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Keeping in the Present
In 2020, the Dresden Kupferstich-Kabinett celebrates its 300th anniversary. Founded in 1720 by Augustus the Strong as a museum specializing in works on paper, the collection now with over half a million works, from the Middle Ages to the present day has always acquired contemporary art alongside recognised masterpieces. The collection which includes exceptional works by Jan van Eyck, Dürer, Verrocchio, Grünewald, Cranach, Holbein, Rembrandt, Caspar David Friedrich, Ludwig Richter, Toulouse Lautrec, Mondrian, Hermann Glöckner, Gerhard Altenbourg, A.R. Penck, Georg Baselitz and Evelyn Richter began in the 18th century with drawings, miniatures and prints, before photography was added in 1898 as the promising future means of reproduction. Exhibition: Kupferstich-Kabinett, Dresden, Germany (24.04.-14.09.2020) / The Morgan Library & Museum, New York, USA (10.2020).
Indian Paintings
The Dresden Kupferstich-Kabinett's collection of Indian paintings bears witness to the rich art of late seventeenth- and eighteenth-century, mainly Mughal style, works from the Deccan, and the fascinating history of its reception in the West. It consists of two groups that came to Dresden during the Baroque and the Romantic eras, respectively. The first group, recorded in the earliest inventory compiled in 1738, predominantly consists of albums and sets of ruler's and noble's portraits. A second group of seventy-eight paintings contains a wide variety of topics. It entered the museum in 1848 as part of the bequest of the philologist August Wilhelm Schlegel. This scholarly catalogue publishes the entire holdings of Indian paintings in the Dresden Kupferstich-Kabinett for the first time, including an illuminated Shahnama that entered the collection in 2016 as a donation.
Painting the Sacred in the Age of Romanticism
After a century of Rationalist scepticism and political upheaval, the nineteenth century awakened to a fierce battle between the forces of secularization and the crusaders of a Christian revival. From this battlefield arose an art movement that would become the torchbearer of a new religious art: Nazarenism. From its inception in the Lukasbund of 1809, this art was controversial. It nonetheless succeeded in becoming a lingua franca in religious circles throughout Europe, America, and the world at large. This is the first major study of the evolution, structure, and conceptual complexity of this archetypically nineteenth-century language of belief. The Nazarene quest for a modern religious id...
Goethe Yearbook 23
Cutting-edge scholarly articles on diverse aspects of Goethe and the Goethezeit, featuring in this volume a special section on Goethe and visual culture. The Goethe Yearbook is a publication of the Goethe Society of North America, encouraging North American Goethe scholarship by publishing original English-language contributions to the understanding of Goethe and other authors of the Goethezeit while also welcoming contributions from scholars around the world. Volume 23 features a special section on visual culture with contributions on the visual aesthetics of Goethe's 1815 production ofProserpina (Bersier); on the Farbenlehre (Lande); on Tableaux Vivants in Goethe's Die Wahlverwandtschaften...
First Exposures
An exact date for the invention of photography is evasive. Scientists and amateurs alike were working on a variety of photographic processes for much of the early nineteenth century. Thus most historians refer to the year 1839 as the “first” year of photography, not because the sensational new medium was invented then, but because that is the year it was introduced to the world. After more than 175 years, and for the first time in English, First Exposures: Writings from the Beginning of Photography brings together more than 130 primary sources from that very year—1839—subdivided into ten chapters and accompanied by fifty-three images of significant visual and historical importance. T...
Routes, Roads and Landscapes
Routes and roads make their way into and across the landscape, defining it as landscape and making it accessible for many kinds of uses and perceptions. Bringing together outstanding scholars from cultural history, geography, philosophy, and a host of other disciplines, this collection examines the complex entanglement between routes and landscapes. It traces the changing conceptions of the landscape from the Enlightenment to the present day, looking at how movement has been facilitated, imagined and represented and how such movement, in turn, has conditioned understandings of the landscape. A particular focus is on the modern transportation landscape as it came into being with the canal, the railway, and the automobile. These modes of transport have had a profound impact on the perception and conceptualization of the modern landscape, a relationship investigated in detail by authors such as Gernot Böhme, Sarah Bonnemaison, Tim Cresswell, Finola O'Kane, Charlotte Klonk, Peter Merriman, Christine Macy, David Nye, Vittoria Di Palma, Charles Withers, and Thomas Zeller.
Rooms with a View
Catalog of an exhibition held at the Metropolitan Museum of Art, New York, April 5-July 4, 2011.
