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African Freedom
The push for independence in African nations was ultimately an incomplete process, with the people often left to wrestle with a partial, imperfect legacy. Rather than settle for liberation in name alone, the people engaged in an ongoing struggle for meaningful freedom. Phyllis Taoua shows how the idea of freedom in Africa today evolved from this complex history. With a pan-African, interdisciplinary approach, she synthesizes the most significant issues into a clear, compelling narrative. Tracing the evolution of a conversation about freedom since the 1960s, she defines three types and shows how they are interdependent. Taoua investigates their importance in key areas of narrative interest: the intimate self, gender identity, the nation, global capital, and the spiritual realm. Allowing us to hear the voices of African artists and activists, this compelling study makes sense of their struggle and the broad importance of the idea of freedom in contemporary African culture.
Forms of Protest
Written in clear, jargon-free prose that both students and specialists will appreciate, this is the first book in the Studies in African Literature series to place African literature in firm dialog with France and the Caribbean.
The Nouveau Roman and Writing in Britain After Modernism
This volume explores the influence of the avant-garde French novel form known as Nouveau Roman on experimental prose fiction and post-war literary culture in Britain.
The Cambridge Companion to the African Novel
Africa's strong tradition of storytelling has long been an expression of an oral narrative culture. African writers such as Amos Tutuola, Naguib Mahfouz, Wole Soyinka and J. M. Coetzee have adapted these older forms to develop and enhance the genre of the novel, in a shift from the oral mode to print. Comprehensive in scope, these new essays cover the fiction in the European languages from North Africa and Africa south of the Sahara, as well as in Arabic. They highlight the themes and styles of the African novel through an examination of the works that have either attained canonical status - an entire chapter is devoted to the work of Chinua Achebe - or can be expected to do so. Including a guide to further reading and a chronology, this is the ideal starting-point for students of African and world literatures.
Tragedy and Postcolonial Literature
Provides a new way of reading Western tragedy alongside texts from the postcolonial world so as to cross-illuminate each other.
Negritude Women
The Negritude movement, which signaled the awakening of a pan-African consciousness among black French intellectuals, has been understood almost exclusively in terms of the contributions of its male founders: Aime Cesaire, Leopold Sedar Senghor, and Leon G. Damas. This masculine genealogy has completely overshadowed the central role played by French-speaking black women in its creation and evolution. In Negritude Women, T. Denean Sharpley-Whiting offers a long-overdue corrective, revealing the contributions made by four women -- Suzanne Lacascade, Jane and Paulette Nardal, and Suzanne Roussy-Cesaire -- who were not merely integral to the success of the movement, but often in its vanguard. Th...
The Cambridge Companion to the African Novel
An overview of the key novels and novelists of the continent, covering multiple cultures and languages.
Sounds Senses
Sounds Senses takes sound as a point of departure for engaging the francopphone postcolonial condition. Offering a synthetic overview of sound studies, the book dismantles the oculocentrism and retinal paradigms of francophone postcolonial studies. It introduces two primary theoretical thrusts - the unheard and the unintegrated - to the project of analyzing, extending, and rejuvenating francophone postcolonial studies.
The Ethics of Representation in Literature, Art, and Journalism
This transnational collection of essays, interviews, and creative pieces on the 1982 Siege of Beirut explores literary representations of the siege by a diverse set of writers alongside journalism and other media including film and art. The book investigates and promotes an awareness of an ethics of representation on questions of extreme emotional investment, comparing representations of the siege to representations of other traumatic events, visiting responses from those of different cultural backgrounds to the same event and considering implications with respect to comparative approaches. Chapters explore how literature, journalism and art contribute to overcoming the dangers of forgetting...
Uncommon Wealths in Postcolonial Fiction
Uncommon Wealths in Postcolonial Fiction engages urgently with wealth, testing current assumptions of inequality in order to push beyond reductive contemporary readings of the gaping abyss between rich and poor. Shifting away from longstanding debates in postcolonial criticism focused on poverty and abjection, the book marshals fresh perspectives on material, spiritual, and cultural prosperity as found in the literatures of formerly colonized spaces. The chapters ‘follow the money’ to illuminate postcolonial fiction’s awareness of the ambiguities of ‘wealth’, acquired under colonial capitalism and transmuted in contemporary neoliberalism. They weigh idealistic projections of indivi...
