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Devil Ship
Evil haunts the high seas… For as long as she can remember, Sara Hansen dreamed of living in paradise. Sinking her family’s savings into the Pirate Cove resort, Sara and her husband relocate to the beautiful island of Sainte Isabel. But a shadow clouds the island’s pristine shores. And when Sara researches the island’s history, she uncovers tales of an ancient pirate named Lemaitre. According to local legend, this cruel buccaneer was so evil, even Hell refused to claim his soul. And the island’s residents believe his haunted ship still prowls the waters off Sainte Isabel’s coast. When a shady salvage captain goes missing, Sara is convinced he has run afoul of the demonic pirate. Ignored by the local police, she investigates the mysterious disappearance on her own. But some secrets were not meant to be disturbed. And Sara soon finds herself entangled in the terrifying curse of Lemaitre and his descendants. The Devil’s ship sails on the full moon, ready to claim another soul. Will Sara be the next victim to join its cursed crew?
Brian Friel
Surveying the life, work and accolades of Irish playwright Brian Friel, this literary companion investigates his personal and professional relationships and his literary topics and themes, such as belonging, violence, patriarchy and hypocrisy. Character summaries describe his most significant figures, particularly St. Columba, the victims of Derry's Bloody Sunday, and Hugh O'Neill, the Lord of Tyrone. Entries analyze Friel's style in detail, from his column in the Irish Times and his short fiction in the New Yorker to his most recent plays, Philadelphia, Here I Come!, Translations, and Dancing at Lughnasa.
Governing the Tongue in Northern Ireland
How free is the Northern Irish writer to produce even a short poem when every word will be scrutinised for its political subtext? Is the visual artist compelled to react to the latest atrocity? Must the creative artist be aware of his or her own inculcated prejudices and political affiliations, and must these be revealed overtly in the artwork? Because of these and other related questions, the recent work by Northern Irish writers and visual artists has been characterised by an inward-looking self-consciousness. It is an art that relays its personal responses in guarded, often coded ways. Characterised by obliquity and self-reflexivity, the art does not simply re-present events and the artis...
Dante on View
Dante on View opens an important new dimension in Dante studies: for the first time a collection of essays analyses the presence of the Italian Medieval poet Dante Alighieri in the visual and performing arts from the Middle Ages to the present day. The essays in this volume explore the image of Dante emerging in medieval illuminated manuscripts and later ideological and nostalgic uses of the poet. The volume also demonstrates the rich diversity of projects inspired by the Commedia both as an overall polysemic structure and as a repository of scenes, which generate a repertoire for painters, actors and film-makers. In its original multimediality, Dante's Commedia stimulates the performance of readers and artists working in different media from manuscript to stage, from ballet to hyperinstruments, from film to television. Through such a variety of media, the reception of Dante in the visual and performing arts enriches our understanding of the poet and of the arts represented at key moments of formal and structural change in the European cultural world.
In the Wake of the Tiger
The field of Irish Studies has undergone a period of great fruitfulness over the last decade. Concurrent with the economic revolution and subsequent financial crash, an immense interest in the island of Ireland and her cultural practices has been apparent from parts of the globe, and academic debate on Irish culture and society has been intense and prosperous. This volume contains a number of essays which approach a variety of issues raised within the framework of post-“Celtic Tiger” Ireland, with contributions from scholars working in Europe. The book is divided into four sections: on Trauma Studies, on the relationship between Ireland with Europe and the rest of the world, on Audiovisual Studies and on Ireland and the Celtic Tiger. The essays reflect a variety of issues which are of great relevance to an understanding of the world of Irish Studies at the end of the first decade of the twenty-first century.
Uncertain Futures
Marking Roy Foster's retirement from the Carroll Professorship of Irish history at the University of Oxford, and recognising his extraordinary career as a historian, literary critic, and public intellectual, this essay collection charts Foster's career while reflecting on developments in the field of Irish history writing, teaching, and research.
Intermedial Art Practices as Cultural Resilience
This innovative collection of essays is focused on the idea of transmedialization: the ways that the traditional forms of the predominantly oral cultures of Scotland and Brittany (poetry, song and story) can be transformed by the use of hybrid forms and new digital technologies. The volume invites readers from a range of disciplines – music, art, literature, history, cultural memory studies, anthropology or media studies – to consider how an intermedial aesthetics of the edge can enable these distinctive cultures to thrive. The languages of both cultures are presently endangered and the essays seek to connect notions of language with a culture which can align its traditions with the conc...
Metrics at Work
From Circulation Numbers to Web Analytics: Journalists and their Readers in the United States and France -- Utopian Beginnings: A Tale of Two Websites -- Entering the Chase for Clicks: Transatlantic Convergences -- The Multiple Meanings of Clicks: Journalists and Algorithmic Publics -- The Fast and the Slow: Producing Online News in Real Time -- Between Exposure and Unpaid Work: Compensation and Freelance Careers in Online News -- Conclusion.
