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Explores the main themes that have exercised visual art in Wales throughout most of the twentieth century, by outlining the conception and history of the largest community of artists in Wales - The Welsh Group. This title brings together names as diverse in practice as Sir Cedric Morris, Ceri Richards and Brenda Chamberlin.
Innumerable artists have found refuge in Britain during the past hundred and fifty years, escaping dispossession, torture, intellectual oppression or war. Their arrival frequently enriched art in Britain.00Following the isolation of most émigrés in the First World War, artists who escaped Nazism in the 1930s became part of art communities in places as far apart as Hampstead, Glasgow, Merthyr Tydfil, the Swansea valley and St Ives. Gabo and Mondrian influenced Nicholson, Hepworth and Lanyon, while younger artists were inspired by radical ideas of Kurt Schwitters and John Heartfield and by the Expressionists Bloch, Herman, Kokoshcka and Koppel. Lotte Reiniger brought innovations in animation...
This text demonstrates why incorporating extensive knowledge that exists in poor rural areas into development of land and reform policies is essential for truly democratic social and economic transformation.
This sixth volume of the Buildings of Wales series covers two counties, Carmarthenshire and Ceredigion (formerly Cardiganshire) in the south-west of Wales. Like the same authors' Pembrokeshire, the volume covers an architecture still little known, hut encompassing a sweep from prehistoric chambered tombs to the high technology of the world's largest single-span glasshouse. The Buildings of Wales, founded by Sir Nikolaus Pevsner (1902-83), will, when complete, document and describe the architecture of the Principality in seven regional volumes, complementing the sister series on England, Ireland and Scotland. In each one a gazetteer details all buildings of significance from megalithic tombs ...
Peter Prendergast (1946-2007), painter of bold, expressionist landscapes, seascapes and self-portraits, was an outstanding artist - as celebrated in this important new publication. Complementing The Painter's Quarry (2006), this beautifully illustrated book will enhance our understanding of a significant painter and as such is an essential purchase for all those interested in modern British art.
Roger Cecil (1942-2015) has been described as one of the great abstract artists of his generation, yet in his lifetime he was hardly known outside a circle of fellow painters. He was content to paint for himself, protecting his privacy and exhibiting rarely. If he did show his work, collectors rushed to acquire it. Among curators, he was a legendary figure. When his body was found after a police search in 2015, his death made headlines. At art college in the early 1960s he was a star of his generation, but he walked out on a scholarship to the Royal College of Art and returned to practise on his own in the South Wales mining village and terraced house where he grew up. He devoted himself to ...
Sally Moore paints worlds where fiction is truer than fact, where outer absurdity stands in for inner reality. Like an actor, she uses her observations of people and situations to explore ideas with herself as the performer. Through surreal metaphors--tigers in the sitting room, monkeys on her dining table, small boats taking her to sea--she battles moods, fears and social expectations. She continues a figurative tradition that extends from Caravaggio to Balthus, though her active, clothed women rebut traditional depictions. Sally Moore's childhood in South Wales was creative, her mother a dancer and her father a painter, the house filled with artist friends, though it was shattered by her father's death when she was just thirteen. After Oxford University and Birmingham College of Art she developed her painting with awards from the Delfina Studios and the British School in Rome, becoming one of the distinctive figure painters of her generation. This book is an opportunity to see her work across four decades. As the novelist William Boyd has pointed out, to view her paintings together is to reveal a lifelong project to explore mood, memory and states of mind.
Since the late 1950s, the artist Falcon Hildred has pursued a unique personal project to make a visual record of the buildings of a disappearing industrial culture, of what he calls 'worktown'. His meticulous and often highly evocative drawings capture vital information about townscapes, mills, factories, quarries, bridges, workers' houses, libraries, chapels and many other sites and buildings, conjuring the industrial age in all its grimy vitality. Born in Grimsby in 1935, Falcon Hildred attended art schools in Coventry and Birmingham and the Royal College of Art. In south London, Coventry, Newcastle, Newport, Cardiff, Merthyr Tydfil, Blaenau Ffestiniog and elsewhere he has observed old ind...
For six decades Charles Burton has been one of the major figures of art in Wales. Born in 1929, he grew up amid the poverty of the pre-war Rhondda. Even as a student he was a central figure in the influential Rhondda Group, his work was purchased for public collections and he won the Gold Medal of the National Eisteddfod. Carel Weight described him as "one of the most lively" of a Royal College generation that included Frank Auerbach, Peter Blake, Fred Cuming and Leon Kossof. He was a charismatic head of painting at Liverpool College of Art when it was a hub of pop culture in the 1960s. Since returning to Wales in 1970 he has continued to produce works of brilliant serenity.0This book presents for the first time the full breadth of Charles Burton's career, from the vigour of his earliest Valleys landscapes through paintings made in Egypt during National Service to his cool abstracts and expressive heads of the 1960s and the elegant perfection of his still lifes, interiors and landscapes of the last four decades.
This authoritative guide to the southwest corner of Wales by three local experts encompasses a wide sweep of history, from the rugged prehistoric remains that stud the distinctive windswept landscape overlooking the Atlantic to distinguished recent buildings that respond imaginatively to their natural setting. The comprehensive gazetteer encompasses the great cathedral of St David's and its Bishop's Palace, the numerous churches, and the magnificent Norman castles that reflect the turbulent medieval past. It gives attention also to the lesser-known delights of Welsh chapels--both simple rural and sophisticated Victorian examples--in all their wayward variety and provides detailed accounts of a rewarding range of towns, including the county town, Haverfordwest, the attractively unspoilt Regency resort of Tenby, and Milford Haven and Pembroke Dock, with their important naval history. An introduction with valuable specialist contributions sets the buildings in context.