Roterodamo
Moria de Erasmo Roterodamo is the first known complete translation of Erasmus’s Encomium Moriae into Spanish, composed in the sixteenth-century and copied in a seventeenth-century manuscript preserved at Ets Haim/Livraria Montezinos (Amsterdam).
Shakespeare's Religious Language
An A to Z reference guide to religious terms, concepts and references in Shakespeare.
