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"With this book, Philip Skerry makes an ambitious and largely successful effort to restore perspective to the debate that has swirled around Psycho since Hitchcock first ripped back the shower curtain of our expectations in 1960 and plunged his knife into the collective cinematic consciousness." - John Baxter, Film International Psycho in the Shower is a multi-dimensional study of Psycho's astonishing shower scene. Philip J. Skerry shows how it may be the most significant and influential film scene of all and substantiates this claim by providing chapters on the evolution of the scene in Hitchcock's career, with particular focus on his methods for creating suspense and terror in the audience...
Alfred Hitchcock and the cinema grew up together. Born in 1899, four years after the first 'official' film showing in Paris, Hitchcock demonstrated an early fascination with the new art of the cinema. He entered the film industry in 1920, and by 1925, he had directed his first feature-length film, The Pleasure Garden. His subsequent film career paralleled the phenomenal growth of the film industry during the years 1925-1976, the year of his last film. In the same way, Hitchcock's films are consonant with the revolutionary theories in the fields of physics and cosmology that were transforming the twentieth century, personified by the genius of Albert Einstein. Philip Skerry's book applies the theories of dark energy, entropy, black holes, and quantum mechanics to Hitchcock's technological genius and camera aesthetics, helping to explain the concept of 'pure cinema' and providing verification for its remarkable power. Including interviews with influential physicists, this study opens up new ways of analyzing Hitchcock's art.
This study places the shower scene in Hitchcock's Psycho within its cinematic, sociological and critical contexts. It locates the film within the personal and professional experiences of the author. The methodology depends upon a melding of first person narration with a close analysis of the film's mise en scene and montage, as these techniques evolve in Hitchcock's oeuvre and culminate in the shower scene.
This book is an original study of one scene in one movie: the shower scene from Alfred Hitchcock's Psycho, and it includes extended interviews with individuals who worked on the original film-including Janet Leigh, Hilton Green, and Joseph Stefano. The chapters take a range of approaches to film criticism, covering aspects of Hitchcock's career, the techniques and methods he used to generate suspense and terror, and the extraordinary impact that this one scene had on moviegoers when they saw it for the first time. The new edition includes a new foreword by a renowned Hitchcock scholar; a new introduction surveying the ever-increasing amount of scholarship and criticism devoted to Psycho and the shower scene; an interview with Amy Duddleston, who edited Gus Van Sant's 1998 shot-for-shot remake of Psycho; an interview with Marli Renfro, who was the (nude) stand-in for Janet Leigh in the shooting of the original shower scene; and a chapter on the music in the shower scene by scholar Steven Smith, author of the definitive book on the composer Bernard Herrmann, Hitchcock's key collaborator on Psycho and several other of his key films.
The essays presented in this book focus on Psycho, both the novel by Robert Bloch (1950) and the film by Alfred Hitchcock (1960). Therefore, the different approaches range from film studies to literary criticism. Norman Bates has become an icon of the late twentieth century horror genre, and the movie set the basis for later cinematic developments. Over 50 years after the release of the book and the movie it inspired, new readings, revisions and adaptations of the domestic tragedy of Norman Bates and his mother are still being produced, as recently as Sacha Gervasi’s Hitchock in 2012. Now the curtains (either on the stage or in the bathroom) are about to open and a most peculiar house – with its silhouette and endorsement of doom – is waiting up on the hill. No cameras or pencils are allowed; you’re invited to a ritual that only your eyes will view and your imagination will embody. Leave all hope behind and enter at your own risk. The Bates’ terrifying rollercoaster welcomes you. Nothing is over here … at least not until it overcomes you.
In A Place for Wonder, Georgia Heard and Jennifer McDonough discuss how to create "a landscape of wonder," a primary classroom where curiosity, creativity, and exploration are encouraged. For it is these characteristics, the authors write, that develop intelligent, inquiring, life-long learners. The authors' research shows that many primary grade state standards encourage teaching for understanding, critical thinking, creativity, and question asking, and promote the development of children who have the attributes of inventiveness, curiosity, engagement, imagination, and creativity. With these goals in mind, Georgia and Jennifer provide teachers with numerous, practical ways--setting up "wond...
Whale sharks are the largest of all fishes, fascinating for comparative studies of all manner of biological fields, including functional anatomy, growth, metabolism, movement ecology, behavior and physiology. These gentle ocean giants have captured the interest of scientists and the imagination of the public, yet their future is uncertain. The conservation status of whale sharks was upgraded to Endangered on the IUCN Red List and the species faces a range of intense threats from human activities. Can these iconic living animals, who have survived for millions of years, survive us? Written by the world’s leading experts in whale shark biology, ecology, and conservation, Whale Sharks: Biolog...
An examination of the groundbreaking 1960 film directed by Alfred Hitchcock, including the story's origins in real-life graverobber Ed Gein. The book presents material from the script and how it was adapted from Robert Bloch's novel; details of the film's production, particularly the shower scene and other technical difficulties; actors and the challenges of their roles; extended literary analysis of the film covering such devices as irony, symbol, theme, motif and foil; and the film's effect on audiences. Features 16 photographs, notes, bibliography and index.
This study provides the first book-length critical history of storyboarding, from the birth of cinema to the present day and beyond. It discusses the role of storyboarding in key films including Gone with the Wind , Psycho and The Empire Strikes Back , and is illustrated with a wide range of images.