Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Divine Audacity
In Divine Audacity, Peter Dillard presents a historically informed and rigorous analysis of the themes of mystical union, volition and virtue that occupied several of the foremost theological minds in the late thirteenth and early fourteenth centuries. In particular, the work of Marguerite Porete raises complex questions in these areas, which are further explored by a trio of her near contemporaries. Their respective meditations are thoroughly analysed and then skilfully brought into dialogue. What emerges from Dillard's synthesis of these voices is a contemporary mystical theology that is rooted in Hugh of Balma's affective approach, sharpened through critical engagement with Meister Eckhart's intellectualism, and strengthened by crucial insights gleaned from the writings of John Ruusbroec. The fresh examination of these thinkers - one of whom paid with her life for her radicalism - will appeal to philosophers and theologians alike, while Dillard's own propositions demand attention from all who concern themselves with the nature of the union between the soul and God.
Fate and Faith after Heidegger's Contributions to Philosophy
In this groundbreaking new work, Dillard makes a powerful case for bringing contemporary Christian theology into critical dialogue with Martin Heidegger’s Contributions to Philosophy (Of the Event). Following his initial receptivity to theology in his early writings, Heidegger becomes increasingly agnostic and even atheistic in the 1930s until the sudden resurgence of religious discourse in Contributions. Dillard shows that there are good reasons for Heidegger’s striking reversal. Key philosophical concepts from Contributions enable Heidegger to overcome earlier theological conundrums left unresolved in his earlier engagements with themes in St. Paul and Luther, while the need to make a ...
Adorno's Poetics of Critique
Adorno's Poetics of Critique is a critical study of the Marxist culture-critic Theodor W. Adorno, a founding member of the Frankfurt school and widely regarded today as its most brilliant exponent. Steven Helmling is centrally concerned with Adorno's notoriously difficult writing, a feature most commentators acknowledge only to set it aside on the way to an expository account of 'what Adorno is saying'. By contrast, Adorno's complex writing is the central focus of this study, which includes detailed analysis of Adorno's most complex texts, in particular his most famous and complicated work, co-authored with Max Horkheimer, Dialectic of Enlightenment. Helmling argues that Adorno's key motifs - dialectic, concept, negation, immanent critique, constellation - are prescriptions not merely for critical thinking, but also for critical writing. For Adorno the efficacy of critique is conditioned on how the writing of critique is written. Both in theory and in practice, Adorno urges a 'poetics of critique' that is every bit as critical as anything else in his 'critical theory.
Revisiting Normativity with Deleuze
An exploration of the relevance of Deleuze's nomadic thought for re-thinking norms, values and laws in a manner that by-passes structural negativity while avoiding relativism.
The End Is Music
Robert Jenson has been praised by Stanley Hauerwas, David Bentley Hart, Wolfhart Pannenberg, and others as one of the most creative and important contemporary theologians. But his work is daunting for many, both because of its conceptual demands and because of Jenson's unusual prose style. This book is an attempt to give Jenson the kind of hearing that puts his creativity and significance on display, and allows newcomers to and old friends of his theology the opportunity to hear it afresh.
Heidegger and Authenticity
Heidegger's thinking in the decades following the publication of Being and Time is often deemed irreconcilable with that work. Critics contrast the notion of "resoluteness" in Being and Time with Heidegger's post-war account of "releasement" in an attempt to establish a discrepancy between the allegedly voluntarist humanism of his early work and the supposedly 'anti-humanist' thinking of his later work. By contrast, Mahon O'Brien argues for the structural and thematic coherence of Heidegger's movement from authenticity to the search for an authentic free relation to the world - as captured by the term "releasement". By demonstrating the structural and thematic unity of Heidegger's thought in its entirety, O'Brien paves the way for a more measured and philosophically grounded understanding of the issues at stake in the Heidegger controversy.
Amos, Hosea, and Micah
This book introduces readers to three Hebrew prophets of the eighth century BCE, Amos, Hosea, and Micah. After a survey of the historical background for these prophets, and a brief introduction to each, five selected prophecies of Amos, Hosea, and Micah are discussed in detail. At the conclusion of each passage questions are provided for reflection, making the book suitable for Bible study and small group discussions.
Immanent Transcendence
Overthe last twenty years materialist thinkers in the continental tradition haveincreasingly emphasized the category of immanence. Yet the turn toimmanence has not meant the wholesale rejection of the concept oftranscendence, but rather its reconfiguration in immanent or materialist terms:an immanent transcendence. Through an engagement with the work ofDeleuze, Irigaray and Adorno, Patrice Haynes examines how the notion ofimmanent transcendence can help articulate a non-reductive materialism by whichto rethink politics, ethics and theology in exciting new ways. However,she argues that contrary to what some might expect, immanent accounts of matterand transcendence are ultimately unable to do justice to materialfinitude. Indeed, Haynes concludes by suggesting that a theisticunderstanding of divine transcendence offers ways to affirm fully materialimmanence, thus pointing towards the idea of a theological materialism.
Art and Institution
Art and Institution examines how for Merleau-Ponty the work of art opens up, without conceptualizing, the event of being. Rajiv Kaushik treats Merleau-Ponty's renderings of the artwork - specifically in his later writings during the period ranging from 1952-1961 - as a path into the being that precedes phenomenology. Replete with references to Merleau-Ponty's reflections on Matisse, Cézanne, Proust and others, and featuring Kaushik's own original reflections on various artworks, this book is guided by the notion that art does not iterate the findings of phenomenology so much as it allows phenomenology to finally discover what, as a matter of principle, it seeks: the very foundation of experience that is not itself available to thought. Kaushik is thus concerned with the ways in which the work of art restores the principle of institution, prior to the intentional structures of consciousness, so that phenomenology may settle questions concerning ontological difference, the origination of significance, and the relationship between interiority and exteriority.
Marx Through Post-Structuralism
A distinct and original post-structuralist approach to Marx, allowing him to be read in a new light.
