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This unique, richly illustrated book confronts the elusive questions: how, and why, do we look at art? Beginning with an enigmatic fragment of yellow jasper - all that is left of the face of an Egyptian woman who lived 3,500 years ago - Philippe de Montebello, longest-serving director of the Metropolitan Museum of Art, and art critic Martin Gayford met and talked on two continents and in six countries in art galleries, churches and museums. Whether they were in the Louvre or the Prado, the Mauritshuis or the Pitti, they reveal the pleasures - and some of the pitfalls - of truly looking at works of art. This is neither a work of art history nor of criticism - though it touches on both. The result is highly unusual and very personal: a book about what it feels like to experience pictures and sculptures.
During the economic boom of the 1990s, art museums expanded dramatically in size, scope, and ambition. They came to be seen as new civic centers: on the one hand as places of entertainment, leisure, and commerce, on the other as socially therapeutic institutions. But museums were also criticized for everything from elitism to looting or illegally exporting works from other countries, to exhibiting works offensive to the public taste. Whose Muse? brings together five directors of leading American and British art museums who together offer a forward-looking alternative to such prevailing views. While their approaches differ, certain themes recur: As museums have become increasingly complex and...
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"Issued in conjunction with the exhibition ... held at the Metropolitan Museum of Art, New York, from April 10, 1991, through June 16, 1991"--T.p. verso.
This newly revised guide to the vast collections and buildings of the Metropolitan Museum of Art, including the Cloisters, decribes nearly 900 works of art from the museum's 18 curatorial departments, selected by its director Philippe de Montebello, ranging from the art of the ancient world to that of the present day. 869 illustrations, 829 in full color.
Alain Elkann has mastered the art of the interview. With a background in novels and journalism, and having published over twenty books translated across ten languages, he infuses his interviews with innovation, allowing them to flow freely and organically. Alain Elkann Interviews will provide an unprecedented window into the minds of some of the most well-known and -respected figures of the last twenty-five years.
The re-creation of classically inspired armor is invariably associated with Filippo Negroli, the most innovative and celebrated of the renowned armorers of Milan.