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Peter Salter is an architect and teacher (at the Architectural Association, the University of East London, the University of Bath, and the Welsh School of Architecture) whose work has influenced several generations of students. Walmer Yard, in Notting Hill, is his first residential project in the UK and one of only a small number of buildings he has completed worldwide. Although modest in scale, the project is extraordinary in many ways. On an irregularly shaped site, Salter's design brings four houses into a complex relationship with each other, half-formal, half-familiar, interdependent yet solitary. Similarly, the relations among the core team who developed the design are more nuanced than in most architectural projects, since they all met at the Architectural Association in Peter Salter's unit, where Crispin Kelly (the client) and Fenella Collingridge (Peter's current collaborator) were student contemporaries. This book documents the project with Peter Salter's original pen-and-ink drawings and H�l�ne Binet's extraordinary photographs.
Published to accompany the exhibition Peter Salter: Drawing Walmer Yard at PIano Nobile marking the launch of Peter Salter's first residential building in Britain, this fully illustrated catalogue presents a selection of Salter's extraordinary drawings for the project. With a new essay by Peter Salter on his drawings and an introduction by architectural associate Fenella Collingridge, the catalogue reveals the intrinsic importance of Salter's drawings to the process of his architectural practice. Exploratory, indicative, and instructive, Salter's drawings oscillate between place and detail, idea and representation, strategy and materiality. Persuasively imaging a lived environment, Salter ef...
Four Japanese projects, Osaka Folly, Thai Fish Restaurant, Inami Woodcarving Museum, Kamiichi Mountain Pavilion and one proposal for Glasgow City of Archiecture 1999 - Ramshorn Church Yard.
The adventures of Pete the Bushman, a wild West-coaster from Pukekura, New Zealand's answer to Crocodile Dundee and a man who owns his own town. This book about a true New Zealand bushman, of a life lived against the grain, of adventure in New Zealand's thickest wilderness and a lifestyle any Kiwi bloke would envy. Pete the Bushman has lived a life inseparable from the bush - these are his stories of running down deer on foot, heli-hunting in his own chopper, finding the perfect woman and eking out a living from the bush. He and his wife Justine run the Bushman’s Centre, 35 mins south of Hokitika, established in 1991 as a place to show visitors how local people use the South Island forest. Pete’s café and the Puke Pub (opposite the centre) is famous for wild food, particularly possum, offering snacks like possum jerky, possum pie and possum pâté. They won one of the Monteith’s Wild Food Challenge, with ‘Chicken of the Forest’, ‘a baked, spiced possum on a bed of fresh vegetables with a touch of wild bush mint sauce’. Also known as 'Possum Pete', the Bushman is one of the eccentric and colourful characters featured on TVNZ’s ‘This Town’.
The title Archigram came from the notion of a more simple and urgent item than a Journal, like a telegram or aerogramme - hence, "archi(tecture)-gram."".
A novel argument that shows how rules work better than discretion when implementing monetary policy.
"Salter's life and work bridged two continents and cultures and spanned the political turmoil of the mid-twentieth century. He survived both world wars, the rise of National Socialism in Germany, and permanent exile in a new land, but nothing halted his tireless and brilliant design work. Classic Book Jackets tells Salter's story and describes the innovative thinking he brought to his clients and students (including his designation of seven jacket types that are still valid today). It includes more than two hundred reproductions of his finest works as well as a complete catalog of his jackets, designs, and lettering jobs for the book trade."--BOOK JACKET.
How technologies, from the mechanical to the computational, have transformed artistic performance practices.
Weather Architecture further extends Jonathan Hill’s investigation of authorship by recognising the creativity of the weather. At a time when environmental awareness is of growing relevance, the overriding aim is to understand a history of architecture as a history of weather and thus to consider the weather as an architectural author that affects design, construction and use in a creative dialogue with other authors such as the architect and user. Environmental discussions in architecture tend to focus on the practical or the poetic but here they are considered together. Rather than investigate architecture’s relations to the weather in isolation, they are integrated into a wider discussion of cultural and social influences on architecture. The analysis of weather’s effects on the design and experience of specific buildings and gardens is interwoven with a historical survey of changing attitudes to the weather in the arts, sciences and society, leading to a critical re-evaluation of contemporary responses to climate change.
Now in its second edition: the trailblazing introduction and textbook on construction includes a new section on translucent materials and an article on the use of glass.