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Since its formation in 1974, the internationally renowned performing group, From Scratch, has developed a distinctive style of music using sophisticated rhythmic language and unique sculptural instruments. Group founder Philip Dadson and longtime member Don McGlashan have translated this twenty years of experience in to the exercises and game forms presented in The From Scratch Rhythm Workbook. This hands-on resource uses a body-based approach to rhythm and sound, including clapping, stamping, and simple vocals. A wide range of rhythmic and compositional concepts are introduced in exercises that are both fun to do and musically satisfying in themselves. The introductions and discussion notes accompanying each exercise emphasize natural functions such as heartbeat, breathing, sleeping-waking, and walking, to illustrate that our bodies are organized rhythmic systems and that this natural rhythm is the best basis for developing rhythmic skills.
The first comprehensive study of musical Holocaust representations in the Western tradition to examine both musical language and cultural value.
In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.
An exploration of artworks that use weather or atmosphere as the primary medium, creating new coalitions of collective engagement with the climate crisis. In a time of climate crisis, a growing number of artists use weather or atmosphere as an artistic medium, collaborating with scientists, local communities, and climate activists. Their work mediates scientific modes of knowing and experiential knowledge of weather, probing collective anxieties and raising urgent ecological questions, oscillating between the “big picture systems view” and a ground-based perspective. In this book, Janine Randerson explores a series of meteorological art projects from the 1960s to the present that draw on...
Employing rootedness as a way of understanding identity has increasingly been subjected to acerbic political and theoretical critiques. Politically, roots narratives have been criticized for attempting to police identity through a politics of purity—excluding anyone who doesn’t share the same narrative. Theoretically, a critique of essentialism has led to a suspicion against essence and origins regardless of their political implications. The central argument of Queer Roots for the Diaspora is that, in spite of these debates, ultimately the desire for roots contains the “roots” of its own deconstruction. The book considers alternative root narratives that acknowledge the impossibility...
In Community Music: In Theory and in Practice, Lee Higgins investigates an interventional approach to music making outside of formal teaching and learning situations. Working with historical, ethnographic, and theoretical research, Higgins provides a rich resource for those who practice, advocate, teach, or study community music, music education, music therapy, ethnomusicology, and community cultural development.
The most thorough study on the filmmakers who have defined New Zealand cinema from its origins to its current successes.
Charts the growth of sculpture from the era of British imports through the period of strong British influence to the more confident art of the twentieth century and beyond.
This volume is a collection of texts and documents selected from and illustrating the history of Artpool, a non-profit artist run institution in Budapest, established in 1979 by György Galántai and Júlia Klaniczay and operating since 1992 under the name of Artpool Art Research Center. The book focuses on Artpool’s direct antecedents (among them the events at György Galántai's Chapel Studio in Balatonboglár, 1970–1973), on the foundation, development, art projects and events, as well as the preferences and issues pertaining to art research (not independent of the historical and social environment they were conceived in) that had formed throughout the course of many years and decades...
In her debut collection of poems, Anna invites you to share a moment with her. There is the frustration of climbing Rangitoto as a child (short-legged, red with prickly heat), and her experience of wanting to hug her father after his heart operation (I'm too scared to hug him in case it bursts). Each poem is a moment, or a memory. Always with a strong sense of place and an eye for detail, Anna draws you in from the first word and by the end of it, you are no longer a stranger.