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Exercise Tiger: A series of operations off the South Devon coast in the spring of 1944, rehearsing for the forthcoming D-Day landings. Shrouded in mystery, one of these exercises ended in disaster for over 600 young American servicemen, as their operation was discovered by a patrol of German e-boats, which attacked, leaving two LSTs sunk and one badly damaged. The secret nature of these exercises, some claimed, led to a military cover-up and many families were not immediately informed of the nature of the deaths of their loved-ones. Over the months that followed, D-Day came and went, the war ended and there seemed little point in raking over this sorry affair. Exercise Tiger became a forgotten chapter in the annals of the Second World War. Using archive documents and images, this book recounts the history and personal accounts behind this tragic event, as well as examining the many subsequent conspiracy theories and exploring the evidence behind them. Illustrations: 75 black-and-white photographs
Prestigious contributors summarize current knowledge regarding the biosynthesis of tetrapyrrole pigments--chlorophyll, haem, vitamin B12. Describes the structure and regulation of key enzymes along with various pathways, molecular genetic studies and structural characterization of the natural biosynthetic intermediates.
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This book explores Gilles Deleuze's contribution to film theory. According to Deleuze, we have come to live in a universe that could be described as metacinematic. His conception of images implies a new kind of camera consciousness, one that determines our perceptions and sense of selves: aspects of our subjectivities are formed in, for instance, action-images, affection-images and time-images. We live in a matrix of visual culture that is always moving and changing. Each image is always connected to an assemblage of affects and forces. This book presents a model, as well as many concrete examples, of how to work with Deleuze in film theory. It asks questions about the universe as metacinema, subjectivity, violence, feminism, monstrosity, and music. Among the contemporary films it discusses within a Deleuzian framework are Strange Days, Fight Club, and Dancer in the Dark.