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Art of the Extreme 1905-1914
A SUNDAY TIMES BOOK OF THE YEAR The ten years leading up to the First World War were the most exciting, frenzied and revolutionary in the history of art. They were the crucible of Modernism, when Fauvism, Expressionism, Cubism, Futurism and Abstract Art all burst forth. Simultaneously the Old Master market boomed, and art itself was politically weaponised in advance of approaching war. What was the conventional art against which Modernism was rebelling? Why did avant-garde artists become so obsessed with themselves? What persuaded a few bold collectors to buy difficult modern art? And why did others pay so much money for Old Masters? Art expert Philip Hook brings to bear a unique perspective on the art of a unique and extreme decade.
Rogues' Gallery
Philip Hook takes the lid off the world of art dealing to reveal the brilliance, cunning, greed and daring of its practitioners. In a richly anecdotal narrative he describes the rise and occasional fall of the extraordinary men and women who over the centuries have made it their business to sell art to kings, merchants, nobles, entrepreneurs and museums. From its beginnings in Antwerp, where paintings were sometimes sold by weight, to the rich hauteur of the contemporary gallery in London, Paris and New York, art dealing has been about identifying what is intangible but infinitely desirable, and then finding clients for whom it is irresistible. Those who have purveyed art for a living range ...
Breakfast at Sotheby's
Breakfast at Sotheby's is a wry, intimate, truly insider-y exploration of how art acquires its financial value, from Philip Hook, a senior director at Sotheby's When you stand in front of a work of art in a museum or exhibition, the first two questions you normally ask yourself are 1) Do I like it? And 2) Who's it by? When you stand in front of a work of art in an auction room or dealer's gallery, you ask these two questions followed by others: how much is it worth? how much will it be worth in five or ten years' time? and what will people think of me if they see it hanging on my wall? Breakfast at Sotheby's is a guide to how people reach answers to such questions, and how in the process art...
The Soldier in the Wheatfield
Parnello Moran buys a German romantic landscape at an auction, but then it's stolen from him. When he sets out to recover it he discovers all its recent owners met violent deaths. Gradually he uncovers a deeper past, and the biggest surprise of all - the secret of the soldier in the wheatfield.
The Question that Never Goes Away
Some days, the news seems too much to bear. Yet another tsunami or earthquake or flood or fire or war atrocity. One more gun-toting madman stalking young people in idyllic Norway or moviegoers in Colorado or schoolchildren in Newtown, Connecticut. We turn off the news only to get a phone call about expectant parents with a stillborn baby, or a loved one whose cancer has returned. If we have faith in God, it gets shaken to the core. What was God doing in the moment when that tragedy could have been prevented? If we can't trust God to keep our children safe or our loved ones from dying in agony, what can we trust God for? In his classic book WHERE IS GOD WHEN IT HURTS?, Philip Yancey gave us p...
An Innocent Eye
A man is found dead in a London hotel room, the only clue to his identity a polaroid of a lost Impressionist painting. A young man inherits his mother's diaries and realises her early life in France was much more eventful than he'd realised. And as the extent of the past's effect on the present becomes clear, Daniel is caught up in a web of conspiracy and betrayal that began decades ago.
Hook and Eye
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The Ultimate Trophy
In 1892 Degas' painting In the Café was sold for a mere 180 guineas at auction, with the public hissing as the hammer fell. Less than a century later another Impressionist work, Renoir's Moulin de la Galette, sold at Sotheby's for $78 million, accompanied by enthusiastic applause. In this history-cum-memoir Philip Hook, Senior Director of Sotheby's Impressionist and Modern Art department, examines the public's change of heart toward Impressionism. Starting with its shocking novelty and confounding style, he traces the impact of the Impressionist painting as it spread to Germany, America, and Great Britain, polarizing modernists and conservatives. Equally fascinating is the story of Impressionism's change in status. More than exceptionally pretty pictures, Impressionist works have become a currency in their own right, being bought and sold like blue-chip stock - coveted as much for their monetary worth as for their intrinsic beauty. Drawn from Hook's own experiences with art collectors and dealers, this fascinating chapter in art history is narrated through the lens of today's art market.
Napoleonic Heavy Cavalry & Dragoon Tactics
During the Napoleonic Wars the supreme battlefield shock weapon was the heavy cavalry – the French cuirassiers, and their British, Austrian, Prussian and Russian counterparts. Big men mounted on big horses, the heavy cavalry were armed with swords nearly a metre long, used for slashing or thrusting at their opponents; many wore steel armour, a practice revived by Napoleon. They were tasked with smashing a hole in the enemy's line of battle, with exploiting a weakness, or with turning a flank. Their classic manoeuvre was the charge; arrayed in close-order lines or columns, the heavy cavalry would begin their attack at the walk, building up to a gallop for the final 50 metres before impact. Illustrated with diagrams, relevant paintings and prints and specially prepared colour plates, this is the first volume of a two-part study of the cavalry tactics of the armies of Napoleon and those of his allies and opponents. Written by a leading authority on the period, it draws upon drill manuals and later writings to offer a vivid assessment of how heavy cavalry actually fought on the Napoleonic battlefield.
