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"Philippe Lacoue-Labarthe (1940-2007) was a professor of philosophy, and also a poet, a translator and a playwright. His life and work were dedicated to the philosophical and political movements of the post-1968 era, from his communal life together with Jean-Luc Nancy to his collaborations with Jacques Derrida. These movements also carried him towards disparate modes of writing such as poetry and theatre. The tension between Lacoue-Labarthe's timely and untimely meditations governs the approach in this study, the first to attempt an accessible and comprehensive account of this forceful thinker."
This book presents an interpretation of a volume of poetry and theoretical reflections (Phrase) by the late Philippe Lacoue-Labarthe, who is widely known as one of the major contributors to thinking about the relation between philosophy and literature in the continental tradition. His work has shaped the deconstructive approach to the question of the subject and has opened important paths of research relating to the topic of literary mimesis. Along with Jean-Luc Nancy, he made very important contributions in the areas of romantic literary theory and psychoanalytic theory. Christopher Fynsk's analysis of Phrase focuses principally on two of its key motifs. Fynsk first deals with the theme of infancy and draws forth the deep relation to Blanchot that is revealed in this text. The second motif which organizes the narrative of the autobiographical component of Phrase (which Lacoue-Labarthe entitles "a history of renunciation") names the condition of modern poetic speech. Thus, Fynsk interprets the history of renunciation and elucidates the meaning of what Lacoue-Labarthe terms "literature."
This is the first full-length book in English on the noted French philosopher Philippe Lacoue-Labarthe. Martis introduces the range of Lacoue-Labarthe's thinking, demonstrating the systematic nature of his philosophical project. Focusing in particular on the dynamic of the loss of the subject and its possible post-deconstructive recovery, he places Lacoue-Labarthe's achievements in the context of related philosophers, most importantly Nancy, Derrida, and Blanchot. John Martis, S.J. teaches at the United Faculty of Theology, Melbourne, Australia, as a member of Jesuit Theological College, where he is Professor of Philosophy and Academic Principal.
The first complete English translation of Lacoue-Labarthes most innovative and original work, exploring the very origins of experience, language, desire, and mortality. Philippe Lacoue-Labarthe (19402007) is widely acknowledged in his native France and in the English-speaking world as one of the most important philosophers of his generation and an exceptionally rigorous reader of Heidegger, Hölderlin, Benjamin, Blanchot, and Celan. An astute thinker of the political and a far-reaching and decisive analyst of the place of theater and music in Western metaphysics, Lacoue-Labarthe also had another, clandestine passion for something called poetry or literature, though he would remai...
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An analysis of the historical position of Paul Celan's poetry, this book addresses the question of a lyric language that would not be the expression of subjectivity. Lacoue-Labarthe defines the subject as the principle that founds, organizes, and secures both cognition and action, a figure not only of domination but of the extermination of everything other than itself.
This book is a close reading of Jacques Lacan's seminal essay, "The Agency of the Letter in the Unconscious or Reason Since Freud, " selected for the particular light it casts on Lacan's complex relation to linguistics, psychoanalysis, and philosophy. It clarifies the way Lacan renews or transforms the psychoanalytic field, through his diversion of Saussure's theory of the sign, his radicalization of Freud's fundamental concepts, and his subversion of dominant philosophical values. The authors argue, however, that Lacan's discourse is marked by a deep ambiguity: while he invents a new "language," he nonetheless maintains the traditional metaphysical motifs of systemacity, foundation, and truth.
"The Subject of Philosophy" presents a sustained examination of the relation between literature and philosophy with special emphasis on the problem of the subject and of representation. Spanning the history of philosophy from Plato and Aristotle to Hegel, Nietzsche, Freud, and Heidegger, and addressing such major moments in the history of literature as Greek tragedy and German romanticism, The book repeatedly raises the question whether philosophy's very attempts to distinguish itself from literature are not conditioned and exceeded by a fundamental inextricability of the two. In these readings, Lacoue-Labarthe focuses on such issues as the nature of fiction and of figurative language, the f...
This book assembles the key essays of two of the most celebrated continental philosophers and provides a sharp and highly original recasting of the notion of the political today.
With its innovative narrative structure and its controversial explorations of race, gender and empire, Joseph Conrad's Heart of Darkness is a landmark of 20th century literature that continues to resonate to this day. This book brings together leading scholars to explore the full range of contemporary philosophical and critical responses to the text. Conrad's Heart of Darkness and Contemporary Thought includes the first publication in English of philosopher Philippe Lacoue-Labarthe's essay, 'The Horror of the West', described by J. Hillis Miller as 'a major essay on Conrad's novel, one of the best ever written'. In the company of Lacoue-Labarthe, leading scholars explore new readings of Conrad's text from a full range of theoretical perspectives, including deconstructive, psychoanalytic, narratological and postcolonial approaches. Drawing on the very latest insights of contemporary thought, this is an essential study of one of the most important literary texts of the 20th century.