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A richly textured account of the writer’s three sojourns in New England “illuminates Hawthorne’s art and the intellectual ferment originating in that small, bucolic town” (Publishers Weekly). On his wedding day in 1842, Nathaniel Hawthorne escorted his new wife, Sophia, to their first home, the Old Manse in Concord, Massachusetts. There, enriched by friendships with Thoreau and Emerson, he enjoyed an idyllic time. But three years later, unable to make enough money from his writing, he returned ingloriously, with his wife and infant daughter, to live in his mother’s home in Salem. In 1853, Hawthorne moved back to Concord, now the renowned author of The Scarlet Letter and The House o...
The author of Hawthorne in Concord “brings [Stowe] to life in all her glory, in a book at once so dramatic and so subtle that it rivals the best fiction” (Debby Applegate, author of The Most Famous Man in America). Harriet Beecher Stowe’s Uncle Tom’s Cabin forced an ambivalent North to confront the atrocities of slavery, yet it was just one of many accomplishments of the Beechers, the most eminent American family of the nineteenth century. Historian Philip McFarland follows the Beecher clan to the boomtown of Cincinnati, where Harriet’s glimpses of slavery across the Kentucky border moved her to pen Uncle Tom’s Cabin. We meet Harriet’s loves: her father Lyman, her husband Calvi...
Philip K. Dick was a visionary writer of science fiction. His works speak to contemporary fears of being continually watched by technology, and the paranoia of modern life in which we watch ourselves and lose our sense of identity. Since his death in 1982, Dick's writing remain frighteningly relevant to 21st century audiences. Dick spent his life in near poverty and it was only after his death that he gained popular and critical recognition. In this new collection of essays, interviews, and talks, Philip K Dick is rediscovered. Concentrating both on recent critical studies and on reassessing his legacy in light of his new status as a "major American author," these essays explore, just what happened culturally and critically to precipitate his extraordinary rise in reputation. The essays look for his traces in the places he lived, in the SF community he came from, and in his influence on contemporary American literature and culture, and beyond.
Since their inception, detective novels have been a wildly successful genre of American fiction, featuring a uniquely American belief in rugged individualism. This book focuses on Raymond Chandler's creation of Philip Marlowe, a detective whose feeling for community and willingness to compromise radically changed the genre's vigilantism and violence. It compares Chandler's work to early and mid-20th century American detective novels, particularly those by John Carroll Daly, Mickey Spillane, Dashiell Hammett and Ross Macdonald, as well as contemporary British detective fiction, highlighting Chandler's contribution to the American genre.
Vince Gilligan's Breaking Bad is a central work in the recent renaissance in television-making. The visionary scope and complexity of the series demand rigorous critical analysis. This collection of new essays focuses on a variety of themes. Walter White is discussed as father, psychopath and scientist and as an example of masculinity. The essayists examine the series in terms of gender, neo-liberal politics and health care reform, as well as the more traditional aesthetic categories of narrative construction, experimentation, allusion and genre. With television the dominant artistic medium of early 21st century America, Breaking Bad should be viewed as a superbly designed work reflecting widespread cultural concerns.
Documents and reports related to a cession of surplus lands by the Nez Percé tribe.
None of the spectators who gathered on the Hudson River shore on August 17, 1808, could have known the importance of the object they had come to see and, mostly, deride: Robert Fulton's new steamboat. But as Kirkpatrick Sale shows in this remarkable biography, Fulton's "large, noisy, showy, fast, brash, exciting, powerful, and audacious" machine would -- for better or worse -- irrevocably transform nineteenth-century America. Set against a brilliant portrait of a dynamic period in history, The Fire of His Genius tells the story of the fiercely driven man whose invention opened up America's interior to waves of settlers, created and sustained industrial and plantation economies in the nation's heartland, and facilitated the destruction of the remaining Indian civilizations. Probing Fulton's genius but also laying bare the darker side of the man -- and the darker side of the American dream -- Kirkpatrick Sale tells an extraordinary tale with deftness, zest, and unflagging verve.
This edited collection brings together an introduction and 13 original scholarly essays on AMC's The Walking Dead. The essays in the first section address the pervasive bloodletting of the series: What are the consequences of the series' unremitting violence? Essays explore violence committed in self-defense, racist violence, mass lawlessness, the violence of law enforcement, the violence of mourning, and the violence of history. The essays in the second section explore an equally urgent question: What does it mean to be human? Several argue that notions of the human must acknowledge the centrality of the body--the fact that we share a "blind corporeality" with the zombie. Others address how...
As baby boomers gray, cinematic depictions of aging and the aged are on the rise. In the horror genre, fears of growing old take on fantastic proportions. Elderly characters are portrayed as either eccentric harbingers of doom--the crone who stops at nothing to restore her youth, the ancient ancestor who haunts the living--or as frail victims. This collection of new essays explores how various filmic portrayals of aging, as an inescapable horror destined to overtake us all, reflect our complex attitudes toward growing old, along with its social, psychological and economic consequences.