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Monthly Bulletin
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Gender and Social Norms in Ancient Israel, Early Judaism and Early Christianity: Texts and Material Culture
The aim of the present conference volume is to study the interrelationship of literary and material approaches to historical investigation of gender. Paradigmatically the significance and meaning of gender and sexuality is explored in the context of private and public, religious and secular spaces. Historical, cultural, and social norms (and deviations) of daily life are examined through the lens of textual, archaeological, and art historical investigations to interpret relics of ancient Israelite, Jewish, and Christian communities from the Iron Age through Late Antiquity. Scholars from varied disciplines such as biblical and classical archaeology, epigraphy, Old and New Testament exegesis and religious studies assembled to engage in a dialogue involving both texts and material culture.
Bulletin
Quarterly accession lists; beginning with Apr. 1893, the bulletin is limited to "subject lists, special bibliographies, and reprints or facsimiles of original documents, prints and manuscripts in the Library," the accessions being recorded in a separate classified list, Jan.-Apr. 1893, a weekly bulletin Apr. 1893-Apr. 1894, as well as a classified list of later accessions in the last number published of the bulletin itself (Jan. 1896)
Bulletin
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The Writer
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The Concise Cinegraph
This comprehensive guide is an ideal reference work for film specialists and enthusiasts. First published in 1984 but continuously updated ever since, CineGraph is the most authoritative and comprehensive encyclopedia on German-speaking cinema in the German language. This condensed and substantially revised English-language edition makes this important resource available to students and researchers for the first time outside its German context. It offers a representative historical overview through bio-filmographical entries on the main protagonists, from the beginnings to the present day. Included are directors and actors, writers and cameramen, composers and production designers, film theorists and critics, producers and distributors, inventors and manufacturers. An appendix includes short introductory essays on specific periods and movements, such as Early Film, Weimar, Nazi Cinema, DEFA, New German Cinema, and German film since unification, as well as on cinematic developments in Austria and Switzerland. Sections that crossreference names around specific professional groups and themes will prove equally invaluable to researchers.
Authors and Subjects
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