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This accessible book is for anyone who would like to understand more about the architectural history of English churches. Clear and easy to use, the text explains the key components of church architecture--stylistic developments, functional requirements, regional variations, and arcane vocabulary. Readers can equip themselves to explore historic churches knowledgeably, evaluate dates and restoration phases, interpret stained glass and monuments, and make their own discoveries. Written by one of the editors of the Pevsner Architectural Guides and distilling years of experience visiting churches, the book includes explanations of how to learn more from building plans, tips for further research, searching for clues, and analyzing the evidence.
The glossary is drawn from the vocabulary of the celebrated Pevsner Architectural Guides, and the famous designations E.E. and Perp are among the terms clearly explained.
An enthusiast's guide to exploring historic houses of England, this informative book, now in paperback, also enables readers to discover more about the history of their own houses. Users can learn to interpret domestic architecture, identify period styles, uncover the origins of a building, and understand why rooms are arranged in particular sequences, why window and chimney designs change through history, or why staircases are presented in a certain fashion. Color photography and informative line drawings illustrate the explanations and provide a rich visual history of domestic architecture from the earliest surviving dwellings to the most avant-garde developments.
From prehistoric Stonehenge and Avebury to railway age Swindon, the rolling countryside of Wiltshire encompasses every aspect of English building. Thirteenth-century Salisbury cathedral is set in a spacious close, within a planned medieval town, which boasts Georgian delights such as Mompesson House. Towns and villages range from Marlborough with its sweeping High Street to the exceptional Lacock, in the shadow of its abbey's remains, remodelled as an eighteenth-century Gothick fantasy. The great country houses include some of the finest in England: Palladian Wilton, with which Inigo Jones was involved, Stourhead set in its evocative classical landscape, the elegant eithteenth-century Bowood and the mellow Bath stone of Corsham Court.
Full of memorable and surprising buildings, Nottingham is a county that rewards close investigation. Great medieval churches are represented by Worksop, Newark and by Southwell, with its exquisite carved 'leaves'. Of its country houses, Wollaton Hall shows Elizabethan architecture at its most fantastic, Bunny Hall the English Baroque at its most bizarre, while Lord Byron's Newstead Abbey incorporates one of the strangest of all monastic ruins. The city of Nottingham, marvellously set between hills, is crowded with sturdy Victorian and Edwardian commercial buildings, and enlivened by a strong local tradition of first-rate Modernist architecture.
Dublin’s grand eighteenth-century set-pieces: Custom House, Four Courts, Bank of Ireland; are offset by a graceful Georgian cityscape, much of which remains intact. Rich and varied house interiors are also treated in full, many for the first time. The book features civic and commercial Victorian architecture, post-war buildings, and the buildings of a new generation of Irish architects. Two fine Gothic cathedrals remain from the medieval city, the full history of which is traced in an introduction to the volume.
The premier monument is Durham Cathedral, greatest of English Norman churches. Lovers of the Middle Ages will also seek out the county's exceptional Anglo-Saxon churches, while many of its great castles - Brancepeth, Raby, Auckland, Lambton - conceal palatial Georgian and Victorian interiors. The landscape varies dramatically, from the wilds of Teesdale and Weardale, in the west, to the pioneering industrial ports of Sunderland and Hartlepool on the coast, including fine gentry houses and stone-built market towns. South Tyneside and northern Cleveland, historically part of County Durham, are also covered.
Although so close to London this is still a rural area, with quiet country churches with fine monuments, timber-framed farmhouses, and some splendid country houses, of which the most celebrated is Cecil's Jacobean Hatfield House. At St Albans the remains of Roman Verulamium and the great early Norman abbey speak eloquently of older civilizations. The towns offer intriguing contrasts: Hertford, Bishop's Stortford and Hitchin still have the character of traditional market centres, while the new towns of Stevenage, Hemel Hempstead and Hatfield are important exemplars of planning ideals of the 1950s and 60s.
Pevsner wrote that "Leicestershire is not a county of extremes" and agreed that "no other county in England surpasses Rutland for unspoiled quiet charm". The large and the small Midland counties possess a varied and rewarding range of buildings. Church architecture encompasses the classical Normanton, preserved in remote isolation from the flood of Rutland Water, to Market Harborough with its elegant medieval steeple, and a fine group of Victorian churches in Leicester. The major country houses include Belvoir Castle, Staunton Harold and Burley-on-the-Hill, while the more modest homes of the late nineteenth century include notable work by Ernest Gimson, Voysey and a garden city at Leicester by Parker & Unwin. Leicestershire also possesses fine modern buildings, from its architecturally progressive schools to the justly renowned buildings of Leicester University, dominated by Stirling & Gowan's Engineering Building.
A comprehensive introduction to architecture and architectural history and exceptional in its approach, this book explores architecture as a current practice in relation to history and in relation to the wider context of cultures, conservation and the environment. This new edition brings in the new emphasis on sustainability, urbanism, urban regeneration and cultural identity, in order to take a holistic approach to the subject of architecture. Highly illustrated, this book enables the reader to make sense of the experience of architecture and the built environment by understanding more about the form, construction, meaning and history of the subject.