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Peter Middleton
None
The Inward Gaze
First published in 1992, The Inward Gaze looks at men’s fantasies and self-images from a wide range of texts (notably boy’s superhero comics, modernist literary classics, and a Freudian case-study) to discuss the theories of subjectivity, masculinity, and emotion. The author explores the split between the experience-based claims of the men’s movement and the discourse theories of postmodernism. Does this division reveal a continuing refusal of masculine self-awareness? Why does postmodernist theory investigate desire and ignore emotion? This is a ground-breaking and controversial book which seeks to reformulate the way we think about men’s subjectivity. Its interdisciplinary approach weaves together material from many different sources and will be of vital interest to students of literature, cultural studies, gender studies, and psychoanalysis.
Aftermath
A selection of poems about masculinity, memory, authority, and science. Languages of science and policy try to talk their way out of poetic trouble in serial poems and longer sequences.
The Manx Norton
The most famous of all British racing motorcycles, with an ancestry dating back to the very dawn of the internal combustion engine, the 'cammy' Norton is inseparable from the era of British domination in motorcycle racing. It is linked with the legendary heroes of the sport, Jimmie Guthrie, Harold Daniell, Geoff Duke, John Surtees, Mike Hailwood and the age when Britain had the world's finest motorcycle industry. This revised edition of the definitive history contains additional material and traces the design, development, the leading riders and tuners. It presents a superb collection of photographs, many previously unpublished. The Manx Norton covers not only the Manx itself, but also features boardroom battles, Norton's early history, record breaking, sidecars, Formula 3 cars, scrambling (motocross); the Domiracer; racing at Daytona and today's classic scene.
Physics Envy
Includes bibliographical references (pages 259-301) and index.
Subverting Masculinity
The authors concentrate on masculinities in contemporary film, literature and diverse forms of popular culture and argue that the subversion of traditional images of masculinity is both a source of gender contestation and may equally be susceptible to assimilation by new hegemonic configurations of masculinity.
The Woman Who Ran Away
The Woman Who Ran Away is a mystery of sorts. Jack Waldek, the protagonist, is a senior tax manager with an obscure public accounting firm in New Jersey. He meets Fran Zetzmann when she occupies the next seat to him on an O’Hare to LaGuardia flight. Fran presumably holds a regional sales management position with an advertising representative firm and impresses Jack as an independent traveling lady. They develop a relationship which blooms into a comfortable weekend lover arrangement at Jack’s country place in a Pocono Mountains gated community called Knight Estates. Fran is a runner. She runs every weekend morning a distance of 1.8 miles regardless of weather. She leaves one Saturday mor...
The Old Service
Newman examines why this high profile group of Royalists took the risks they did and explores how their role in the Civil Wars is an important key to our understanding of the wider questions of Royalist ideology and allegiance.
