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The Arts Entwined
This collection of essays by musicologists and art historians explores the reciprocal influences between music and painting during the nineteenth century, a critical period of gestation when instrumental music was identified as the paradigmatic expressive art and theoretically aligned with painting in the formulation ut pictura musica (as with music, so with painting). Under music's influence, painting approached the threshold of abstraction; concurrently many composers cultivated pictorial effects in their music. Individual essays address such themes as visualization in music, the literary vs. pictorial basis of the symphonic poem, musical pictorialism in painting and lithography, and the influence of Wagner on the visual arts. In these and other ways, both composers and painters actively participated in interarts discourses in seeking to redefine the very identity and aims of their art. Also includes 17 musical examples.
Butterflies & Barbarians
The Swiss missionaries played a primary role in explaining Africa to the literate world in the late nineteenth and early twentieth centuries. This book emphasises how these European intellectuals, brought to the deep rural areas of southern Africa by their vocation, formulated and ordered knowledge about the continent. Central to this group was Junod who became a pioneering collector in the fields of entomology and botany. He would later examine African society with the methodology, theories and confidence of the natural sciences. On the way he came to depend on the skills of African observers and collectors. Out of this work emerged, in three stages between 1898 and 1927, an influential cla...
Embroiled
Apartheid posed profound challenges to the conceptions of humanity and development that dominated the world stage after World War II. Embroiled analyzes the manner in which international religious organizations dealt with the formulation and implementation of apartheid. The book studies this through an examination of the Swiss Mission in South Africa (SMSA), an institution that acted in South Africa, Switzerland, and the international ecumenical community. As a socially embedded institution, the SMSA mirrored divisions present within Swiss and South African societies on the issue of apartheid. *** Embroiled brings out the complex, even turbulent, nature of a missionary society: at once political intermediary, spiritual guide and non-government organisation. Caught between different communities and discrete continents, missionaries discussed and debated their role in South Africa and attempted, however fitfully, to respond to the changes that swept through the country, particularly as opposing nationalisms fought to seize hold of it. ~ From the Preface (Series: Schweizerische Afrikastudien - Etudes africaines suisses - Vol. 9)
The Spirit of Leadership
In 2023, Reuel Khoza unsealed a letter to the future, which he had written in 1999 when he was chair of Eskom, at the time recognised as the best power utility in the world. It was an optimistic letter, expressing hopes that have since been dashed by corruption and maladministration – by a failure of ethical leadership. Khoza has written about leadership before – considering the importance of intelligence, emotional intelligence and social awareness. Now he broadens his focus to explore the role of spirituality – a ‘faith quotient’ – in transformational leadership. The Spirit of Leadership is about faith in humanity and, above all, faith in God. It is about being an African and a Christian, and a strong believer in the virtues of ubuntu, Africa’s philosophy of humanness. It is about ancestral wisdom and modern leadership. It is about progress through ethical behaviour and good governance in business. Finally, it is about innovations of the spirit that are needed to save South Africa – and indeed the world – from a spiral of despair. This is a vital and timely book for a country that needs to rediscover its moral compass.
The Spiritual in the Secular
David Livingstone's visit to Cambridge in 1857 was seen as much as a scientific event as a religious one. But he was by no means alone among missionaries in integrating mission with science and other fields of research. Rather, many missionaries were remarkable, pioneering polymaths. This collection of essays explores the ways in which late-nineteenth- and twentieth-century missionaries to Africa contributed to various academic disciplines, such as linguistics, ethnography, social anthropology, zoology, medicine, and many more. This volume includes an introductory chapter by the editors and eleven chapters that analyze missionary research and its impact on knowledge about African contexts. Several themes emerge, including many missionaries' positive views of indigenous discourses and the complicated relationship between missionaries and professional anthropologists. Contributors: John Cinnamon Erika Eichholzer Natasha Erlank Deborah Gaitskell Patrick Harries Walima T. Kalusa John Manton David Maxwell John Stuart Dmitri van den Bersselaar Honoré Vinck
The Conquest of Ruins
The Roman Empire has been a source of inspiration and a model for imitation for Western empires practically since the moment Rome fell. Yet, as Julia Hell shows in The Conquest of Ruins, what has had the strongest grip on aspiring imperial imaginations isn’t that empire’s glory but its fall—and the haunting monuments left in its wake. Hell examines centuries of European empire-building—from Charles V in the sixteenth century and Napoleon’s campaigns of the late seventeenth and early eighteenth centuries to the atrocities of Mussolini and the Third Reich in the 1930s and ’40s—and sees a similar fascination with recreating the Roman past in the contemporary image. In every case—particularly that of the Nazi regime—the ruins of Rome seem to represent a mystery to be solved: how could an empire so powerful be brought so low? Hell argues that this fascination with the ruins of greatness expresses a need on the part of would-be conquerors to find something to ward off a similar demise for their particular empire.
Le Corbusier and the Occult
"Le Corbusier grew up in La Chaux-de-Fonds in Switzerland, a city described by Karl Marx as "one unified watchmaking industry." Among the unifying social structures of La Chaux-de-Fonds was the Loge L'Amitié, the Masonic lodge with its francophone moral, social, and philosophical ideas, including the symbolic iconography of the right angle (rectitude) and the compass (exactitude). Le Corbusier would later describe these as "my guide, my choice" and as his "time-honored ideas, ingrained and deep-rooted in the intellect, like entries from a catechism." Through exhaustive research that challenges long-held beliefs, J.K. Birksted's Le Corbusier and the Occult traces the structure of Le Corbusier's brand of modernist spatial and architectural ideas based on startling new documents in hitherto undiscovered family and local archives."--Publisher.
Potential Images
In Potential Images Dario Gamboni explores ambiguity in modern art, considering images that rely to a great degree on a projected or imaginative response from viewers to achieve their effect. Ambiguity became increasingly important in late 19th- and early 20th-century aesthetics, as is evidenced in works by such artists as Redon, Cezanne, Gauguin, Ensor and the Nabis. Similarly, the Cubists subverted traditional representational conventions, requiring their viewers to decipher images to extract their full meanings. The same device was taken up in the various experiments leading to abstraction. For example, it was Kandinsky's intention that his work could be interpreted in both figurative and non-figurative ways, and Duchamp's Readymades suggested the radical conclusion that 'it is the beholder who makes the picture'. These invitations to viewers to participate in the process of artistic communication had social and political implications, as they accorded artist and beholder symmetrical, almost interchangeable, roles.
Theses on the Metaphors of Digital-Textual History
Digital spaces are saturated with metaphor: we have pages, sites, mice, and windows. Yet, in the world of digital textuality, these metaphors no longer function as we might expect. Martin Paul Eve calls attention to the digital-textual metaphors that condition our experience of digital space, and traces their history as they interact with physical cultures. Eve posits that digital-textual metaphors move through three life phases. Initially they are descriptive. Then they encounter a moment of fracture or rupture. Finally, they go on to have a prescriptive life of their own that conditions future possibilities for our text environments—even when the metaphors have become untethered from the...
Black
The story of the color black in art, fashion, and culture—from the beginning of history to the twenty-first century Black—favorite color of priests and penitents, artists and ascetics, fashion designers and fascists—has always stood for powerfully opposed ideas: authority and humility, sin and holiness, rebellion and conformity, wealth and poverty, good and bad. In this beautiful and richly illustrated book, the acclaimed author of Blue now tells the fascinating social history of the color black in Europe. In the beginning was black, Michel Pastoureau tells us. The archetypal color of darkness and death, black was associated in the early Christian period with hell and the devil but als...
