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Margaret Bedrosian's pioneering interdisciplinary study examines the continuing effect of Armenian history on Armenian-American writing. Using the work of ten Armenian-American poets and fiction and non-fiction writers, she shows the continuing impact on Armenian Americans of cultural symbols, myths, and attitudes carried over from the Old World, and explores the ways in which two cultures meet, conflict, and become integrated in the imagination. Through analysis of writers' actual or fictionalized experience, The Magical Pine Ring provides an understanding of the Armenians' specific concerns as Armenians and as immigrants, the effect of their self-awareness as Armenians on their adaptation ...
Wiley Online Trading For A Living Beat Risk and Reap Rewards Like A Pro! The Compelling True Story of How a Top Market Maker Built a Successful Trading Business Praise for How I Trade Options "To much of the outside world, trading appears to be as incomprehensible as rocket science. What Jon Najarian has done in this engaging and very readable book is to 'demystify' the world of options for both the aspiring trader and the retail investor. How I Trade Options is a rare opportunity to look over the shoulder of this experienced options trader, teacher, and lecturer." -Lewis J. Borsellino, CEO/Founder, www.TeachTrade.Com; Author, The Day Trader: From the Pit to the PC "How I Trade Options gives...
World War I was a watershed, a defining moment, in Armenian history. Its effects were unprecedented in that it resulted in what no other war, invasion, or occupation had achieved in three thousand years of identifiable Armenian existence. This calamity was the physical elimination of the Armenian people and most of the evidence of their ever having lived on the great Armenian Plateau, to which the perpetrator side soon gave the new name of Eastern Anatolia. The bearers of an impressive martial and cultural history, the Armenians had also known repeated trials and tribulations, waves of massacre, captivity, and exile, but even in the darkest of times there had always been enough remaining to ...
In this groundbreaking volume, Fred Moramarco and Al Zolynas bring together a comprehensive and widely representative selection of poetry reflecting both the diversity and commodity of male experience in the United States today. Since the beginning of the contemporary phase of the women's movement in the 1960s, various anthologies devoted to the poetry of women have articulated and defined a distinctive sensibility attuned to the particularities of a woman's life in our time. Although much has been written recently about the male role in our society as well, the discussion generally has assumed a sociopsychological or mythic perspective. Poetry, Moramarco and Zolynas believe, can reveal most...
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ABOUT THE BOOK The Paintings of Art Pinajian, A Family Story, is an illustrated non-fiction novel about an Armenian-American painter whose work sold for a fortune after he died, though he lived on the edge of poverty. Ashod "Archie" Pinajian was a Najarian on his mother's side, and what happened to his work became a universal story of greed and betrayal, yet his faith in the power of art was a redemptive force that never diminished. "It is between me and myself that I work now.... My work is a reflection of what I want my life to be.... To understand the totality of art is to arrive at its creation.... If you are conscious of Totality, time will coalesce everything into one.... Searching for forms is terrific therapy and makes me feel good and refreshed.... No one notices, of course, except the creator and sometimes not even he." From Archie's letters to his cousin Pete. ABOUT THE AUTHOR Peter Najarian is a passionate and idealistic American author, painter, basketball player and substitute teacher who resides in Berkeley, California.
The Naked & The Nude is a nonfiction illustrated novel narrated by a 76-year-old painter and writer regarding the interface of his sex life and his life as an artist.
In this book, Hertha D. Sweet Wong examines the intersection of writing and visual art in the autobiographical work of twentieth- and twenty-first-century American writers and artists who employ a mix of written and visual forms of self-narration. Combining approaches from autobiography studies and visual studies, Wong argues that, in grappling with the breakdown of stable definitions of identity and unmediated representation, these writers-artists experiment with hybrid autobiography in image and text to break free of inherited visual-verbal regimes and revise painful histories. These works provide an interart focus for examining the possibilities of self-representation and self-narration, the boundaries of life writing, and the relationship between image and text. Wong considers eight writers-artists, including comic-book author Art Spiegelman; Faith Ringgold, known for her story quilts; and celebrated Indigenous writer Leslie Marmon Silko. Wong shows how her subjects formulate webs of intersubjectivity shaped by historical trauma, geography, race, and gender as they envision new possibilities of selfhood and fresh modes of self-narration in word and image.