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Paradigma
The theme and title of the 100th Yearbook of the Kalevala Society is ”Paradigm”. Paradigm is a framework of prevalent principles, beliefs, values, and norms, and incorporates ideas about what is correct in terms of theory and methodology. Accordingly, paradigm always leads to struggles of authority in relation to other trends and ways of thinking. This book grapples with the historical, contemporary, and ever-shifting paradigms and methods of cultural research. What was being researched in the early 20th century and how was the research conducted? What happened in the 1960s–1980s in this field of research? What methods do our peers use? What kinds of affiliations and antagonisms emerge with the changing paradigms? And how do the different ’turns’ direct research?
Paradigma
Tunteet käytäntöinä ja affektiivisina suhteina karjalaisissa itkuvirsissä /Viliina Silvonen --Harmaina päivinä /Aura Saarikoski --Kalevalaseura-säätiön toimintakertomus 2020.
Reconstructing Homes
In the practice of constructing the idea of home and the emotions surrounding it, sensory experiences and materiality intertwine to form layers of memory and affective atmospheres. People in different life stages and situations create continuity and a sense of home by engaging with materiality and objects in their own unique way. Reconstructing Homes takes on a multidisciplinary approach of sensory ethnography, visual methods and autoethnography methodologies to explore affective engagements with materiality in the context of home and the idea of belonging.
Kansallisesta Ylirajaiseen
Tradition and literature are not held back by borders. Transnationality is, for example, geographic, symbolic, or linguistic movement and action. Different kinds of cultural transitions and migrant traditions are connected with transnationality. Studying the multilingualism of literary texts or diverse cultural identities, transnationality is a prolific angle. In the 102nd Yearbook of the Kalevala Society Foundation, the topics cover for example migration and return migration, material things crossing borders, and places of music culture. At a more theoretical level we are asking how studying transnationality enriches the disciplines with roots in the national sciences.
Sanojen luonto
In recent decades, the focus of Folklore Studies has shifted from analysing the products of oral traditions as texts to examining the ways in which people use and produce these items, and the areas of study have broadened to include vernacular cultures and genres in diverse verbal and material forms. As evident from the introduction and twelve chapters of this collection, these interests are today shared by several disciplines that cooperate in the area of cultural studies. This book provides insights into current questions about the “nature” of words: it discusses both the inherent essence of vernacular expression and how that essence is tied to various genre-ecological, performative, and material environments. The chapters include studies on the poetics, form, function, performance, and composition of traditional and new vernacular forms, including explorations of hybridity, materiality, and change, as well as critical examinations of archival practices and publication processes.
Kaanon ja marginaali
Why the Kalevala and not the Kanteletar? The Kalevala Society’s 101st Yearbook maps the processes of canonizing and marginalizing in traditions, cultural heritage and literature by focusing on the fringes of cultural ideals and norms. How and using which criteria have researchers, artists and materials of cultural production been lifted up or pushed aside? What kind of nations would have emerged if writing the nation had rested on the alternatives: the marginal rather than the canonical genres? A look into the blind spots and fringes of culture and research reveals the endless movement in and between hierarchically positioned spheres of culture. Listening to margins changes not only the canon but also the idea of canon.
Toiveiden maa
Finland was an autonomous Grand Duchy in the Russian Empire during the years 1808–1917. At this time nationalism as well as other ideologies reached Finland from Europe, which strengthened the willingness to change both in society and on a governmental level. The Fennoman movement, which was a movement focusing both on language and on nationalism, became the core of the Finnish self-perception. The goal was to define Finland as a coherent and separate country in relation to its neighbouring countries. Collecting folk poems and learning to know one’s home country became essential. People saw the Kalevala poems as a way to understand and define the Finnish identity and the history of the F...
Magiaa ennen ja nyt
Magic, Past and Present brings together the latest interdisciplinary research by Finnish scholars on magic and witchcraft. The authors come from fields such as history, art, literature, religion, and culture. Geographically, the articles are set in Finland and its surrounding areas, and the time span is from the Middle Ages to the present day. The book’s chapters discuss magic and magic-users in a wide context, from medieval church paintings and their portrayed gender roles to the neoshamanism and paganism of the present day. They also address issues such as witchcraft accusations from the perspective of othering and groundbreaking figures like one of the first Finnish female magicians at the turn of the 21st century. The book is intended for scholars in various humanities fields, such as history, religious studies, folklore, and literature. A general audience will also find the book thought-provoking and informative.
Unettomuudesta
Käsissäsi on kokoelma tekstejä, joissa pääosassa ovat unettomuus ja valvominen. Unettomuus on henkilökohtainen, ruumiissa koettu asia. Se on kuitenkin myös ilmiö, joka muuttuu ajassa. Sekä unettomuus että valvominen ovat moninaisia, ristiriitaisiakin asioita, joita on eri aikoina sanallistettu eri tavoin. Teos avaa ikkunoita unettomuuden maailmaan: historiaan, nykyhetkeen, yksityiseen ja henkilökohtaiseen kokemukseen sekä kulttuurisiin käsityksiin. Unettomuudesta hyödyntää erilaisia kirjallisuuden lajityyppejä kuten esseetä, proosarunoa, spekulatiivista fiktiota, kirjettä ja päiväkirjatekstiä, ja pohtii samalla niiden antia kulttuurihistorialle. Kirjan lopussa on "Tehtäväkirja", johon on koottu kysymyksiä ja pohdintatehtäviä, joita myös lukija voi hyödyntää.
