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Cultural Studies Review
The October 2008 Cultural Studies Review is a special issue focusing on cultures of panic, particularly recent examples of moral panic arising from issues of race, gender and sexuality. The diverse essays deal with 'men of Middle Eastern appearance', the trial of Private Kovko, the aftermath of Hurricane Katrina, the use of Ritalin, concerns around children and sexuality in Australia, and arts funding in the United States during the 'culture wars'. The moral panic has centrally to do with the behaviour of crowds, particularly the virtual crowds created by the mass media. It's a mechanism of expulsion, and thus at the same time of group solidarity. It's also a particularly powerful genre of t...
Mabos Cultural Legacy
More than any other event in Australia’s legal, political and cultural history, the High Court of Australia’s 1992 Mabo decision challenged previous ways of thinking about land, identity, belonging, the nation and history. Now, more than a quarter of a century after Mabo, this book examines the broader impacts of this landmark legal decision on various forms of Australian culture and cultural practice. How is Australia’s post-Mabo imaginary being reflected, refracted and articulated in contemporary film, fiction, poetry, biography and other forms of cultural expression? To what extent has the discussion and practice of history, linguistics, anthropology and other branches of the humani...
Islam Dreaming
From the Malay pearl divers of Broome to the Afghan camel drivers of the interior, Muslims have lived and worked in Australia for more than three centuries. This comprehensive account reveals the life stories of the Muslim pioneers and their descendants as they formed bonds with the indigenous people of Australia. Interviews with more than 50 contemporary Indigenous Muslims convey the spiritual journeys and personal perspectives of this incredible population.
Grappling with Societies and Institutions in an Era of Socio-Ecological Crisis
Grappling with Societies and Institutions in an Era of Socio-Ecological Crisis is an autobiographical ethnography of the journey through various societies and institutions and how they function in the midst of an era of socio-ecological crises. The volume traces the steps of the author in becoming a radical anthropologist, namely through the experience of immigration and naturalization from Peru to the United States and then to Australia, politicization while working as an engineer in the aircraft industry during the late 1960s, socialization in and subsequent exit from Roman Catholicism, and experiences as an academic working in the corporate university. As well, the author illuminates the practices of research and engagement as a scholar-activist on various topics, such as the Levites of Utah and African American Spiritual churches, socio-political and religious life in East Germany, complementary and alternative medicine, the Australian climate movement, and democratic eco-socialism.
Who's Who?
Brings together for the first time essays that consider a range of high-profile cases of literary hoaxing, identity crisis or imposture in Australian literature. Critics explore the history of hoaxing and imposture, and consider the cultural and political issues at stake. Nolan at Australian Catholic University.
Ngapartji Ngapartji
In this innovative collection, Indigenous and non-Indigenous scholars from Australia and Europe reflect on how their life histories have impacted on their research in Indigenous Australian Studies. Drawing on Pierre Nora’s concept of ego-histoire as an analytical tool to ask historians to apply their methods to themselves, contributors lay open their paths, personal commitments and passion involved in their research. Why are we researching in Indigenous Studies, what has driven our motivations? How have our biographical experiences influenced our research? And how has our research influenced us in our political and individual understanding as scholars and human beings? This collection trie...
Romancing the Tomes
With contributions by scholars from the UK, Canada, Australia and New Zealand, this provocative collection of essays explores the uneasy relationship between law and popular culture from a feminist perspective.
