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The most important exponent of the Gothic Revival in English architecture was Augustus Welby Pugin, who in a short working period, from 1835 until his death in 1852, designed more than a hundred buildings, wrote eight books, and established a flourishing business for the production of metalwork and stained glass. Pugin, a Catholic convert, who equated Gothic architecture with Christianity, expressed his profound religious convictions in his writings and in the building of such churches as St Giles, Cheadle, and St Barnabas, Nottingham. He also designed convents, monasteries, schools, and houses, but is perhaps best known for his superb decorations for the Houses of Parliament. Pugin was well ahead of his time in his advocacy of purity and function in architectural design, but his single-minded assertive perfectionism and fidelity to medieval style earned him many contemporary attacks. This authoritative study by Phoebe Stanton, Associate Professor of the History of Art at The Johns Hopkins University, constitutes an exhaustive and perceptive re-assessment of Pugin's status.
With meticulous research and carefully chosen illustrations, Phoebe Stanton here explores the influence of the English Gothic revival on American church architecture in the mid-nineteenth century, arguing that this fundamentally conservative movement provided a foundation for a new aesthetic. Examining the writings of the movement's leading proponents as well as a variety of important buildings, Stanton offers a comprehensive survey of the architectural principles and models that became most influential in America. She also confirms the importance of the Cambridge Camden Society, which provided the theoretical atmosphere and practical examples that helped to establish new standards of excellence in American architecture.
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- "Fascinating, resourceful, and thoughtful from beginning to end." - David Morgan, Duke University - "Deftness and discerning insight." - Leigh Eric Schmidt, Washington University in St. Louis "Brilliantly researched and intellectually nuanced... In sum: a pleasure to read and to ponder." - Sally M. Promey, Yale University
Teaching in the Art Museum investigates the mission, history, theory, practice, and future prospects of museum education. In this book Rika Burnham and Elliott Kai-Kee define and articulate a new approach to gallery teaching, one that offers groups of visitors deep and meaningful experiences of interpreting art works through a process of intense, sustained looking and thoughtfully facilitated dialogue.--[book cover].
In a period scarred by apprehensions of revolution, war, invasion, poverty and disease, elite members of society lived in fear of revolt. Boyd Hilton examines the changes in society between 1783-1846 and the transformations from raffish and rakish behaviour to the new norms of Victorian respectability.