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Drawing and Painting the Landscape
Capturing the landscape on paper requires the artist to look - to look deep into the distance and deep into the soul. This practical book celebrates the genre of landscape painting - the wonder of discovering the extraordinary in the everyday scene. Philip Tyler looks in detail at the materials, techniques and approaches needed to paint the landscape, and offers advice on how to portray space, light, atmosphere and different weather conditions. Supported by the words and images of other notable artists, he explains how to transfer one's emotional response to the landscape onto paper or canvas. There are exercises to support the 50 lessons in the book and over 300 colour images illustrate the text.
Drawing and Painting the Nude
Artists have always been fascinated with portraying the nude: the beauty and nuances of the human figure are endlessly absorbing. This practical and inspirational book celebrates and continues that enduring and beautiful tradition by encouraging you to discover your own talent and style. Philip Tyler looks in detail at the key skills and themes, such as perception, proportion, composition, colour and facture, that the artist needs. He then investigates ideas and styles, and encourages you to interpret the nude so your paintings have those elusive qualities of vitality and relevance, which can turn a painting into a masterpiece. He explores the practical, technical and philosophical problems of drawing and painting the nude, with exercises to support each lesson and over 300 images illustrate the text. Aimed at both novices and art graduates, this practical and inspirational guide is illustrated throughout with 320 colour images and there are exercises to support the fifty lessons.
Sir Edward Coke and the Reformation of the Laws
This study of Edward Coke's legal thought reinterprets the political and legal thought of early Stuart England.
History and Genealogy of Fenwick's Colony
Reprint of the original, first published in 1876.
Playwriting
Containing a wealth of exercises for individuals and groups involved in making theatre, this text offers a practical guide to the creation of text for live performance.
Just Loving Gerald
★ ★ ★ ★ ★THAT DAMNED MAN IS BACK. ★ ★ ★ ★ ★ This is not good. She isn't ready for her late husband's best friend now. Widowed Rhea Masterson is finally finding her footing again after losing her husband so suddenly three years ago. Life is good—her sons have all married and are making her the grandchildren she adores. She is happy now. Until he came back home, anyway. Retired general-turned-diplomat Gerald Talley is moving his overly rigid hiney in right next door. The man is militant, bossy, arrogant, clueless and just a real pain in the neck. Seeing him brings the memories of the only man she would ever love. Gerald and her husband had been almost inseparable for deca...
