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Tomas wants to be like his father - strong, brave and fearless. Pappi is a mountain guide, often away from home. He has taught Tomas to love the mountains, but also to fear their dangers - the winds and blizzards, the treacherous paths, the giddying slopes. Above all, Tomas fears the Brockenspectre - a huge, shadowy creature that lives alone in the heights, waiting for unwary climbers. Its looming figure haunts his thoughts and his dreams. When Pappi goes out one day and fails to return, Tomas knows it's up to him to search - up on the high mountain passes, where dangers await. Will Tomas find his father . . . or will the Brockenspectre find him?
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Skepticism Films: Knowing and Doubting the World in Contemporary Cinema introduces skepticism films as updated configurations of skepticist thought experiments which exemplify the pervasiveness of philosophical ideas in popular culture. Philipp Schmerheim defends a pluralistic film-philosophical position according to which films can be, but need not be, expressions of philosophical thought in their own right. It critically investigates the influence of ideas of skepticism on film-philosophical theories and develops a typology of skepticism films by analyzing The Truman Show, Inception, The Matrix, Vanilla Sky, The Thirteenth Floor, Moon and other contemporary skepticism films. With its focus on skepticism as one of the most significant philosophical problems, Skepticism Films provides a better understanding of the dynamic interplay between film, theories of film and philosophy.
Unveränderter Nachdruck der Originalausgabe von 1862.