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I Wonder as I Wander
Louisville native John Jacob Niles (1892–1980) is considered to be one of our nation's most influential musicians. As a composer and balladeer, Niles drew inspiration from the deep well of traditional Appalachian and African American folk songs. At the age of sixteen Niles wrote one of his most enduring tunes, "Go 'Way from My Window," basing it on a song fragment from a black farm worker. This iconic song has been performed by folk artists ever since and may even have inspired the opening line of Bob Dylan's "It Ain't Me Babe." In I Wonder as I Wander: The Life of John Jacob Niles, the first full-length biography of Niles, Ron Pen offers a rich portrait of the musician's character and car...
Art of the Cherokee
"In addition to tracing the development of Cherokee art, Power reveals the wide range of geographical locales from which Cherokee art has originated. These places include the Cherokee's tribal homeland in the southeast, the tribe's areas of resettlement in the West, and abodes in the United States and beyond to which individuals subsequently moved. Intimately connected to the time and place of its creation, Cherokee art changed along with Cherokee social, political, and economic circumstances. The entry of European explorers into the Southeast, the Trail of Tears, the American Civil War, and the signing of treaties with the U.S. government are among the transforming events in Cherokee art history that Power discusses."--BOOK JACKET.
Ordering the Facade
Proposing a new way to map intersections of photography and American literature, Katherine Henninger demonstrates the importance of pinpointing specific cultural and subcultural history. "Ordering the Facade" traces the visual and literary cultures of sou
An Appalachian Farmer's Story
In contrast to the generally negative view of Appalachia as a subculture of hopeless poverty and deprivation, this book shows a very different picture. Roy Anderson was a resourceful though poor farmer, but also a talented cabinetmaker, musical instrument maker, and lay preacher, and at age 80 he tells with modesty the story of his life. Roy's words are accompanied by evocative black and white photographs?descriptive of his life with his sister on the farm, his cabinet shop, the community, and his church life. They give a pictorial dimension to a hard but enterprising life lived with dignity on one of the few remaining small farms in a particular community in southwestern Virginia. Roy begins by telling of his earliest memories. As these are becoming things of the past, we can all learn a great deal about life in Roy's time and place while gaining insight into an inspiring life in a rich American culture most of us would like to know more about.
Weavers of the Southern Highlands
Weaving centers led the Appalachian Craft Revival at the beginning of the twentieth century. Soon after settlement workers came to the mountains to start schools, they expanded their focus by promoting weaving as a way for women to help their family's financial situation. Women wove thousands of guest towels, baby blankets, and place mats that found a ready market in the women's network of religious denominations, arts organizations, and civic clubs. In Weavers of the Southern Highlands, Philis Alvic details how the Fireside Industries of Berea College in Kentucky began with women weaving to supply their children's school expenses and later developed student labor programs, where hundreds of students covered their tuition by weaving. Arrowcraft, associated with Pi Beta Phi School at Gatlinburg, Tennessee, and the Penland Weavers and Potters, begun at the Appalachian School at Penland, North Carolina, followed the Berea model. Women wove at home with patterns and materials supplied by the center, returning their finished products to the coordinating organization to be marketed. Dozens of similar weaving centers dotted mountain ridges.
Synopsis
Lists the scholarly publications including research and review journals, books, and monographs relating to classical, Hellenistic, Biblical, Byzantine, Medieval, and modern Greece. The 11 indexes include article title and author, books reviewed, theses and dissertations, books and authors, journals, names, locations, and subjects. The format continues that of the second volume. All the information has been programmed onto the disc in a high-level language, so that no other software is needed to read it, and in versions for DOS and Apple on each disc. Annotation copyrighted by Book News, Inc., Portland, OR
Journal of Moral Theology, Volume 10, Special Issue 1
Introduction: Trends in Post-Vatican II Scholarship on Scripture and Moral Theology William C. Mattison III On Pilgrimage with Abraham: How a Patriarch Leads Us in Formation in Faith Jana M. Bennett Joseph the Just and Matthew’s Matrix of Mercy: The Redefinition of Righteousness Jonathan T. Pennington “Repent for the Kingdom of Heaven is at Hand!ˮ (Mt 3:1 and 4:17): Conversion in the Gospel and the Christian Life Anton ten Klooster “Those He Predestined He Also Calledˮ (Romans 8:30): Aquinas on the Liberating Grace of Conversion Daria Spezzano Almsgiving as an Integral Practice of Repentance for Christian Discipleship: The Gospel of Luke and Daniel 4:24 James W. Stroud A Defense of the Command/Counsel Distinction Based on Matthew 19 and 1 Corinthians 7 John Meinert Newness of Life and Grace Enabled Recovery from Addiction: Walking the Road to Recovery with Romans 7 Andrew Kim
A New Heartland
This study investigates American rurality and modernity as mutually sustaining concepts, and centres on women's engagement with those concepts. The aim is to articulate a different mode of American modernism that signals meaning and appeal for women and to show how that mode responds to prevalent attitudes in the culture at large.
The Filson Club History Quarterly
Includes list of members.
